Tag: literature

A WRITER’S LIFE

Bogg’s biography of James Baldwin shows human beings should not be judged by their racial identity or sexual orientation.

Books of Interest
 Website: chetyarbrough.blog

BALDWIN (A Love Story)

Author: Nicholas Boggs

Narration by: Ron Butler

Nicholas Boggs (Author, born in Washington D.C., a civil rights activist, raised in Cleveland as the son of a civil rights lawyer who was also a music teacher. Received a BA from Yale and PhD in English from Columbia University.)

Nicholas Boggs shows why his biography of James Baldwin is “A Love Story”. Baldwin’s difficult life as a young Black American raised in Harlem offers speculative insight to homosexuality and racism. Baldwin grew up with a stepfather he feared. His stepfather was a stern, authoritarian, and abusive man who worked as a Pentecostal preacher who “raised” James from the age of two or three. His stepfather is said to have beaten him, told Baldwin he was ugly and would never amount to anything. His stepfather died in 1943 when James Baldwin was 19 years old, James became caregiver for his mother and eight siblings.

Treavor Noah’s autobiography writes of his abusive stepfather.

As a voracious reader of books and early sexual liaisons, Baldwin leaves Harlem to go to Paris.

As a 24-year-old, Baldwin scrapes enough money together to travel to Paris where he grew to become a great writer, not just another Black American. Despite a stepfather who disliked white people, James grew to overcome physical and mental abuse through belief in God in his youth and belief in humanity as an adult.

In Paris, the 24-year-old Baldwin falls in love with a white 17-year-old youngster who influences his life with experiences that lead to his success as a writer. Lucian Happersberger and Baldwin become life-long friends.

Lucien Happersberger and James Baldwin in their youth.

Having lived in the household of a Pentecostal Preacher, James initially chose to become a preacher. But, at the age of 17, he left the pulpit and rejected belief in God. Boggs infers Baldwin’s pursuit of literature replaced his belief in God because Christianity sanctifies rather than condemns racism. He felt the church was limiting and dogmatic. His stepfather embodied a religion of fear and bitterness that his stepson would not accept.

The themes of “Go Tell It on the Mountain”, Baldwin’s first published book, is about faith, religion, sin, morality, race, racism, gender, patriarchy, and one’s search for identity.

“Go Tell It on the Mountain” is an autobiographical view of life and growth to manhood as a child raised in Harlem. It took ten years to write “…the Mountain”. It released him from the ghost of his stepfather’s cruelty and set the stage for his exploration of race, religion, sexuality, and personal identity.

Beaufort Delaney (Artist who befriended and became a mentor to James Baldwin.)

Boggs identifies four men that had the greatest influence on Baldwin’s life. His mentor becomes Beauford Delaney, a gay Black American painter he met when he was 16 years old. Delaney was 39 when he met Baldwin. Delaney became a major figure in American modernist painting and the Harlem Renaissance in the 1930s and 40s. He introduced Baldwin to life and encouraged him to become an artist. Delany’s homosexuality helped Baldwin deal with his race and sexual orientation. He helped Baldwin believe in himself and put him on a path toward becoming a literary artist. They were friends for forty years when Delaney died in 1979. Baldwin died 8 years later, acknowledging Delaney as his mentor and guide through his tumultuous life.

Lucien Happersberger (On the far left of James Baldwin.)

The success of “Go Tell It on the Mountain” confirmed Baldwin’s reputation as a writer. Baldwin found truth in the books he read and the life he began to live in Paris. At the age of 24, Baldwin left his family in Harlem to become a writer in Paris. In Paris he falls in love with Lucien Happersberger, a 17-year-old white bisexual who became more relevant to his life than the fire and brimstone of religion. Baldwin grew to believe in the underlying equality of all human beings regardless of the color of their skin or their sexual orientation. His journey to this understanding is what makes the biography the “…Love Story” of Baldwin’s life. Though Lucien and Baldwin remain lifelong friends, Lucien chooses to marry an actress in 1964 which ends Baldwin’s romantic relationship but not Lucien’s outsized influence on his life.

