Tag: FICTION

Books of Interest
 Website: chetyarbrough.blog

There Is Simply too Much to Think About (Collected Nonfiction) 

Author: Saul Bellow

Narration by: Malcolm Hillgartner

Saul Bellow (Author, Canadian-American novelist who has been awarded the Nobel Prize in Literature, and the Pulitzer Prize.)

This is a daunting book by an accomplished novelist who explains what makes reading fiction and nonfiction worth one’s time and attention. The range of subjects Bellow covers is immense. He not only writes about literature but politics, philosophy, Jewish identity, American culture, history, and other subjects that overwhelm a reader/listener. Bellow suggests good nonfiction and fiction are about characters who write about life that makes them important enough to have meaning to readers and purpose for writers. A writer creates an understanding of characters in the context of a society in which they live. A good writer’s attention is given to the contradictions and complexity of living life. What Bellow means by nonfiction writers is those who witness life unfolding and relate that understanding from a perspective which may or may not resonate or at least be understood by a reader.

Though Bellow mentions few female authors, he shows strong opinions about famous male authors.

Bellow offers a tour of twentieth century writers he believes are examples of good nonfiction writers. He notes Ralph Ellison, Phillip Roth, and J.D. Salinger as examples of great nonfiction writers. At the same time, Bellow explains how deeply his life feeds into his writing. He reveals his own strengths and weaknesses. He acknowledges being drawn into trendy ideas of others that gloss over truth and mislead readers with contradictions. Like all human beings, Bellow can be misled by second-hand assertions about historic events and characters that lack verifiable truth. The result may be misrepresentation and sometimes cruel judgements about private lives and the history of humanity. Written misrepresentations reveal as much about the writer as the subject.

Ralph Ellison (Author of “Invisible Man”)

Bellow offers some warnings to readers of both good and bad writers. He suggests a reader should be careful about reading too much into writer’s characters or experience in a story. One thinks of Ellison’s “Invisible Man” and how it reshaped many readers understanding of race and identity. Ellison is not writing a protest novel. It is about social invisibility, Black identity, politics, and the meaning of life. Phillip Roth’s Colman Silk is accused of racism and forced to retire but he is not a racist. He is obviously falsely accused because he is secretly African American passing as white. Truth of a story is revealed in detail created by good writing.

Though not having personally read Bellow’s books, he notes that his writing is largely based on episodes from his own life.

Being born in a Montreal Jewish slum and raised as an immigrant in Chicago he experiences discrimination as a baby born in a Montreal slum and as an immigrant on Chicago streets. The working-class environment of Chicago streets gave Bellow a level of freedom and exposure to life as just another young boy finding his way in life. He could measure himself against more diverse life experiences in Chicago without losing his Jewish identity. As an immigrant, it added to his identity and broadened his understanding of life as a human being. He became streetwise in responding to the world.

The experience of life.

Bellow clearly illustrates a personal belief and understanding about life. He is an obvious master of American language. His intellect and curiosity are overwhelming. There is an emotional and moral seriousness that is sometimes funny and at others quite confrontational. He masterfully turns lived experience into art. There is a level of overconfidence in his judgement and personal contradictions crop up in his writing. On the one hand he distrusts ideology but writes a highly ideological view of writing. He defends the importance of art but criticizes culture. He lauds intellectual independence while insisting on his own beliefs. He is a bit combative toward academics, critics, and seems somewhat dismissive or impatient with those who struggle with his opinions. The title of Bellow’s book says it all–“There is Simply Too Much to Think About”.

Bellow believes the arts are the essential ingredient of what Martin Luther King’s quote depends upon.

Bellow is very judgmental about the writers he reviews in his “…Much to Think About” book. His greatest praise goes to Ralph Ellison, Phillip Roth, James Joyce, and Franz Kafka. His sharpest criticism is of Updike, Hemmingway, T.S. Eliot, Salinger, and James Baldwin. Updike is called too polished, Hemingway too emotionally shallow, Eliot too culturally conservative, Salinger too mystical, and Baldwin too damaged by ethnic prejudice. Despite his criticism, Bellow finds their works have power and meaning implying they are worth reading. Most who recognize or have read some or all of these authors will likely find them worth the time and effort to read them and come to their own conclusions.

“There is Simply Too Much to Think About” is a time-consuming read with a depth of understanding about writing that gives one “…Too Much to Think About” because of its author’s humbling intelligence. The fundamental point Bellow makes is that art is as important as science for the advance of society.