ART

A WRITER’S JUDGEMENT

“There is Simply Too Much to Think About” is a time-consuming read with a depth of understanding about writing that gives one “…Too Much to Think About” because of its author’s humbling intelligence. The fundamental point Bellow makes is that art is as important as science for the advance of society.

Books of Interest
Website: chetyarbrough.blog

There Is Simply too Much to Think About (Collected Nonfiction)

Author: Saul Bellow

Narration by: Malcolm Hillgartner

Saul Bellow (Author, Canadian-American novelist who has been awarded the Nobel Prize in Literature, and the Pulitzer Prize.)

This is a daunting book by an accomplished novelist who explains what makes reading fiction and nonfiction worth one’s time and attention. The range of subjects Bellow covers is immense. He not only writes about literature but politics, philosophy, Jewish identity, American culture, history, and other subjects that overwhelm a reader/listener. Bellow suggests good nonfiction and fiction are about characters who write about life that makes them important enough to have meaning to readers and purpose for writers. A writer creates an understanding of characters in the context of a society in which they live. A good writer’s attention is given to the contradictions and complexity of living life. What Bellow means by nonfiction writers is those who witness life unfolding and relate that understanding from a perspective which may or may not resonate or at least be understood by a reader.

Though Bellow mentions few female authors, he shows strong opinions about famous male authors.

Bellow offers a tour of twentieth century writers he believes are examples of good nonfiction writers. He notes Ralph Ellison, Phillip Roth, and J.D. Salinger as examples of great nonfiction writers. At the same time, Bellow explains how deeply his life feeds into his writing. He reveals his own strengths and weaknesses. He acknowledges being drawn into trendy ideas of others that gloss over truth and mislead readers with contradictions. Like all human beings, Bellow can be misled by second-hand assertions about historic events and characters that lack verifiable truth. The result may be misrepresentation and sometimes cruel judgements about private lives and the history of humanity. Written misrepresentations reveal as much about the writer as the subject.

Ralph Ellison (Author of “Invisible Man”)

Bellow offers some warnings to readers of both good and bad writers. He suggests a reader should be careful about reading too much into writer’s characters or experience in a story. One thinks of Ellison’s “Invisible Man” and how it reshaped many readers understanding of race and identity. Ellison is not writing a protest novel. It is about social invisibility, Black identity, politics, and the meaning of life. Phillip Roth’s Colman Silk is accused of racism and forced to retire but he is not a racist. He is obviously falsely accused because he is secretly African American passing as white. Truth of a story is revealed in detail created by good writing.

Though not having personally read Bellow’s books, he notes that his writing is largely based on episodes from his own life.

Being born in a Montreal Jewish slum and raised as an immigrant in Chicago he experiences discrimination as a baby born in a Montreal slum and as an immigrant on Chicago streets. The working-class environment of Chicago streets gave Bellow a level of freedom and exposure to life as just another young boy finding his way in life. He could measure himself against more diverse life experiences in Chicago without losing his Jewish identity. As an immigrant, it added to his identity and broadened his understanding of life as a human being. He became streetwise in responding to the world.

The experience of life.

Bellow clearly illustrates a personal belief and understanding about life. He is an obvious master of American language. His intellect and curiosity are overwhelming. There is an emotional and moral seriousness that is sometimes funny and at others quite confrontational. He masterfully turns lived experience into art. There is a level of overconfidence in his judgement and personal contradictions crop up in his writing. On the one hand he distrusts ideology but writes a highly ideological view of writing. He defends the importance of art but criticizes culture. He lauds intellectual independence while insisting on his own beliefs. He is a bit combative toward academics, critics, and seems somewhat dismissive or impatient with those who struggle with his opinions. The title of Bellow’s book says it all–“There is Simply Too Much to Think About”.

Bellow believes the arts are the essential ingredient of what Martin Luther King’s quote depends upon.

