Tag: FICTION

A WRITER’S LIFE

Bogg’s biography of James Baldwin shows human beings should not be judged by their racial identity or sexual orientation.

Books of Interest
 Website: chetyarbrough.blog

BALDWIN (A Love Story)

Author: Nicholas Boggs

Narration by: Ron Butler

Nicholas Boggs (Author, born in Washington D.C., a civil rights activist, raised in Cleveland as the son of a civil rights lawyer who was also a music teacher. Received a BA from Yale and PhD in English from Columbia University.)

Nicholas Boggs shows why his biography of James Baldwin is “A Love Story”. Baldwin’s difficult life as a young Black American raised in Harlem offers speculative insight to homosexuality and racism. Baldwin grew up with a stepfather he feared. His stepfather was a stern, authoritarian, and abusive man who worked as a Pentecostal preacher who “raised” James from the age of two or three. His stepfather is said to have beaten him, told Baldwin he was ugly and would never amount to anything. His stepfather died in 1943 when James Baldwin was 19 years old, James became caregiver for his mother and eight siblings.

Treavor Noah’s autobiography writes of his abusive stepfather.

As a voracious reader of books and early sexual liaisons, Baldwin leaves Harlem to go to Paris.

As a 24-year-old, Baldwin scrapes enough money together to travel to Paris where he grew to become a great writer, not just another Black American. Despite a stepfather who disliked white people, James grew to overcome physical and mental abuse through belief in God in his youth and belief in humanity as an adult.

In Paris, the 24-year-old Baldwin falls in love with a white 17-year-old youngster who influences his life with experiences that lead to his success as a writer. Lucian Happersberger and Baldwin become life-long friends.

Lucien Happersberger and James Baldwin in their youth.

Having lived in the household of a Pentecostal Preacher, James initially chose to become a preacher. But, at the age of 17, he left the pulpit and rejected belief in God. Boggs infers Baldwin’s pursuit of literature replaced his belief in God because Christianity sanctifies rather than condemns racism. He felt the church was limiting and dogmatic. His stepfather embodied a religion of fear and bitterness that his stepson would not accept.

The themes of “Go Tell It on the Mountain”, Baldwin’s first published book, is about faith, religion, sin, morality, race, racism, gender, patriarchy, and one’s search for identity.

“Go Tell It on the Mountain” is an autobiographical view of life and growth to manhood as a child raised in Harlem. It took ten years to write “…the Mountain”. It released him from the ghost of his stepfather’s cruelty and set the stage for his exploration of race, religion, sexuality, and personal identity.

Beaufort Delaney (Artist who befriended and became a mentor to James Baldwin.)

Boggs identifies four men that had the greatest influence on Baldwin’s life. His mentor becomes Beauford Delaney, a gay Black American painter he met when he was 16 years old. Delaney was 39 when he met Baldwin. Delaney became a major figure in American modernist painting and the Harlem Renaissance in the 1930s and 40s. He introduced Baldwin to life and encouraged him to become an artist. Delany’s homosexuality helped Baldwin deal with his race and sexual orientation. He helped Baldwin believe in himself and put him on a path toward becoming a literary artist. They were friends for forty years when Delaney died in 1979. Baldwin died 8 years later, acknowledging Delaney as his mentor and guide through his tumultuous life.

Lucien Happersberger (On the far left of James Baldwin.)

The success of “Go Tell It on the Mountain” confirmed Baldwin’s reputation as a writer. Baldwin found truth in the books he read and the life he began to live in Paris. At the age of 24, Baldwin left his family in Harlem to become a writer in Paris. In Paris he falls in love with Lucien Happersberger, a 17-year-old white bisexual who became more relevant to his life than the fire and brimstone of religion. Baldwin grew to believe in the underlying equality of all human beings regardless of the color of their skin or their sexual orientation. His journey to this understanding is what makes the biography the “…Love Story” of Baldwin’s life. Though Lucien and Baldwin remain lifelong friends, Lucien chooses to marry an actress in 1964 which ends Baldwin’s romantic relationship but not Lucien’s outsized influence on his life.