An ironic vignette in Boggs story is Baldwin meeting Richard Wright in America, and later in Paris. Wright’s published book “Native Son” made him famous. “Native Son” is published in the 1940s. The main character in Wright’s book is Bigger Thomas, an impoverished, unemployed, African American, 20-year-old living in a 1930’s Chicago ghetto.  He lives with his mother, sister, and brother in a rat infested one room tenement, owned by a wealthy family that is about to offer him a job. Though Baldwin admired Wright’s achievement, he felt “Native Son” identified Bigger Thomas (Wright’s main character) as a symbol of oppression rather than a fully realized human being. This is an interesting insight to what Baldwin does in “Go Tell It on the Mountain”. Baldwin introduces more complexity to the Black experience of life. I’m not sure either Boggs or Baldwin are offering a fair assessment of “Native Son” because Wright clearly shows the environment in which Bigger Thomas lives. Any human being raised in Bigger Thomas’s circumstance is likely to be emotionally challenged and unbalanced.

Richard Wright (Author of “Native Son”)

History shows a rift is created between Wright and Baldwin because of Baldwin’s criticism. To this reader/listener, both are great writers of what is wrong with white or any dominant sexually or racially dominant society.

Baldwin’s abusive domineering stepfather and submissive mother.

Boggs explains why Baldwin’s biography is “A Love Story”. The cruelty of his stepfather drove Baldwin away from belief in God to a love for humanity. One wonders what his stepfather’s cruelty may have had to do with Baldwin’s sexual orientation. The artist, Beaufort Delaney, offers a refuge to Baldwin from his stepfather’s cruelty and helps him reconcile to his sexual identity and a belief in all humans’ equal rights. Lucien helped Baldwin understand love, intimacy, and the equality of human beings. Lucien decides to marry an actress in 1964 but remains a lifelong friend to Baldwin.

Boggs’ biography of Baldwin shows sexual orientation is not, and should never be, a crime. One cannot know what makes a person homosexual, bisexual, asexual, or heterosexual. Bogg’s biography of James Baldwin shows human beings should not be judged by their racial identity or sexual orientation.

PARENTS

William Wilde, Jane Wilde, and John Stanislaus Joyce fit the description of “Mad, Bad, Dangerous to Know”. However, John Butler Yeats seems somewhat less dangerous while contributing to the life and intellectual development of W.B. Yeats.

Books of Interest
 Website: chetyarbrough.blog

Mad, Bad, Dangerous to Know

Author: Colm Tóibín’s

Narrated By: Colm Tóibín

Colm Tóibín (Author, Booker Prize winner in 2006, journalist, essayist and short story writer.)

“Mad, Bad, Dangerous to Know” as an audiobook is a bit difficult to understand because of Colm Tóibín’s Irish accent but as one adjusts to its cadence and inflexion, it offers interesting information about the families of Oscar Wilde, W.B. Yeats, and James Joyce.

William and Jane Wilde (Parents of Oscar Wilde.)

William Wilde, the father of Oscar, is an important figure in Victorian Ireland. He was a renowned eye-and-ear surgeon who aided the medical profession by compiling statistical information about diseases and mortality of medical treatments as a gauge for human health. His wife, Jane Wilde (pen name-Speranza) was a nationalist poet and political writer. Some characterized her as a radical in comparison to her establishment husband.

Jane Wilde’s husband is accused of sexual misconduct in the treatment of a young female patient in his practice. Mary Travers had accused Dr. Wilde of drugging and seducing her when seeking help for a medical problem. Dr. Wilde is indirectly drawn into court to settle a lawsuit filed by the female patient’s father because of a publicly exposed letter by Jane Wilde about Ms. Travers. The court finds that Dr. Wilde’s wife libeled Ms. Travers in a publicly exposed letter that criticizes her sexual assault claim. The court found Jane Wilde guilty of libel and awarded Travers a symbolic sum of 2 pounds for public humiliation.

In the 19th century, Eibhear Walshe writes a book about the trial brought against Jane Wilde for libelous comments about the sexual abuse of Ms. Travers.

Though Oscar’s father never faced criminal prosecution, his reputation and standing in the community declined. Despite the blow to Dr. Wilde’s reputation, Tóibín argues Ireland’s medical profession benefited from William Wilde’s statistical analysis of medical practice in 19th century Ireland. Nevertheless, the Travers’ trial infers gender discrimination was then and remains a serious problem in modern times.

The Travers’ trial reminds one of gender discrimination in modern times.