Bellow is very judgmental about the writers he reviews in his “…Much to Think About” book. His greatest praise goes to Ralph Ellison, Phillip Roth, James Joyce, and Franz Kafka. His sharpest criticism is of Updike, Hemmingway, T.S. Eliot, Salinger, and James Baldwin. Updike is called too polished, Hemingway too emotionally shallow, Eliot too culturally conservative, Salinger too mystical, and Baldwin too damaged by ethnic prejudice. Despite his criticism, Bellow finds their works have power and meaning implying they are worth reading. Most who recognize or have read some or all of these authors will likely find them worth the time and effort to read them and come to their own conclusions.

LITERATURE

Serpell has written an excellent review of Morrison’s work as a novelist. It illustrates the great power and importance of literature to reveal an understanding of ourselves and humanity.

Books of Interest
Website: chetyarbrough.blog

On Morrison

Author: Namwali Serpell

Narration by: January LaVoy

Namwali Serpell (Author, Zamian/American, professor of English at Harvard.)

Ms. Serpell has written an insightful and informative review of Toni Morrison’s written works. Morrison died on August 5, 2019. She was awarded the Nobel Prize in Literature in 1993. She also won a Pulitzer Prize for “Beloved” in 1987. Morrison graduated from Howard University in 1953 and received a master’s degree in American Literature from Cornell in 1955. Her writing is partly about racism in the United States, but her story telling is about human beings, regardless of their race.

Toni Morrison (1931-2019, American novelist, professor of literature, and editor.)

Serpell explains how one can understand the brilliance of Morrison as a writer of great fiction. Morrison’s reading of literary classics is a part of her success as a writer. Serpell’s explanation of the many allusions in Morrison’s books show how brilliant both Serpell is in her understanding of literature and Morrison’s success as a literary Nobel Prize winner.

Tolstoy and Morrison are among the great writers of their times

What comes through to this critic is how ignorant one can be about what makes a writer great. Morrison is a writer that in someways removes the color of one’s skin from society by creating stories that are true about every American today. The story in “The Bluest Eye” of a father who rapes and impregnates his own daughter is an appalling truth about world gender discrimination and human degradation. It illustrates the brutality and inequality of gender discrimination in society. Societal inequality is not just about the color of one’s skin but in the false belief of racial and gender superiority.

Like Baldwin, Morrison was a voracious reader of books.

Serpell reveals the many allusions to classic literature in Morrison’s work. From Shakespearean drama to the modern literature of Eliot and Joyce, Morrison draws on behaviors, and social strategies that shape her stories. Morrison gives the same depth to Black life as all human life. Serpell shows Morrison draws on singular heroes and forces that have driven the characters of other famous and successful writers.

Morrison’s Published Books

The Bluest Eye (1970)
Sula (1973)
Song of Solomon (1977)
Tar Baby (1981)
Beloved (1987)
Jazz (1992)
Paradise (1998)

In the last chapter of “…Morrison”, Serpell visits a memorial to Morrison. Serpell explains that reading Morrison is like developing a relationship with her. The author notes Morrison did not shy away from the truth of discrimination. She explains Morrison looks at monuments to discrimination like the statue of Robert E. Lee in Richmond, VA. and believes they should be left in place to remind society of stories that show how unjust inequality is to humanity (the statue is removed in 2021). Morrison is shown to be a great Black writer with a clear understanding of what it is to be an American.

Toni Morrison Memorial.

Interestingly, Serpell is highly critical of Morrison’s poetry. Serpell suggests Morrison has great poetic power in her prose but fails when she tries to write poetry. (Not being a follower of poetry, this reviewer is no judge.) What one can read in Morrison’s prose shows an imaginative density that seems the equal of what people say about poetry. It is somewhat surprising that Morrison could not be a good poet. In any case, Serpell has written an excellent review of Morrison’s work as a novelist. It illustrates the great power and importance of literature to reveal an understanding of ourselves and humanity.

Wallace’s brief history of Michelangelo and Titian make one see each artist through different lenses. Michelangelo was a multifaceted artist who could sculpt, draw, and paint the human body with perfection. Titian could paint with a vibrancy of color that reveals emotion.