An ironic vignette in Boggs story is Baldwin meeting Richard Wright in America, and later in Paris. Wright’s published book “Native Son” made him famous. “Native Son” is published in the 1940s. The main character in Wright’s book is Bigger Thomas, an impoverished, unemployed, African American, 20-year-old living in a 1930’s Chicago ghetto.  He lives with his mother, sister, and brother in a rat infested one room tenement, owned by a wealthy family that is about to offer him a job. Though Baldwin admired Wright’s achievement, he felt “Native Son” identified Bigger Thomas (Wright’s main character) as a symbol of oppression rather than a fully realized human being. This is an interesting insight to what Baldwin does in “Go Tell It on the Mountain”. Baldwin introduces more complexity to the Black experience of life. I’m not sure either Boggs or Baldwin are offering a fair assessment of “Native Son” because Wright clearly shows the environment in which Bigger Thomas lives. Any human being raised in Bigger Thomas’s circumstance is likely to be emotionally challenged and unbalanced.

Richard Wright (Author of “Native Son”)

History shows a rift is created between Wright and Baldwin because of Baldwin’s criticism. To this reader/listener, both are great writers of what is wrong with white or any dominant sexually or racially dominant society.

Baldwin’s abusive domineering stepfather and submissive mother.

Boggs explains why Baldwin’s biography is “A Love Story”. The cruelty of his stepfather drove Baldwin away from belief in God to a love for humanity. One wonders what his stepfather’s cruelty may have had to do with Baldwin’s sexual orientation. The artist, Beaufort Delaney, offers a refuge to Baldwin from his stepfather’s cruelty and helps him reconcile to his sexual identity and a belief in all humans’ equal rights. Lucien helped Baldwin understand love, intimacy, and the equality of human beings. Lucien decides to marry an actress in 1964 but remains a lifelong friend to Baldwin.

Boggs’ biography of Baldwin shows sexual orientation is not, and should never be, a crime. One cannot know what makes a person homosexual, bisexual, asexual, or heterosexual. Bogg’s biography of James Baldwin shows human beings should not be judged by their racial identity or sexual orientation.

SHERLOCK HOLMES REDUX

“The Secret of Secrets” is an entertaining adventure that makes one wish they had the genius of its main character, Robert Langdon.

Books of Interest
 Website: chetyarbrough.blog

The Secret of Secrets 

Author: Dan Brown

Narration by: Paul Michael

Dan Brown (Author, famous American writer of thrillers who wrote “The Da Vinci Code” and “Angels and Demons” among others.)

Dan Brown’s fictional Robert Langdon is made famous by Tom Hanks in the “Da Vinci Code” and “Angels & Demons” movies. The author’s “…Secret of Secrets” will add to Brown’s fame. Brown is a polished writer who has created another imaginative story that blends myth with belief that is as entertaining as Sir Arthur Conan Doyles’ adventures of Sherlock Holmes.

Like Sherlock Holmes, Robert Langdon is a polymath who has knowledge of science and life that beggars one’s imagination.

To remind listeners of Brown’s earlier works, his hero is Robert Langdon, a Harvard professor of religious iconology and symbology. Langdon’s extraordinary ability is like Sherlock Holmes’ in that he can integrate knowledge with abstruse details of Brown’s created characters and circumstances. Langdon is a friend of Katherine Solomon, a scientist who has written a book that allegedly explains how human consciousness exists after physical death. Solomon argues consciousness is a fundamental force in the universe that challenges belief in materialism and religious doctrine. Consciousness beyond death challenges belief in ethics, free will, and the fundamental nature of reality. Consciences of every deceased person lives in a cosmic space containing the many minds of all humans that have died. There is no God. This cosmic consciousness influences the direction of all human life by being accessible to living human beings.

What is consciousness?

If Solomon’s idea gained purchase in society, Brown’s story infers it would challenge the foundations of society. It would challenge religious beliefs and create political and social instability. The idea of consciousness as an eternal force of nature is viewed as a threat to the ways of the world. An organization run by an obscure and secretive group led by Everett Finch views Solomon’s thesis as a threat to society and the world in which his power and influence would be diminished. The book Solomon has written is to be erased from the world of knowledge. Finch’s plan is for Ms. Solomon to be murdered, and her research and book destroyed.

Like AI, the ramifications of consciousness beyond death would be revolutionary.

The setting of the story is in Prague, Czechoslovakia because of its reputation as a mystical area of the world with its history, and ancient architecture. Ms Solomon is there to participate in a lecture in Prague, a beautiful city that is associated with mythical beliefs like the Jewish belief in Golems that were originally identified as protectors and then evolved into murderers without conscience or purpose.

Brigita Gessner is a neuroscientist in Prague who is experimenting with the principle of consciousness as the underlying biological theory of eternal consciousness that is similar to Solomon’s belief. Gessner is being targeted for elimination by a Golem as an agent manipulated by Finch’s organization.