Oscar Wilde (1854-190o, the son of Dr. Wilde and Jane Wilde died at the age of 46, Oscar Wilde was an Irish author, poet, playwright who wrote “The Picture of Dorian Gray”. He became famous in London and around the world, convicted in 1895 for gross indecency for homosexual acts.)

John Butler Yeats (1839-1922, W.B. Yeat’s father.)

The next family examined by the author is John Butler Yeats. Little is said about J.B.’s mother but his father was an aspiring portrait artist. This is an equally interesting story. J.B. is characterized as an artist but with a gift of gab and an interesting philosophy of life. John Butler Yeats is identified as a procrastinator that often started painting a portrait but as often failed to finish it. He and his wife had four children, i.e. two girls and two boys. Each contributed to Irish cultural life. Jack, their first son, became one of Ireland’s most celebrated painters. He also illustrated books and wrote plays and novels. He painted in the expressionist style. Susan Mary Yeats was a leader in the Arts & Crafts movement in Ireland. She co-founded the Cuala Press that published works by W.B. and other writers. She helped revive Irish decorative arts but was overshadowed by the brothers. Elizabeth Yeats was a co-founder of the Cuala Press. A little research shows the children had some formal education but as Tóibín suggests, with the exception of W.B.’s formal training at the Metropolitan School of Art in Dublin, the other 3 children were largely self-trained in art, writing, and Irish crafts.

Tóibín shows W.B. had a somewhat rocky relationship with his father when he was younger, but it evolved into a respect for his father’s philosophical view of the world.

When his father lost his wife, he chose to move to New York. Tóibín explains John Butler Yeats was more than a portrait artist. Though he was undisciplined in completing his artistic works, he scraped by with the help of his children’s support. John Yeats had attended Trinty College in Dublin studying the Classics and Law. He used that education to write letters to his children and friends after he moved to New York. The author infers some of W.B.’s poetry is based on ideas gleaned from his father’s philosophical musings. Tóibín notes several books have been published that compiled many of W.B.’s letters.

Rosa Butt portrait painted by J. B. Yeats.

Tóibín characterizes John Butler Yeats as emotionally and financially unreliable but a deeply influential father in W.B.’s life. J.B. exposes W.B. Yeats to the aesthetic and intellectual currents of the time. Tóibín infers J.B. had an extramarital affair with Rosa Butt. Ms. Butt was an acquaintance J.B. made when he painted a portrait of her in his studio. J.B. wrote many letters to Ms. Butt that reflect on his emotional attachment. However, he never returns to Ireland despite many intimations that he would. John Butler Yeats dies on February 34, 1922, in New York City. He was 82 years old, living in a boarding house at 317 West 29th Street. As true to his habits in life, he is said to have died with an unfinished self-portrait beside his bed. He is buried in Chestertown Rural Cemetery in Chestertown, New York.

James Joyce, leaning on his mother, with his father at the right (John Stanislaus Joyce).

John Stanislaus Joyce (1849-1931, died at the age of 82

The final chapters of Tóibín’s book are about James Joyce’s family. His father is John Stanislaus Joyce. Tóibín suggests James had an ambivalent opinion of fathers and particularly his own father. John Joyce is characterized as an abusive, alcoholic husband, and incompetent manager of his inheritance. With ten children and a wife, John Joyce loses his inheritance and effectively drives his son away from Ireland. James is the oldest, born in 1882. Tóibín explains that his voice and personality are ever present in James Joyce’s famous characters in both “Ulysses” and “A Portrait of the Artist as a Young Man“. Both books take a dim view of fatherhood while exemplifying an erudite father who projects a “man about town” image. However, Tóibín shows John Joyce to be an incompetent money manager and abusive family man.

James Joyce (1882-1941)

In “A Portrait…” Stephen’s biological father is depicted as charming but irresponsible. Like James Joyce’s father, his main character’s father is financially unstable and an emotionally distant, abusive parent. In “A Portrait…” Stephen Daedalus is alienated and chooses a life independent of the Catholic Church because he views it like a surrogate father that imposes moral and spiritual authority without justification.

In “Ulysses”, James Joyces’s main character argues paternity is a fiction while maternity is merely a biological function. At best, one sees James Joyce is ambivalent about his dad. James experiences episodes of camaraderie when socializing with his father as a drinker and as a tenor singing partner. Both are supporters of Parnell, the Irish nationalist leader who supported Home Rule and independence from England.