Books of Interest
Website: chetyarbrough.blog

Michelangelo & Titian (A Tale of Rivalry and Genius)

Author: William E. Wallace

Narration by: Mack Sanderson

William E. Wallace (Author, internationally recognized authority on Michelangelo, Professor in the Dept. of Art History and Archaeology at Washington University.)

At the beginning of “Michelangelo & Titian”, one may be skeptical of a comparison of Michelangelo with Titian but by the end of Wallace’s history, one begins to understand and appreciate the Professor’s vignette of these famous artists. Michelangelo considers himself a sculptor who knows how to draw and learns how to paint. Titian is a colorist and painter who influences Michelangelo without becoming his equal. Titian is ten years younger than Michelangelo and lives some years after Michelangelo’s death. Though Michelangelo is judged to be more versatile and accomplished than Titian, Wallace shows both made great contributions to the world of art.

Italy’s republics.

Titian is born in Venice, Michelangelo in Florence. Both live into their 80s but Titian is 10 years younger. Wallace suggests these two men knew each other’s work but may have personally met only twice. Once in Venice around 1529 and a second time in Rome around 1546. In 1529, Michelangelo had fled Florence to seek refuge in Venice because of political turmoil in his home Republic. He had become a favorite of the Medici family but changes sides when the Medicis are overthrown by Emperor Charle V and Pope Clement VII in 1527.

Michelangelo is impressed by Titian’s work in Venice because of his use of color. Wallace alludes to Michelangelo’s praise of Titian in a letter written sometime in the 16th century. Wallace argues they were well aware of each other’s talents which created an unspoken rivalry that influenced their work as artists.

Wallace argues these two artists brief acquaintance undervalues the influence each has on the other’s art. An example alluded to is the way they depicted Adam and Eve in their paintings. Michelangelo’s painting is based on his drawing skill and intimate knowledge of muscular/anatomical features of the human body. (When learning to become a sculptor, Michelangelo dissected cadavers to improve his understanding of the body.) Though Titian did not have the experience of dissecting cadavers, he uses color to give emotional immediacy to his painted images. In the Sistine Chaple painting, Michelangelo envisions the gravity of what Adam and Eve represent while Titian incorporates the sensuality of humanities fall from grace. Each artist influences the other but remain distinct in their ways of representing the world through art.

The representation of Adam and Eve on the Sistine Chapel ceiling by Michelangelo is perfectly anatomical but only shows Adam’s image above Eve who is looking away from God. (One wonders what message is sent to humanity by that detail.) In contrast, though the painting is less anatomically pleasing, the Titian painting shows the emotions of two people with Eve being restrained by Adam. (Another subtle message about the inequality of the sexes?) Wallace implies the anatomical correctness, and the creation story of Michelangelo is what makes the Sistine Chapel painting great art. For Titian, it is the emotional message he offers with the use of color and expression that make his painting remarkable. These two geniuses had complementary skills. Michelangelo’s superior understanding of the body offers body idealization, and Titian’s use of color gives sensuality and emotion to his art. Both artists tell a similar story but in complementary ways.

THE WIZARD

Good luck and safe travels, if you have the time and inclination to visit, go see Dorothy and her companions in Dolan’s immersive theatre.

Travel

Written by Chet Yarbrough

The Sphere in Las Vegas is a must see when visiting Las Vegas.

James Dolan, the executive chairman of Madison Square Garden Company, is credited with the idea of the Las Vegas Sphere.

James Lawrence Dolan (American businessman, supervisor of the New York Knicks, and New York Rangers, former CEO of cable vision, owns 70% of the voting power of the Sphere Entertainment Co., a publicly traded company.)

At the time of the Sphere’s construction in Las Vegas, there was concern about it ever being profitable. The cost of the Sphere exceeded expectations but Dolan’s vision and anyone who has visited the Sphere will be overwhelmed by its sensory impact and entertainment potential. In its first quarter of operation, a 98.4 million operating loss was reported. However, the reported revenue of the Sphere was $314.2 million in 2024 and its showed net inc9ome of $151.8 million in Q2 of 2025 after a previous year’s loss of an estimated $46.6 million.