Golems were once identified as protectors that became murderers who lost their way without understanding their original purpose.

“The Secret of Secrets” is an entertaining adventure that makes one wish they had the genius of its main character, Robert Langdon.

CHILD ABUSE

The complexity of Freida McFadden’s character relationships diminishes its appeal, but the point of the story is that child abuse takes many forms which often repeat themselves in future generations.

Books of Interest
 Website: chetyarbrough.blog

THE INTRUDER 

Author: Freida McFadden

Narration by: Joe Hempel, Patricia Santomasso, Tina Wolstencroft

Freida McFadden (Author, practicing physician, specializing in brain injury.)

Freida McFadden’s book is a mess. The story is burdened by too many relationship complications. On the other hand, it reveals the hardship children face when raised by parents who lose control of their minds. The base story is about a 12- or 13-year-old girl named Ella. She is being raised by her mother who is a hoarder struggling to cope with life. As a single mother with a young girl, her hoarding complicates her daughter’s life. The house in which they live is a pigsty because of the hoarding. The odor of spoiled fruits and food permeates the clothing that Ella wears to school. Her mother often locks her daughter in a closet when she leaves the house. The closet is dark, cramped, and smelly from the mother’s hoarding mania. She punishes her child with the lit end of a cigarette when her daughter complains about anything.

Child abuse statistics.

Ella dreams of escaping to a better life while coping with school and hiding the trauma she endures with her mother’s mental instability. Ella fantasizes the idea of finding her father who she does not know. She makes friends with a young boy of her age who has anger issues because his father drinks too much and is abusive toward his son and wife. As Ella and the boy become closer, a serious assault incident at school results in the boy being permanently expelled. Ella has lost the support of her best friend and is faced with the instability of her mother’s behavior. Ella wishes for a better life and searches for evidence of her father as a way of escaping and improving her life. That search appears to be a dead end.

Ella’s mother hooks up with a man who becomes a boyfriend with a violent temper.

A fight between the two leads to Ella’s mother being stabbed. Blood from her wounds splatters her daughter from head to foot. Ella sets the house on fire and runs to the woods near her neighborhood where she cowers in a shed. The shed is next to a house rented by a teacher who has been fired by the school that had hired her. There is a storm brewing as Ella cowers in the shed next to the former teacher’s house. The former teacher named Casey, sees a light in the shed and cautiously approaches it to find Ella, a bloody mess lying on the shed floor. Ella is the intruder of McFadden’s story.

The value of this story lies in the reality of children being raised in families that abuse their children through neglect, psychological, or physical abuse.

McFadden’s story is of a neglectful and deranged mother who is incapable of caring for herself, let alone a child. Every child that survives their childhood is impacted by parents whether sane or mentally unbalanced. Most children are raised by single or married parents. Others are taken away by State sponsored childcare facilities or escape abusive parents to live on the street.

How a child responds to their parents or the way they deal with life is like the predictive quality of quantum physics.

How a child responds to how they are raised is unpredictable. That is the substantive meaning of “The Intruder”, a story that keeps one in suspense but does not appear likely to end well. It is a story that many children live in America and presumably in other countries of the world. The complexity of McFadden’s character relationships diminishes its appeal, but the point of the story is that child abuse takes many forms which often repeat themselves in future generations.

THE ARTIST

Fredrick Backman’s story shows how the best and worst adults come from the admixture of life. “My Friends” is a funny and barely believable story, written by a highly entertaining and accomplished writer.

Books of Interest
 Website: chetyarbrough.blog

My Friends (A Novel)

Author: Fredrik Backman

Narrated By: Marin Ireland

Fredrik Backman (Author, Swedish blogger and columnist, also wrote “A Man Called Ove”.

Fredrik Backman’s “My Friends” is an immensely entertaining story that fulfills the meaning of the word “wry”. A definition of wry is “ironically or grimly humorous”. What “My Friends” shows is that the life of a child is as much luck as innate ability and choice.

The main character of “My Friends” is Louisa, a 17-year-old foster child living on the street. She has a preternatural ability to draw and appreciate a work of art.

Backman’s story infers human beings are born with a genetic inheritance reinforced or discouraged by life experiences. Louisa never knows her father and is raised by a mother who drinks herself to death. Louisa is shunted to a neighbor’s care who abandons her to child services. She escapes into the streets of a city where reader/listeners find her meeting a disheveled and apparently ill person outside an art auction house. Louisa is drawing small red fish on a building wall when she is joined by this stranger who begins drawing skulls on the same wall. This chance meeting changes the course of Louisa’s life.