Tóibín suggests James Joyce’s feelings about his mother are marked by guilt, presumably for not protecting her from her abusive husband but also because of her belief in God and patriarchal authority. In reading Joyce’s works, particularly “A Portrait of the Artist as a Young Man” and “Ulysses”, one can see James Joyce’s as a son of a loving, religious mother and abusive father who drank too much. James knew his mother loved him, but his father could not manage his or his family’s welfare.

May Murray Joyce (James Joyce’s mother, 1859-1903, died at the age of 44.)

William Wilde, Jane Wilde, and John Stanislaus Joyce fit the description of “Mad, Bad, Dangerous to Know”. However, John Butler Yeats seems somewhat less dangerous while contributing to the life and intellectual development of W.B. Yeats.

HISTORY

Details are certainly important as McCullough observes in “History Matters”, but truth in history seems dependent on the passage of time and details selected by histories’ scribes. Therein lies revisionist history which may or may not be the truth of history.

Books of Interest
 Website: chetyarbrough.blog

History Matters

Author: David McCullough & 3 more

Narrated By: John Bedford Lloyd & 1 more

David McCullough (Two-time Pulitzer Prize winner for literature.)

As a tribute to David McCullough, his daughter compiled a list of several McCullough essays and public presentations. Though the readings are not narrated by McCullough, they illustrate his great range and understanding of history as a professional writer.

McCullough was 34 years old when “The Johnstown Flood” was released. Until then, he had worked as a writer for publications like the American Heritage magazine.

McCullough’s “History Matters” is a series of essays about famous people, books he has admired, and his success with historical biographies like “Truman”. McCullough’s first success was the story of the “Johnstown Flood”, published in 1968.  After McCullough’s success with the “…Flood”, he became a full-time writer. He notes—without support of his wife, the idea of becoming an independent writer would have been impossible. The risk of unemployment and no regular check would have undoubtedly been on McCullough’s mind when he discussed it with his wife.

McCullough’s public presentations in “History Matters” are of speaking engagements at universities and various organizations that asked McCullough to address their professional interests.

With the success of his books, in the 1980s, he became a popular and sought-after public speaker. He frequently gave commencement addresses to Universities and Colleges, wrote and presented what he wrote to historical societies and museums. He occasionally addressed government bodies and civic groups arguing for historical literacy to preserve the institutions of American government. One of his most well-known narrations was of Ken Burn’s “The Civil War” on PBS’s American Experience in 1990. McCullough passed away on August 7, 2022, at the age of 89.

“History Matters” is a short book about a gifted writer who thoroughly researched his subject and wrote about the intimate details of history to give listener/readers the feeling they were “in the room”. He insisted on accuracy and clarity of what he wrote and advised writers to do the same if they wished to be historians. He cites the narrative power of Barbara Tuchman, Bruce Catton, and Paul Horgan as writers who vivified the dry analysis of history. The mix of history and fiction is blended by writers like these to give context to their audiences.

Like Caravaggio’s depiction of Saint Thomas’s doubt and faith in the resurrected Christ, McCullough argues historians must be relentlessly curious.

McCullough felt good historians had to see the world through the eyes and experience of their subjects to tell the truth of history. He argued good historians have to be relentlessly curious about the time of which they are writing. Without careful research and detail, the truth of history is lost.

To McCullough “History Matters” because it vivifies the past in ways that are forgotten and often taken out of the context of their time. He believed Tuchman, Catton, and Horgan practiced what he preached even though some (like me) would suggest even good historians change history of the past because of influences of the present. To minimize those influences, McCullough argues the details of history matter. Without details of the time when history is made, the truth can become distorted. McCullough infers admiring Washington, Lincoln, Grant, Roosevelt, Truman, and Presidents of this century without details of their time distorts the truth of history. From a book lovers’ perspective, this observation is two edged. Historians are human which suggests they have the same social blindness as everyone.

History is revised in every generation.

Abraham Lincoln, Ulysses Grant, Harry Truman and all Presidents have been vilified in their times and revised by future historians. Details are certainly important as McCullough observes in “History Matters”, but truth in history seems dependent on the passage of time and details selected by histories’ scribes. Therein lies revisionist history which may or may not be the truth of history.