The Wizard of Oz at the Sphere had mixed reviews when it first came out. We had visited the Sphere when it first opened with a World of life’ presentation. The Wizard was equally astonishing and entertaining.

As the Sphere production introduces unforgettable characters like The Scarecrow, The Tin Man, and the Cowardly Lion, some fans will tear up with the joy of seeing them in the immersive qualities of the Sphere. Viewers will feel the wind of the storm as it sweeps across the Sphere’s dome.

The special effects are amazing. You feel the wind of the hurricane, catch a fake apple from a forest of talking trees that complain about travelers picking their apples, and feel the heat from a fire in the witch’s castle. This is a tour de force of the Sphere’s potential.

Good luck and safe travels, if you have the time and inclination to visit, go see Dorothy and her companions in Dolan’s immersive theatre.

THE ARTIST

Fredrick Backman’s story shows how the best and worst adults come from the admixture of life. “My Friends” is a funny and barely believable story, written by a highly entertaining and accomplished writer.

Books of Interest
Website: chetyarbrough.blog

My Friends (A Novel)

Author: Fredrik Backman

Narrated By: Marin Ireland

Fredrik Backman (Author, Swedish blogger and columnist, also wrote “A Man Called Ove”.

Fredrik Backman’s “My Friends” is an immensely entertaining story that fulfills the meaning of the word “wry”. A definition of wry is “ironically or grimly humorous”. What “My Friends” shows is that the life of a child is as much luck as innate ability and choice.

The main character of “My Friends” is Louisa, a 17-year-old foster child living on the street. She has a preternatural ability to draw and appreciate a work of art.

Backman’s story infers human beings are born with a genetic inheritance reinforced or discouraged by life experiences. Louisa never knows her father and is raised by a mother who drinks herself to death. Louisa is shunted to a neighbor’s care who abandons her to child services. She escapes into the streets of a city where reader/listeners find her meeting a disheveled and apparently ill person outside an art auction house. Louisa is drawing small red fish on a building wall when she is joined by this stranger who begins drawing skulls on the same wall. This chance meeting changes the course of Louisa’s life.

As luck and circumstance would have it, the artist (Kimkim aka C. Jat) is a painter whose work Louisa has admired over her short years of life. She has carried a post card (which she cherishes) that shows the artist’s famous work that is being auctioned. She does not realize the person she is talking to is the artist.

Monet’s “Water Lillies” as an example of a famous work that has been auctioned several times with the last auction amounting to $65.5 million.

Some days later the artist dies in a hospital with his lifelong friend, Ted, at his side. Ted has purchased the world-renowned painting done by the artist. Ted had bid the highest amount for the work because Kimkim wished to give the work to the young girl he had met painting red fish on the wall on which he was painting skulls. Because of his fame, the painting takes all Kimkim had saved over the years of his life.

A skull painter named Jean-Michel Basquiat is referred to as an artist emulated by Kimkim.

The author has set the table for his story. Kimkim dies and asks his life partner, Ted, to give the painting to the homeless girl. There is a fairy tale quality to the story, but it opens one’s mind to the serendipitous nature of life. Children live lives in a world of other’s making. Formative years of every child range from horrendous to beatific. Louisa is just one example of the happenstance of life for a young girl. It makes one think of the horrendous circumstances of children who are raised in war torn countries or on the streets of the homeless in America or other countries that fail to care for the indigent. Louisa’s story is “every child’s” story that is far from ideal but as real as life in the anywhere world.

There is a fairy tale quality to the story, but it opens one’s mind to the serendipitous nature of life.

The twists and turns of Backman’s story have Ted reluctantly taking Louisa under his wing while she maneuvers to escape and leave the valuable painting to Ted. She returns to the street as an 18-year-old young woman on her own. Louisa leaves Ted asleep on a train car with the boxed painting by his side because she does not believe the valuable painting should be hers. A reader/listener is only half-way through this imaginative story. It is not a book one will put down before learning how it ends.