As luck and circumstance would have it, the artist (Kimkim aka C. Jat) is a painter whose work Louisa has admired over her short years of life. She has carried a post card (which she cherishes) that shows the artist’s famous work that is being auctioned. She does not realize the person she is talking to is the artist.

Monet’s “Water Lillies” as an example of a famous work that has been auctioned several times with the last auction amounting to $65.5 million.

Some days later the artist dies in a hospital with his lifelong friend, Ted, at his side. Ted has purchased the world-renowned painting done by the artist. Ted had bid the highest amount for the work because Kimkim wished to give the work to the young girl he had met painting red fish on the wall on which he was painting skulls. Because of his fame, the painting takes all Kimkim had saved over the years of his life.

A skull painter named Jean-Michel Basquiat is referred to as an artist emulated by Kimkim.

The author has set the table for his story. Kimkim dies and asks his life partner, Ted, to give the painting to the homeless girl. There is a fairy tale quality to the story, but it opens one’s mind to the serendipitous nature of life. Children live lives in a world of other’s making. Formative years of every child range from horrendous to beatific. Louisa is just one example of the happenstance of life for a young girl. It makes one think of the horrendous circumstances of children who are raised in war torn countries or on the streets of the homeless in America or other countries that fail to care for the indigent. Louisa’s story is “every child’s” story that is far from ideal but as real as life in the anywhere world.

There is a fairy tale quality to the story, but it opens one’s mind to the serendipitous nature of life.

The twists and turns of Backman’s story have Ted reluctantly taking Louisa under his wing while she maneuvers to escape and leave the valuable painting to Ted. She returns to the street as an 18-year-old young woman on her own. Louisa leaves Ted asleep on a train car with the boxed painting by his side because she does not believe the valuable painting should be hers. A reader/listener is only half-way through this imaginative story. It is not a book one will put down before learning how it ends.

Backman’s story shows how the best and worst adults come from the admixture of life. “My Friends” is a funny and barely believable story, written by a highly entertaining and accomplished writer.

LIFE’S JOURNEY

Gaige’s writing is crisp, insightful, entertaining, and highly relatable. It gets to the heart of life’s struggles without being judgmental or accusatory.

Books of Interest
 Website: chetyarbrough.blog

Heartwood 

Author: Amity Gaige

Narrated By:  Justine Lupe & 5 more

Amity Gaige (Author, lecturer in English at Yale University, 2017 Guggenheim Fellow in Fiction.)

“Heartwood” is a well written, creative, and insightful novel about human fragility. It begins with a lost hiker on the Appalachian Trail. One may recall newspaper articles about this trail where many famous and infamous people have been known to travel. What is less well known is the trail is 2,197-miles long and crosses 14 states. Amity Gaige writes a story of one lost hiker, but it is much more. Of course, it is about search and rescue that reveals how complicated it is to find someone who is lost in a wilderness. In a public hiking trail, at least in the pre-Trump era, national government employees were available to conduct search and rescue services in national parks. There are many local volunteers who aide in these searches, but it is managed by experienced park rangers. Gaige reveals the inner fears and reality of one who is lost in life as well as in a wilderness. The creativity of the author is in her reveal of human nature. All people struggle to live lives that mean something but exhibit physical and mental flaws that get in the way.

There are many ways one becomes lost.

The lost hikers name is Valerie Gillis. The primary searcher is Bev Miller, a lieutenant in charge of search and rescue teams when someone is lost on the Appalachian Trail. Those who are rescued, and those who rescue, live lives of equal unpredictability. (Bev Miller’s mother is in a health care facility for the elderly who are troubled by dementia.) The hiker is seeking solace from her personal life by taking a hike on the Trail with a friend who is a substitute for her recently divorced husband. Her and her friend become separated, and she wanders off the Trail. She becomes disoriented and cannot find her way back to the well-traveled path but, as a trained nurse, she copes with her isolation better than most who might make the same mistake. She keeps her wits about her, but an unexpected event changes the course of her life.

Military training.

The area in which Gillis becomes lost is near a security encampment used to train soldiers for wilderness’ survival. The training is harsh and some of the inductees choose to go AWOL, absent without leave. An AWOL’ escapee who is having a nervous breakdown comes across Gillis. His psychological imbalance influences him to imprison Gillis making her unable to find her way back to the Trail. Eventually, her antagonist leaves but Gillis’s physical deterioration advances to the point of near starvation.

