Books of Interest
Website: chetyarbrough.blog
Michelangelo & Titian (A Tale of Rivalry and Genius)
Author: William E. Wallace
Narration by: Mack Sanderson

William E. Wallace (Author, internationally recognized authority on Michelangelo, Professor in the Dept. of Art History and Archaeology at Washington University.)
At the beginning of “Michelangelo & Titian”, one may be skeptical of a comparison of Michelangelo with Titian but by the end of Wallace’s history, one begins to understand and appreciate the Professor’s vignette of these famous artists. Michelangelo considers himself a sculptor who knows how to draw and learns how to paint. Titian is a colorist and painter who influences Michelangelo without becoming his equal. Titian is ten years younger than Michelangelo and lives some years after Michelangelo’s death. Though Michelangelo is judged to be more versatile and accomplished than Titian, Wallace shows both made great contributions to the world of art.
Italy’s republics.

Titian is born in Venice, Michelangelo in Florence. Both live into their 80s but Titian is 10 years younger. Wallace suggests these two men knew each other’s work but may have personally met only twice. Once in Venice around 1529 and a second time in Rome around 1546. In 1529, Michelangelo had fled Florence to seek refuge in Venice because of political turmoil in his home Republic. He had become a favorite of the Medici family but changes sides when the Medicis are overthrown by Emperor Charle V and Pope Clement VII in 1527.
Michelangelo is impressed by Titian’s work in Venice because of his use of color. Wallace alludes to Michelangelo’s praise of Titian in a letter written sometime in the 16th century. Wallace argues they were well aware of each other’s talents which created an unspoken rivalry that influenced their work as artists.


Wallace argues these two artists brief acquaintance undervalues the influence each has on the other’s art. An example alluded to is the way they depicted Adam and Eve in their paintings. Michelangelo’s painting is based on his drawing skill and intimate knowledge of muscular/anatomical features of the human body. (When learning to become a sculptor, Michelangelo dissected cadavers to improve his understanding of the body.) Though Titian did not have the experience of dissecting cadavers, he uses color to give emotional immediacy to his painted images. In the Sistine Chaple painting, Michelangelo envisions the gravity of what Adam and Eve represent while Titian incorporates the sensuality of humanities fall from grace. Each artist influences the other but remain distinct in their ways of representing the world through art.


The representation of Adam and Eve on the Sistine Chapel ceiling by Michelangelo is perfectly anatomical but only shows Adam’s image above Eve who is looking away from God. (One wonders what message is sent to humanity by that detail.) In contrast, though the painting is less anatomically pleasing, the Titian painting shows the emotions of two people with Eve being restrained by Adam. (Another subtle message about the inequality of the sexes?) Wallace implies the anatomical correctness, and the creation story of Michelangelo is what makes the Sistine Chapel painting great art. For Titian, it is the emotional message he offers with the use of color and expression that make his painting remarkable. These two geniuses had complementary skills. Michelangelo’s superior understanding of the body offers body idealization, and Titian’s use of color gives sensuality and emotion to his art. Both artists tell a similar story but in complementary ways.
Wallace’s brief history of Michelangelo and Titian make one see each artist through different lenses. Michelangelo was a multifaceted artist who could sculpt, draw, and paint the human body with perfection. Titian could paint with a vibrancy of color that reveals emotion.




























