Backman’s story shows how the best and worst adults come from the admixture of life. “My Friends” is a funny and barely believable story, written by a highly entertaining and accomplished writer.

THE MEDICI ERA

The Autobiography of Benvenuto Cellini is not a great piece of writing, but it is an interesting perspective on the progeny of Florence, the violence of the 16th century, and the great art that came out of the Medici era.

Books of Interest
Website: chetyarbrough.blog

The Autobiography of Benvenuto Cellini

By: Benvenuto Cellini

Benvenuto Cellini (Author, Italian goldsmith, sculptor, and contemporary of Michelangelo, died at age 71.)

This autobiography is alleged to have been dictated to a teenager by Cellini in the 16th century. The book is a mess but oddly interesting because of the volatile life of its author. The dictation is believed to have occurred when Cellini was in his fifties. He was born in 1500 and lived until 1571 with his death at the age of 70. Considering his volatile life and the average age of death as 30 or 40, Cellini lived a long life. Of course, the average age at death is skewed by high infant mortality, but Cellini’s autobiography shows him to be a resilient survivor.

Michelangelo, a Florence native. (1475-1564, died at the age of 88.)

Cellini tells of surviving the plague, escaping assassination, being imprisoned, escaping, and, participating in several battles as a soldier where he was wounded but recovered. However, Cellini was also an amazing artist from the same city as Michelangelo. In contrast to Michelangelo, Cellini seems to have been quite boisterous; however, like Michelangelo he was strong willed and resistant to authority. The two men new each other. They shared experience as patrons of the powerful Medici family. Cellini appears to admire and like Michelangelo in his biographic recollection. They both did work for Pope Clement VII and Cosimo I de’ Medici.

Cellini appears to have traveled as much as Michelangelo because of his life as a soldier as well as artist. Two of his greatest artistic accomplishments are the “Salt Cellar” and “Nymph of Fontainebleau” done for King Francis I of France. However, he also completed “Perseus with the Head of Medusa” for Cosimo I de’ Medici in Italy.

As a soldier, Cellini tells of the attack of Rome by troops of Charles V, the Holy Roman Emperor. The leader of the attack forces, the Constable of Bourbon, was shot by Cellini according to Cellini’s autobiography. Though Cellini seems never to have been wounded in battle, he tells of several violent encounters that could have ended his life.

Statue of Cellini in Florence.

The Autobiography of Benvenuto Cellini is not a great piece of writing, but it is an interesting perspective on the progeny of Florence, the violence of the 16th century, and the great art that came out of the Medici era.

MUSIC APPRECIATION

Listening to the examples of Professor Greenberg’s views on music make this audiobook an immense pleasure. It is a long audiobook but one who takes long walks will be highly entertained by the Professor’s insight to music of the world.

Books of Interest
Website: chetyarbrough.

Great Courses-How to Listen to and Understand Great Music, 3rd Edition (A Cultural History)

By: Robert Greenberg

Narrated By: Professor Greenberg

Robert Greenberg (Great Courses Professor, historian, composer, pianist, speaker, and author.)

This is a history of Great Music by a remarkable professor who fully utilizes the value of audiobooks in his teaching. Though this is a long audiobook, every lecture is a pleasure for a listener who knows little about the history or styles of music. Professor Greenberg’s enthusiasm and pointed opinions about music and its evolution are informative, clearly explained, and fabulously entertaining, particularly for non-musicians.

The professor’s storytelling is highly entertaining. He reviews the history of music anecdotally, interspersed with musical examples (some of which are his own piano playing) and precise definitions of words used in music that offer clarity and entertainment to his audience.

The span of history which Greenberg covers is from ancient music traditions to the progressive development of Western music. He helps one understand what to listen for when attending musical presentations. He spans Renaissance, Baroque, Classical, Romantic, and 20th-century music. From Bach’s Baroque musical production to Shostakovich’s politically tinged symphonies, one learns how music is exemplified and amplified by history.