Statue reflecting the “Circle of Life” in Norway.

The author is exploring the idiosyncrasies of life. Many incidents that lead to the rescue of Gillis show how every human being deals with events in life that are beyond their control. One elderly woman who exhibits symptoms of dementia becomes a clue to the location of Gillis. This elderly woman’s life shows one of many circumstances in life that are beyond one’s control. This dementia burdened woman recovers some of her lost faculties to report having talked to a young man who is being treated for psychological imbalance. He tells of meeting a lost hiker in the wilderness. Until that clue is revealed. no one knew the correct area in which to search for Gillis.

There are many human relationship strengths and weaknesses revealed in Amity Gaige’s “Heartwood”. Gaige’s writing is crisp, insightful, entertaining, and highly relatable. It gets to the heart of life’s struggles without being judgmental or accusatory.

VICTIMS

Pedophilia is a terrible crime. Unprofessional exposure of its consequence compounds a victim’s trauma. There are no heroes or heroines in Lisa Jewell’s imaginative story.

Books of Interest
 Website: chetyarbrough.blog

None of This Is True (A Novel)

Author: Lisa Jewell

Narrated By:  Kristin Atherton & 9 more

Lisa Jewell (Author, British writer, born in London, has written several novels.)

“None of This Is True” is a disturbing novel. From a happenstance birthday party at a restaurant, two young women find they were born on the same day in the same hospital. One of the women is a podcaster and the other is a housewife. This chance meeting leads to the podcaster agreeing to create a podcast about the life of the woman who had been born on the same day in the same hospital forty-five years earlier. Both are married with children and husbands but one has a story to tell that only comes clear as the podcast unfolds. The circumstances of her life peak the podcaster’s interest because the woman asking to tell her story had married her husband when he was 43 and she was only 16. The thought of such an age difference makes one instantly dislike her husband which only deepens as the story proceeds.

Definition.

This marriage becomes increasingly shocking as the podcaster’s recordings begin. The story tells of this odd marriage to a husband who often stays out all night either drinking or something worse considering his predilection for young girls. The mother is interviewed by the podcaster who characterizes her as a narcissist who regrets ever having gotten pregnant. She seems to care nothing about the impropriety of her daughter marrying a 43-year-old when she is 16.

Victims.

The story becomes more complicated as the victim of pedophilia appears to steal items from the podcaster’s home. At a half-way point in the novel, the reader/listener realizes the podcaster is out of her depth in thinking her podcast is an appropriate way of dealing with the psychological trauma of a victim of her lived life. One begins to lose their baring on who is guilty for having lived a life of misery and dysfunction. Only the specter of pedophilia seems clearly wrong, but the victim of the pedophilia is raised by an uncaring mother that let it happen. Now there is a podcaster caught in the middle of something way beyond her professional ability who is caught in a growing domestic abuse and psychological nightmare.

The inhumanity of humanity.

This is a terrifying book about humanity. One is drawn into its sordid tale to reveal how inadvertently we can be drawn into the drama of another’s life without qualification for dealing with its complexity. As a reader/listener there are lessons to be learned about one’s limitations and how we can become a part of the problem, rather than a solution. Pedophilia is a terrible crime. Unprofessional exposure of its consequence compounds a victim’s trauma. There are no heroes or heroines in Lisa Jewell’s imaginative story.

AMERICAN LIFE

The relentless harshness of Demon’s life wares on a listener/reader. One has to be invested in Demon’s life adventure to fully appreciate the creative talent of the author.

Books of Interest
 Website: chetyarbrough.blog

Demon Copperhead (A Novel)

Author: Barbara Kingsolver

Narrated By: Charlie Thurston

Barbara Kingsolver (Author, American Pulitzer Prize-winning novelist, born in 1955.)

Several years ago, I began Barbara Kingsolver’s “The Poisonwood Bible” for which she won a Pulitzer Prize. This revisit to her writing is to see what her view is of a young boy in a broken American family. “The Poisonwood Bible” like “Demon Copperhead” are well written novels but “…Poisonwood…” is about missionary work whereas “…Copperhead…” is about life in America for children who are challenged by poor family circumstances. Both novels are too long though …Poisonwood… is highly acclaimed and rewarded by a Pulitzer Prize. Demon Copperhead is the story of a young boy caught in a welfare system meant to aid mothers who are incapable of caring for themselves, let alone their children.