MADNESS

Whether one is of a particular gender, good looking, unattractive, fat, thin, so on and so on, is superfluous. What is not different is we are all human. Murray infers that if leaders can keep humanness in mind, equality is the only thing that matters.

Books of Interest
 Website: chetyarbrough.blog

The Madness of Crowds (Gender, Race and Identity)

Author: Douglas Murray

Narrated By:  Douglas Murray

Douglas Murray (Author, Bristish political commentator, cultural critic, and journalist.)

All humans deserve equal treatment, rights, and opportunities. No known form of government achieves that ideal. Douglas Murray shows liberal and social democracies show concern about equality, while other forms of government don’t seem to care. What Murray argues is that western nations and educational institutions are not doing enough and what they are doing is maddeningly ineffectual.

Initially, Murray writes about gay rights which are not top of mind for many listener/readers.

However, the point is that sexual preference is a human right that harkens back to the age of ancient Mesopotamia (2000 BCE) and Greece (300 BCE). Mesopotamian law treated marriage as a legal contract. Men were allowed to have secondary wives or concubines with legal codes regulating inheritance rights. Women then, as now, were treated unequally. In Mesopotamia, marriage was tied to economic, social, and legal agreements to ensure social stability through male control. Interestingly, women had some legal rights in Mesopotamia while Greece was more patriarchal with limited legal independence for women. Mesopotamia artwork shows same-sex relationships existed, but contractual agreements in marriage were only for heterosexual relations.

In Plato’s time, legal codes in marriage were less important but social stability and male domination remained in both jurisdictions.

Ancient Greek history shows same-sex relationships were widely accepted but without any legal recognition like that required in heterosexual marriages. Same sex relationships go back to the beginnings of pictographic and written history. So, why is there so much Sturm and Drang about same sex relationships?

American democracy began a civil war in 1865 over the issue of slavery.

American democracy began a civil war in 1865 over the issue of slavery, passed the 14th Amendment in 1868 to provide equal protection for all, passed a Civil Rights Act in 1964 prohibiting discrimination based on race, color, religion, sex, or national origin, passed the Voting Rights Act in 1965, passed the Americans with Disabilities Act in 1990, and the Marriage Equality Act in 2015. Despite all of this history, in 2025, America continues to discriminate against same sex relationships and often violates the aforementioned laws. If a male or female wishes to have sex with a consenting person of the same sex, why should any American care? America has fought and died over equal rights for all Americans. It is maddening to keep reading about Democracies continuing violation of equal rights.

Murray offers numerous examples of protest in western society that reinforce his argument about the madness of crowds.

He reflects on Ivy League colleges like Yale and a small liberal arts college in Olympia, Washington where a crowd of students caused resignations of their professors. In 2015, a Yale faculty member questioned the university’s stance on culturally sensitive Halloween costumes. A crowd of students accused the faculty of failing to create a “safe space” because their professor raised the issue of identity as culturally insensitive. He and his wife who were professors at Yale chose to resign. In 2017, a professor objected to a campus event at Evergreen College in Olympia, Washington. White students and faculty were asked to leave for a day to highlight racial issues. The student protest against the professor for a “day off” event became a threat to his safety. He resigned. Murray’s point is that public discourse is increasingly driven by emotional reactions rather than reasoned debate.

Murray touches on the negative consequence of technology on the growing “…Madness of Crowds”. More than ever, the reach and size of crowds who object to human equality can spread social chaos. America experienced the power of technology with the attack on the Capitol on January 6, 2021.

The re-election of Donald Trump is a harbinger of a future where the emotion of crowds who have the right to vote is magnified by media paid for by the richest people in America.

Murray touches on the negative consequence of technology on the growing "...Madness of Crowds". More than ever, the reach and size of crowds who object to human equality can spread social chaos. America experienced the power of technology with the attack on the Capitol on January 6, 2021.

Emotions of crowd-think distort the difficult and personal trials of people with gender dysphoria.

The myth of Tiresias embodies the truth that humans are different but equal.