Greenberg begins with ancient Greek and Roman music.

He explains the role of music in Greek tragedies and offers examples of Gregorian chant and medieval polyphony (two or more independent melodies that are interconnected). He notes Bach’s fugues as polyphonic hallmarks of Western classical music that rose in the Renaissance and Baroque periods.

Johann Sebastian Bach (1685-1750, German composer and musician of the late Baroque period.)

Greenberg provides examples of a fugue and concerto. A fugue is a musical composition with a theme that is interwoven with overlapping voices. He offers the example of Bach’s music.

Antonio Vivaldi (1678-1741. Italian composer, virtuoso violinist of Baroque music.)

In contrast, concerto is a solo instrument (or a group of soloists) offering an orchestral presentation infused with dialogue. The Four Seasons by Vivaldi would be an example but the fascinating point is that the dialogue is in music, i.e. no words, but a clear representation of the seasons in an abstract way. You hear the sounds of spring, summer, fall, and winter.

Greenberg offers definitions of musical terms.

Greenberg also defines a number of musical concepts and terms:

Melody: A sequence of musical notes that are perceived as a single entity, often referred to as the “tune.”

Harmony: The combination of different musical notes played or sung simultaneously to produce a pleasing sound.

Polyphony: Multiple independent melodies played or sung simultaneously, creating a complex and interwoven texture.

Sonata Form: A musical structure commonly used in the first movements of symphonies and sonatas, typically consisting of an exposition, development, and recapitulation.

The Professor notes the fundamental difference between German and Italian classical music.

The Italians created opera to illustrate the emotions of life through operatic story telling. Germans highlight intellectual depth and structural complexity. Greenberg notes Italians celebrate the melodic beauty and operatic flair of music. This difference is exemplified by the Catholic church’s sale of indulgences.

Martin Luther (1483-1546)

Greenberg recounts the history of the Reformation. He notes the impact of Martin Luther (1483-1546), the key German figure in the Protestant Reformation who posted the 95 Thesis that criticizes the Catholic Church’s practice of selling indulgences for sinners to get into heaven. The 95 Thesis was a direct challenge to the authority of the Pope to use indulgences to raise money for the Catholic Chruch. Luther believed only faith, an emotionally grounded intellectual belief, could pave one’s way to heaven.

Rather than an Italian Rossini or Puccini opera, German operas have complex narratives with composers like Wagner and Straus who are exploring ideas like destiny, heroism, and the human condition. Both German and Italian operas engage emotions, but German operas tend to explore philosophical, mythological, or psychological themes while Italians focus on heart-wrenching human emotions.

MICHELANGELO

The story of Michelangelo ends with the return of the Medicis to power. It is for Michelangelo–a journey of “…Agony and Ecstasy”–of love for his work, the daughter of a Medici, and the tumult of his time.

Books of Interest
Website: chetyarbrough.

The Agony and the Ecstasy (The Biographical Novel of Michelangelo)

By: Irving Stone

Irving Stone (1903-1989, died at the age of 86, American writer of biographical novels about artists, politicians and intellectuals.)

Irving Stone’s novel is an entertaining book and an historically supported story of the famous artist, Michelangelo. Michelangelo was a Florentine born in Florence, an influential city at the heart of the Italian Renaissance. The Medici family was in control of Florence’s political and cultural life in Michelangelo’s youth.

Two of the most famous artists of all time, Leonardo Da Vinci and Michelangelo Buonarroti created two of the most famous art works of the world in Florence, i.e. da Vinci’s “Adoration of the Magi” and Michelangelo’s “David”. However, their personal relationship began roughly in their brief contact in Florence. In 1504. Leonardo da Vinci was 52 years old. Michelangelo was 29.