Kingsolver’s point of view can be understood from different perspectives.

The hardship of raising a child is compounded by circumstances of an unmarried woman with a substance abuse problem. The story of Demon Copperhead explains how incredibly harsh it can be to live in America. Despite America’s reputation in the western world as a land of opportunity, it is viewed by many as a land of excess and inequality. Sweden, Canada, and Germany consider America more critically than other western nations. Kingsolver explores some examples of why America is viewed so differently.

Demon’s parent is a recovering drug addict with poor job prospects whose husband has died and decides to marry a man with anger management problems.

Demon’s mother obviously has personal problems. With a school-age child to raise, and a second marriage created out of her self-inflicted problems, her life is a mess. Addiction returns, and her new husband physically abuses her son. She overdoses, and her son calls 911 to have her rescued. She does not recover, and Demon becomes a ward of the State. Demon is farmed out to a rehabilitation ranch called a foster home when in fact it is more like a slave retreat serving the needs of a hard scrabble farm. Demon’s mother dies from her earlier overdose. Demon is 11 years old with nowhere to go than a neighbor’s family to be watched over while he fulfills his obligations to the rehabilitation ranch. He is essentially a slave to the care of cattle and the harvesting of tobacco when he is not in school.

Harshness of life is generally an uncommon circumstance of life in America, but it shows how harsh life can be whether one lives in America or anywhere in the world.

Demon is characterized as a tough-minded boy who adapts to his circumstances with little choice because of his age and family circumstance. One dim opportunity is the grace of his dead mother’s neighbors that reluctantly allow him to temporarily stay with them after his mother’s death. Demon chooses to search for his birth father’s grave and finds his grandmother in Nashville, Tennessee. It comes as a surprise that Demon’s father comes from a matriarchal family that is a haven for lost human beings.

The relentless harshness of Demon’s life wares on a listener/reader. One has to be invested in Demon’s life adventure to fully appreciate the creative talent of the author. Some will choose to finish Kingsolver’s story to find out how Demon’s life is either resurrected or lost. Others will move on to another book, not out of disappointment with Kingsolver’s creativity but out of fatigue from a story that is too long.

LIBERALITY

The conclusion one may draw from “Eleanor Oliphant is Completely Fine” is that government liberality is better than authoritarianism

Books of Interest
 Website: chetyarbrough.blog

Eleanor Oliphant is Completely Fine

Author: Gail Honeyman

Narrated By: Cathleen McCarron

Gail Honeyman (Author, Scottish writer and novelist, won the 2017 Costa First Novel Award for “Eleanor Oliphant”.)

“Eleanor Oliphant Is Completely Fine” is a commentary on life’s loneliness which seems a self-imposed choice. There is a comic and mysterious quality to Honeyman’s story. Genetics and life experience inherent in every life is what the story of Oliphant is about. As an observer of life, one may believe experiences of life only reinforce genetic predisposition. If one accepts that belief, little of who we become is under our control. Honeyman’s story infers that is only partly true.

Waxing hair removal.

Life is a struggle for Eleanor. It is not that Eleanor does not make choices about life but that her choices appear other directed rather than inner directed. Life may be just a matter of chances and circumstances rather than inner directed motivation. Her story begins with a visit to a salon for an intimate waxing of her labia majora. (Hot or cold wax is applied to her intimate parts that pulls the roots of pubic hair off.) Eleanor is shocked by the experience. One presumes she is shocked because of the pain but surprisingly Eleanor explains it is because of the appearance it leaves of her naked woo-hoo. She thinks she now looks like an infant rather than a fully mature woman. This is a somewhat comic beginning to the author’s story. On the other hand, it shows Eleanor’s life seems more determined by society than inner direction.

Eleanor is a bookkeeper in a small business.

There is a mystery in this story that is slowly revealed by the details of Eleanor’s life. She lives alone in what is a subsidized apartment paid by social services. She is visited by a case worker and there appears some mysterious reason for her receiving help from the State. The mysterious reason is implied by the interview of Eleanor by a social case worker who pauses as she looks at the last part of a file as she interviews Eleanor. The case worker’s pause is about something written about Eleanor’s past. That past is made more mysterious as one finds Eleanor’s mother is institutionalized for some reason not disclosed.

Cultural differences.

The striking point made by this case worker’s visit to an American reader is the difference between Great Britain’s philosophical and cultural differences in regard to social policy. America rejects socialism while Great Britain endorses it. Great Britain practices democratic welfare capitalism while American democratic welfare is more limited. Healthcare is publicly funded in Great Britain while it is mostly private in America. These differences do not change the truth of Eleanor’s life story but it contextualizes Honeyman’s view of a life in a democratic socialist system rather than a democratic capitalist country.