Tiresias is a figure in Greek mythology that was punished by Hera, the wife of Zeus, to be turned into a woman after he struck two mating snakes. He remained a woman for seven years when he was changed back into a man by Zeus. Zeus and Hera debated on whether experience of sex as a man or woman was more pleasurable. Tiresias agreed with Zeus who believed women experienced greater pleasure and Hera struck him blind for siding with Zeus. The debate goes on with Murray noting it occurs in crowd emotion that refuses to deal with the facts of gender dysphoria. One thinks of the many people that struggle with gender identity and how difficult it must be to live life with one’s own confusion, let alone the stupidity of people’s emotional reactions.

And then there is the issue of race.

Nearly 50% of the world is classified as Caucasoid with the remainder of three racial categories being no more than 33.5%. Unique physical characteristics of race are hair color and texture, facial features, average height, eye color, blood type, and skin color. Of course, there are differences beyond these features within each racial group. Whether one is of a particular gender, good looking, unattractive, fat, thin, so on and so on, is superfluous. What is not different is we are all human. Murray infers that if leaders can keep humanness in mind, equality is the only thing that matters.

COLOMBIA

Márquez offers a vivid picture of Colombia’s twentieth century culture in “One Hundred Years of Solitude” but to this reviewer his failure to address Colombia’s lucrative cultural and world’ damaging drug industry is disappointing.

Books of Interest
 Website: chetyarbrough.blog

One Hundred Years of Solitude

By: Gabriel García Márquez 

Narrated By: John Lee

Gabriel García Márquez, (Author, Colombian writer and journalist.)

“One Hundred Years of Solitude” is a fictional representation of the early history and 20th century modernization of Colombia. Those who are not particularly interested in Colombia’s history will listen/read Gabriel García Márquez’s story because of the author’s skillful storytelling and the intimacies of Colombian culture, its political turmoil, violence during a civil war, and its consequent growth as a modern nation. In some ways it is like the story of America.

Márquez begins his book with the founding of Macondo, a fictional name for a village during the colonial period when the Spanish settled Colombia. Beginning as a small town, Macondo grows to become a city. Macondo represents the journey from isolation as a small town to a city that becomes a part of a vibrant South American country.

Macondo, a fictional village in Colombia.

The modernization of Colombia is addressed with the arrival of the railroad in Macondo that illustrates industrialization and the advance of Colombia’s economy. Macondo becomes a banana producing community that wrestles with the consequences of a civil war, unionization, and a growing economy. The brutality of industrialization is exemplified by the Colombian army’s killing of striking banana plantation workers in 1928. Of course, this is not unlike America’s 1932 Detroit’ Ford manufacturing plant killing of four workers by security guards and the Michigan police.

Colombia’s 50-year long civil war.

Colombia’s growth as a nation evolves with a mid-twentieth century civil war between liberals and conservatives. Márquez creates characters representing both sides of the civil war and their personal, as well as military lives. As is true of all wars, many innocents, as well as participant citizens, are indiscriminately and violently killed. Undoubtedly, a part of what makes the author’s story appealing to listener/readers is the sexuality of his characters. Sex in the novel ranges from close relatives’ intimacy to older women seductions of young men and young men’s seductions of both older and younger women, some of which are incestuous.

Colombian drug cartels are not addressed in Márquez’s story.

Márquez offers a vivid picture of Colombia’s twentieth century culture in “One Hundred Years of Solitude” but to this reviewer his failure to address Colombia’s lucrative cultural and world’ damaging drug industry is disappointing.

On the other hand, what author would want to take the risk of reporting on an industry noted for murdering those who expose its workings?

JAMES BALDWIN

James Baldwin’s “The Fire Next Time” gives advice that resonates with the troubles of the world today.

Books of Interest
 Website: chetyarbrough.blog

The Fire Next Time

By: James Baldwin

Narrated By: Jessie Martin

James Baldwin (Author, 1924-1987, African American writer and civil rights activist.)

“The Fire Next Time” consists of two brief essays by James Baldwin that are seminal works on the equality of all human beings. Published in 1963, the first essay is “My Dungeon Shook” which is advice to a young black American. The second, “Down at the Cross…” is a criticism of Catholic and the Nation of Islam religions.

The first is a message to Baldwin’s nephew about white America’s prejudice toward black Americans.

He is telling his nephew to reject white America’s stereotypical view of black Americans. Baldwin tells his nephew to embrace who he is as a human being, neither better nor worse, and to pursue life and living with the truth of his being.