They had both been contacted to paint murals in the Hall of Five Hundred in the Palazzo Vecchio. Leonardo had already made his reputation as a master painter, polymath, and diverse genius. Michelangelo was considered a sculptor more than a painter. However, in a casual conversation da Vinci alludes to sculpture as a less prestigious form of art. The younger Michelangelo is offended and is alleged to have said harsh words to da Vinci with a challenge to paint a competing fresco in the Palazzo Vecchio. Neither completed their planned paintings but their preparatory works were preserved and considered important developments of the High Renaissance. Irving Stone suggests they meet later in life and Leonardo apologizes for what he felt was a misinterpretation of his words about the art of sculpture.

Stone suggests Michelangelo is more of an ascetic than da Vinci. Leonardo as noted by other authors, had many interests beyond art. Michelangelo prefers sculpture to any other form of art and when he is contracted for his artistic genius, he grudgingly takes commissions for his skill as a painter. “The Agony and the Ecstasy” is a title that captures Michelangelo’s artistic conflict.

Stone shows Michelangelo pursues human dissection, just as Leonardo is said to have, to more fully understand the construction of the human body for an artist to make painting or sculpture appear more real. Human dissection is not legal in Michelangelo’s time in Florence, so he secretly works at night when no one is around to see what he is doing.

Stone addresses the political turmoil of the time and how Michelangelo is hired by the Medici family when he is a young man. This is before the Borgias replace the Medici family in Italy. Michelangelo remains close to the Medicis even in their exile but is attracted to Rome in 1496 by Cardinal Raffaele Riario, a relative of Pope Sixtus IV. In Rome, Michelangelo creates “Bacchus”, the god of Wine.

Michelangelo’s Bacchus, the Roman god of agriculture, wine, and fertility.

After creating “Bacchus, a French cardinal commissions the “Pieta” for St. Peters Basilica. Michelangelo gains the reputation of being a master sculptor.

Michelangelo’s Pieta depicting Mary holding the body of Christ.

Stone suggests the Pope asks why Mary appears so young and Michelangelo explains it is because she is the mother of a divine.

After the Pieta, Michelangelo is commissioned by overseers of the Office of Works of the Cathedral of Florence. This is not clear in “The Agony and the Ecstasy” but it reinforces Irving Stone’s recognition of Michelangelo’s deep connection to Florence. He returns to Rome, but his heart is in Florence. Much of Michelangelo’s time in Rome is uncomfortable and does not calm down for him until the Medicis return to power.

The warrior Pope, Pope Julius II heads the church from 1503-1513. Irving Stone explains; this Pope demands Michelangelo paint the ceiling of the Sistine Chapel at the Vatican in Rome. Of course, Michelangelo resists because he wishes to be remembered for sculpture, not painting, because it is an art that gives him joy. The forceful Pope insists, and Michelangelo makes a false start that changes into a history of the birth of the world on the ceiling of the Chapel. He works on the ceiling of the Chapel from 1508 to 1512.

Sistine Chapel painting by Michelangelo between 1508 and 1512.

LIFE’S JOURNEY

Every human being grows to be who they are alone. Life is a solo journey, influenced by birth, living, and death.

Books of Interest
Website: chetyarbrough.blog

Solo (When the heart gets lost, let the music find you.)

By: Kwame Alexander with Mary Rand Hess

Narrated By: Kwame Alexander

KWAME ALEXANDER (AMERICAN WRITER OF POETRY AND CHILDREN’S FICTION.)

“Solo” demonstrates an added value to listening rather than just reading a novel. Kwame Alexander and Mary Rand Hess tell a story of the struggle for personal identity. This is a journey of a young man whose father is a famous musician. It offers some insight to what it is like to be a boy growing to be a man in a family of a successful professional musician.

The boy’s father is a recovering addict who has had success as a guitar playing singer.

His mother died when he was seven. As a young man of 21, he is surprised to find he is an adopted son. He chooses to find his birth mother who lives in Africa to better understand where he came from and why his birth mother gave him up. He is estranged from his family for various reasons ranging from his father’s addictive behavior to the failure of his parents to have told him of his adoption.

In the boy’s journey to a remote area of Africa, he meets various natives who live in the poverty of a small village.