The waxing incident is a comic beginning to Honeyman’s story, but it reflects on urban life as emotionally isolating despite being surrounded by other people.

Eleanor drinks half or more of a bottle of vodka alone in her apartment at the end of a work day. Her life is depressingly humdrum with hints of a trauma earlier in life. Whatever that trauma may have been urges one to keep listening or reading the author’s story. One’s interest is heightened by a young man that seems interested in Eleanor as a future companion. The young man is Raymond, a co-worker. Raymond is a loved son which is quite different from the family in which Eleanor appears to have been raised

Nearly half way through the book, one finds Eleanor has a scar on her face.

Like stepping into a darkened room, Honeyman shines a light on humanity. We become who we are from genetics and life experience. Honeyman gives many hints in her story that suggest there is a connection between Eleanor’s appearance, her reclusive and withdrawn behavior, her alcohol consumption, her mother’s confinement, and the aid she receives from Great Britain’s welfare system.

The perspective one gains from this story ranges from the horror of human selfishness to the value of caring for others.

One may compare American Capitalism with British Socialism thinking of their strengths and weaknesses or view the story of Oliphant as something that can occur in any social system of government.

Oliphant is rescued from a horrible family environment by Great Britain’s social welfare system to become an independent and productive British/Scottish citizen. One wonders if the same could happen in America with a less liberal system of welfare that relies on self-interest to change people’s lives. Of course, that is an unanswerable question because Oliphant could have been rescued in either country. On the other hand, would more citizens be saved by a more socialist system of democratic capitalism?

The details of Oliphant’s life are horrific. The cruelty of family life is real in every culture, whether authoritarian or democratic. The conclusion one may draw from “Eleanor Oliphant is Completely Fine” is that government liberality is better than authoritarianism.

FICTION’S VALUE

How many thoughts run through one’s mind as they listen or read Hurwitz’s imaginative story? Maybe a movie will be made that simplifies and dumbs down its plot. The point is that fiction begins, regardless of the media in which it is represented, from a writer’s mind who creates a story.

Books of Interest
 Website: chetyarbrough.blog

Out of the Dark (An Orphan X Novel–Book 4)

Author: Gregg Hurwitz

Narrated By: Scott Brick

Gregg Hurwitz (Author, American crime novelist, comic book writer.)

In the media lately, there has been the observation that novels are losing their grip on the reading public. A number of recent studies, like that done by the National Endowments for the Arts, show a drop in adult readers of fiction in 2012 from 45.2% of adults to 37.6% in 2022. Possibly more troubling is the 13-year-olds drop from 27% to 14% in a similar time frame. Some suggest it is because of cognitive fatigue and a cultural shift to visual or audio entertainment. There is undoubtedly some truth in that belief.

Empathy, thought, and human insight generated by audiobooks, films, and serialized television generate the same thrill and human understanding as written fictional stories.

However, even though the format has changed, an author’s creation is the source of an idea whether it is converted to a film or audiobook. One can draw as much, if not more, knowledge of the world and human experience from visual and audio input as from reading a book. Books of fiction can be equally impactful from a screen that is viewed or an audiobook that is heard through EarPods.

Fiction begins on the written page whether it becomes a movie or a bestselling audiobook.

Of course, audio/visual actors can elicit different interpretations to an audience of what has been written by its originator but that is true of any person’s perception of what a writer meant in the creation of his/her story. So what? If the visual or auditory results are insightful then the media representation of a book of fiction has value. The point is the impetus of media presentation came from a written document by a writer. Of course, in today’s world, that writer may have his idea enhanced by A.I. but the idea still came from human thought.

Hurwitz’s novel is complicated with many story lines and characters.

Hurwitz’s novel resonates with a view of today’s world. America has a President that was nearly assassinated in his first term of office. This President uses lies in ways that make one wonder about his views and the direction of America. It makes one think about the assassin Hurwitz creates and whether a foolish young man on a roof could become an agent of the government to murder perceived enemies of the state by someone who is out of control. Of course, a majority of voters chose today’s President so maybe lying should not be a criterion for judgement of one’s value as a leader of a democracy.

“Out of the Dark” is a fictional novel that captures a listener’s imagination in a well narrated audiobook.