RELIONS OF THER WORLD

“Down at the Cross” is a criticism of religion, particularly the Christian and Nation of Islam faiths. Baldwin argues that both diminish the truth of God by feeding the flames of anti-spiritualism and social inequality.

Baldwin argues through love and understanding of differences among religions and races, the divisiveness of inequality can be erased.

The fundamental point of Baldwin’s writing is that NOI offers a part of what black America needs by instilling self-respect and identity. However, he criticizes NOI’s separatism as counterproductive and extreme. Baldwin advocates love and understanding among all human beings.

Elijah Muhammad (1897-1975, Religious Leader of NOI)

Elijah Muhammed’s advance of the Nation of Islam (NOI) is credited for advocating black empowerment, but Baldwin implies that empowerment mitigates against belief in the equality of all human beings.

Baldwin evolves to a more humanist view of life and declines to take a prominent role either in the Nation of Islam, or the Pentacostal religion he left twenty years earlier. James Baldwin’s “The Fire Next Time” gives advice that resonates with the troubles of the world today.

BEING HUMAN

Robinson shows society treats people unequally, wages war for power, lacks control over behavior, and deceives itself about human nature.

Books of Interest
 Website: chetyarbrough.blog

“Gilead”

By: Marilynne Robinson

Narrated By: Tim Jerome

Marilynne Robinson (Author, received the 2005 Pulitzer Prize for fiction for “Gilead”.)

“Gilead” is a Pulitzer Prize winning novel. It is cleverly written by Marilynne Robinson and beautifully narrated by Tim Jerome. Some listeners may have a hard time getting through its religious point of view. It is largely about belief in God. However, it’s truth about human nature makes it a classic regardless of one’s religious beliefs.

In broad outline, it is about three generations of preachers, a grandfather, his son, and a grandson, who live in Gilead, Iowa.

There is the grandfather who fights on the Union side of the Civil War in Kansas, presumably because of belief in human equality and union. However, it appears his son cannot justify killing of any human being, for any reason. Later, a listener/reader finds there is a rift between the Civil War’ preacher and his son who also becomes a preacher. The son becomes a father who has his own son. This book is like a letter to his son to explain his journey through life and what he has learned. The story begins by recalling a trip he and his son take to discover the grandfather’s grave in Kansas.

The journey is in the late 19th century.

The grandson accompanies his father on the arduous journey from Gilead to Kansas. They begin in a horse drawn carriage but because of weather leave the horse and carriage to walk the last miles. It is hot. One realizes the father’s decision to travel with his son is for many reasons beyond companionship. One presumes the father is ambivalent about the grandfather’s decision to join union soldiers with a willingness to kill secessionists opposed to abolition. One wonders if the father is saying there is no justification for War. The story gains broader interest at this point.

KILLING IS NEVER JUSTIFIED.

After having found the grave, the father relates a story of burying his father’s gun and some shirts. The gun and clothing are dug up. The bloodied and dirty clothes are washed, but they do not come clean. The wife of the letter writer and preacher finally throws them away, but the gun is reburied, dug up again, dismantled and thrown into a lake by the preacher. The vignette suggests the father believes killing is never justified, even in a war meant to preserve union and abolish slavery.

Preachers.

The father’s writing suggests there is a gap in ages between him and his wife. We find he is 67 when he marries his wife who is in her 30s. The preacher is nearing death by the time of the letter to his son is written. With the gap in their ages, there is a hint of jealousy about a man raised by the preacher’s best friend, who is also a preacher of the cloth. The son is Jack Boughton. Jack often played baseball with the preacher’s son, but the preacher had been told by Jack Boughton’s father to be wary of Jack.

The carrot and stick of parenting.

The impact of neglectful parenting is referred to in a sermon noted in the preacher’s story. Jack Boughton’s intelligence and education combined with parental neglect is inferred to be a cause of atheism and a penchant for illicit behavior. This creates a tension between the preacher and his close friend’s son, particularly when the childhood friend visits the preacher’s wife and son.

iNEQUALITY
AMERICAN CIVIL WAR
MORE WAR
MORE WAR
HUMAN NATURE

One comes away from Robinson’s story with a summary of the flaws of humanity. At the end of the author’s story, Jack Boughton has created a second human nature crises that will resolve itself in either happiness or tragedy. Robinson shows society treats people unequally, wages war for power, lacks control over behavior, and deceives itself about human nature.