The boy’s birth mother is away from her village to help natives of another village in the hill country of the area. The young man decides to wait for her in his mother’s home village. He meets a young African girl who speaks English and is helpful in explaining what life is like for her in the village. They become friends with a sense of something more in their future. The boy’s waiting is interrupted by his father’s arrival with a film crew to vivify the story of their familial relationship.

His father’s arrival disrupts the boy’s plan of waiting for his birth mother’s return. A decision is made for the entire group to journey to the village where his birth mother is working.

The journey takes several hours and exhausts his father as well as the rest of the Americans in the group. The boy’s birth mother recognizes her son as soon as he arrives. She is young. She gave birth to her son at age 15. The hardship of raising a child appears to have been too much for her at her young age.

His father’s interruption in the boy’s journey to find his birth mother leads to a reconciliation with his father and a better understanding of his journey to become a man.

Top 10 Reconciliation Quotes - BrainyQuote

Musical interludes in the story entertain the listener and offer some understanding of what it is like to be raised by a famous musician who loves his family but is handicapped by drug addiction.

On their return to the birth mother’s village, a refrigerator is delivered at the expense of the boy’s father. This is a great benefit to the village. The boy’s father becomes ill and dies.

Every human being grows to be who they are alone. Life is a solo journey, influenced by birth, living, and death.

LIFE’S STRUGGLE

Akbar is showing everyone’s life is a struggle. Self-understanding, acceptance of who you are, and not feeling sorry for yourself can make you whole. Death may set you free, but the struggles of life are a better alternative.

Books of Interest
Website: chetyarbrough.blog

Martyr!

By: Kaveh Akbar

Narrated By: Arian Moayed

Kaveh Akbar (Author, Iranian American poet, novelist, and editor.)

“Martyr!” is a book that is difficult for a prudish American to read but Akbar writes a story that resonates with one who has suffered from addiction, loss of parental guidance, and the exigencies of American life. Akbar’s main character is Cyrus Shams, a poet and writer, who believes he lost his mother in a 1988 plane crash caused by the American Navy when the USS Vincennes fired two surface-to-air missiles at a passenger plane that was mistakenly identified as an F-14 fighter jet.

(The Vincennes’ mistake occurred during the Iran-Iraq War that began in 1980. The USS Vincennes was deployed to the Persian Gulf to protect oil tankers. Prior to the Vincennes commander’s decision to fire the missiles, there were several skirmishes with Iranian vessels. )

The commander’s catastrophic mistake occurs in an atmosphere of military conflict. The commander is removed from his command but remains in the military until he retires in 1991.

US-Iran conflict: US shot down Iran Air Flight 655 in 1988 | Daily Telegraph

The Vincennes incident resulted in a $61.8 million settlement to the families of the victims in 1996.

Because Akbar’s main character is the son of one of the passengers of the plane, he receives a financial settlement for the death of his mother. As he grows to become a man, he becomes addicted to drugs, cigarettes, and alcohol, has affairs with both men and women, but decides to kick his addictions. In the process of gaining sobriety, he becomes acquainted with a successful woman painter. After her death, he finds the woman was his mother. She had switched identities with the Iranian woman that was on the plane. Her reasons for abandoning her son are unclear but in a chance meeting at one of her art exhibitions, her son strikes an acquaintance with her. She knows he is her son but chooses not to disclose her story. The son is enamored by her art and seeks her out during the following years of her life. She dies and the son is told by the art exhibitor that the artist he admired was his mother.

Everyone searches for meaning in life.

All who have lived through childhood and maturity know living life is a struggle. Whether rich or poor, personal struggle either breaks you or makes you. The end result is mixed. Cyrus Shams is an addict that chooses to become sober, to become a poet and writer, to honor his mother’s life while making his way as a first generation Iranian American. Akbar is showing everyone’s life is a struggle. Self-understanding, acceptance of who you are, and not feeling sorry for yourself can make you whole. Death may set you free, but the struggles of life are a better alternative.

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