The story is of an incredibly intelligent, tech savvy, American assassin that chooses to turn his skill to murdering an American President. The President is characterized as a brilliant politician serving his last term of office. A woman secret service officer is interviewed by the President to be the person in charge to protect him from the rogue assassin that has been used by the President to assassinate alleged foreign enemies. Assassination is a crime against humanity. There seems no justification for one nation state to have assassination as a tool of governance. Would assassination of Hitler have erased antisemitism or WWII?

How many thoughts run through one’s mind as they listen or read Hurwitz’s imaginative story? Maybe a movie will be made that simplifies and dumbs down its plot. The point is that fiction begins, regardless of the media in which it is represented, from a writer’s mind who creates a story.

VANISHING WORLD

Murata’s satire infers obsession with sex for pleasure, child rearing collectivization, gender dysphoria, and pregnancy equalization are pathways to societal destruction.

Books of Interest
 Website: chetyarbrough.blog

Vanishing World (A Novel) 

Author: Sayaka Murata

Narrated By: Nancy Wu

Sayaka Murata (Author, Japanese novelist.)

Sayaka Murata’s subject is clearly revealed in its title, “Vanishing World”. “Vanishing World” is a provocative assessment of how sexual relationship and sex education has changed. Murata satirically reveals how human reproduction, objectification of life, motherhood, and technology may dehumanize society.

Murata’s fictional story is highly informative in regard to sexual difference and similarity between men and women.

In one sense, Murata’s fictional story is highly informative in regard to sexual difference and similarity between men and women. As a reader/listener, Murata offers a detailed description of the physical difference between the sexes. Many who think they know something about sexual difference will find the author’s candor enlightening. However, her depiction of social relationship is off-putting with a satirical exaggeration of socio/sexual objectification.

Murata writes about a single parent family with a young daughter who lives with her mother and is nearing the age of puberty.

(Though not mentioned in Murata’s story, single family homes in America have grown by nearly 30% in the 21st century.) The main character’s name is Amane and Murata’s story is about Amane’s sexual awakening and how she views social relationship. Amane is infatuated with an animated male character on television. She imagines being married to this character before puberty but holds this character in her mind throughout childhood and later life.

Murata suggests reproduction may evolve into a preferential desire for artificial insemination rather than sexual intercourse between a man and woman.

This idea feeds into a listener/reader’s mind as a diminishment of the need for emotional attachment to the opposite sex for procreation. Sex becomes detached from procreation, evolving into only “hooking up” for sexual stimulation and/or personal gratification. Murata infers desire is no longer needed for procreation but only to experience intercourse as an emotional and physical pleasure. Consequently, it seems perfectly natural to transfer sexual desire to a fictional character because it becomes unnecessary to have emotional attachment to humans when a figment of one’s imagination is available.

Murata creates a bizarre world.

The bizarro world that Murata creates is an extension of a belief that society is becoming less attached to their humanity. Marriage, human relationship, and motherhood are replaced by mindful personal’ inwardness and endless pursuit of physical stimulation without emotional entanglement. By extension, Murata suggests science will create wombs for men so that the difference in sexes equalizes childbirth and care of children. Caregiving becomes bureaucratic and collective because caregiving is no longer personalized.

Murata suggests that a new system of childcare will evolve into collective training camps for working parents who are too self-absorbed to raise their own children.

Collective childcare disconnects parents from the management and development of their children. The sterility of conception by artificial insemination, collective childcare, and social acceptance of multiple sex partners diminishes both familial relations and child development. Birthing and raising children becomes a clinical process, i.e., less personal with both men and women capable of experiencing pregnancy and delivery; all without responsibility or obligation for childcare.

In some sense, this satire illustrates the negative potential of socio/sexual equality.

Murata’s story ends with the birth of their first child from a man who is Amane’s husband. She is torn over not being able to take the baby home because the child is already being “cared for” in a ward meant to raise and nurture all newly born children. A final point is made in the story by a visit from Alane’s mother after the birth. She asks Amane where the child is, and Alane explains the child will not be raised by her and her husband. Alane’s mother is aghast. Her mother falls to the floor and dies without any apparent familial concern for her sudden collapse and presumably, death. The next thing to happen is a visit from one of the children born in this new world. Alane chooses to have sex with him and the story ends.

“Vanishing World” implies 21st century science, organizational bureaucracy, and social change threatens survival of humanity. Murata’s satire infers obsession with sex for pleasure, child rearing collectivization, gender dysphoria, and pregnancy equalization are pathways to society’s collapse.