book-review – Page 3 – REVIEWS AND VIEWS OF LIFE

CHILD ABUSE

The complexity of Freida McFadden’s character relationships diminishes its appeal, but the point of the story is that child abuse takes many forms which often repeat themselves in future generations.

Books of Interest
Website: chetyarbrough.blog

THE INTRUDER

Author: Freida McFadden

Narration by: Joe Hempel, Patricia Santomasso, Tina Wolstencroft

Freida McFadden (Author, practicing physician, specializing in brain injury.)

Freida McFadden’s book is a mess. The story is burdened by too many relationship complications. On the other hand, it reveals the hardship children face when raised by parents who lose control of their minds. The base story is about a 12- or 13-year-old girl named Ella. She is being raised by her mother who is a hoarder struggling to cope with life. As a single mother with a young girl, her hoarding complicates her daughter’s life. The house in which they live is a pigsty because of the hoarding. The odor of spoiled fruits and food permeates the clothing that Ella wears to school. Her mother often locks her daughter in a closet when she leaves the house. The closet is dark, cramped, and smelly from the mother’s hoarding mania. She punishes her child with the lit end of a cigarette when her daughter complains about anything.

Child abuse statistics.

Ella dreams of escaping to a better life while coping with school and hiding the trauma she endures with her mother’s mental instability. Ella fantasizes the idea of finding her father who she does not know. She makes friends with a young boy of her age who has anger issues because his father drinks too much and is abusive toward his son and wife. As Ella and the boy become closer, a serious assault incident at school results in the boy being permanently expelled. Ella has lost the support of her best friend and is faced with the instability of her mother’s behavior. Ella wishes for a better life and searches for evidence of her father as a way of escaping and improving her life. That search appears to be a dead end.

Ella’s mother hooks up with a man who becomes a boyfriend with a violent temper.

A fight between the two leads to Ella’s mother being stabbed. Blood from her wounds splatters her daughter from head to foot. Ella sets the house on fire and runs to the woods near her neighborhood where she cowers in a shed. The shed is next to a house rented by a teacher who has been fired by the school that had hired her. There is a storm brewing as Ella cowers in the shed next to the former teacher’s house. The former teacher named Casey, sees a light in the shed and cautiously approaches it to find Ella, a bloody mess lying on the shed floor. Ella is the intruder of McFadden’s story.

The value of this story lies in the reality of children being raised in families that abuse their children through neglect, psychological, or physical abuse.

McFadden’s story is of a neglectful and deranged mother who is incapable of caring for herself, let alone a child. Every child that survives their childhood is impacted by parents whether sane or mentally unbalanced. Most children are raised by single or married parents. Others are taken away by State sponsored childcare facilities or escape abusive parents to live on the street.

How a child responds to their parents or the way they deal with life is like the predictive quality of quantum physics.

How a child responds to how they are raised is unpredictable. That is the substantive meaning of “The Intruder”, a story that keeps one in suspense but does not appear likely to end well. It is a story that many children live in America and presumably in other countries of the world. The complexity of McFadden’s character relationships diminishes its appeal, but the point of the story is that child abuse takes many forms which often repeat themselves in future generations.

LIFE’S JOURNEY

The ending of Emily Henry’s story is a surprise to most who are absorbed and entertained by her tale. Life is complicated because it is filled with luck, achievement, purpose, and loss whether one is rich or poor.

Books of Interest
Website: chetyarbrough.blog

Great Big Beautiful Life

Author: Emily Henry

Narrated By: Julia Whelan

Emily Henry (Author, American writer of NYT’s bestselling romance novels.)

Emily Henry is an entertaining writer who seems to live her own “Great Big Beautiful Life”. Her book is about writers like herself being interviewed by a wealthy American who is searching for a biographer to memorialize an extraordinarily famous family’s life. Henry’s twist is that she has competition with a fellow writer who is a more experienced and successful writer.

The two writers in Henry’s story are in the prime of their lives.

One has been married before, and the other appears to have been intimately acquainted with another writer. Neither potential biographer knows they are being interviewed for the same job. The surprise is that their famous subject hires both writers to compete for the job with a presumption that one will be chosen. The story is partly to tell of a famous and extraordinarily rich families’ complicated lives. “Great Big Beautiful Life” is an imaginative story about family relationship, love, and life’s complexity.

The cleverness of Henry’s story is that one becomes interested in the person being biographed while being drawn into what becomes an intimate relationship of the writers.

Listener/readers become interested in both story lines. The incredibly rich heiress’s family history is a contrast to the middleclass lives of the writers. What Henry shows in “Great Big Beautiful Life” is every human being, whether rich or middleclass face the joys and tragedies of life. The author is not addressing poverty or the poor, but one presumes the difference is qualitative because love, loss, and sorrow is part of every human life.

The passion of the two authors is artfully expressed and reminds one of every human’s experience of love and loss.

Joy and tragedy play a part in every sentient human being’s life. Familial, emotional, social, and ethical relationships are vivified in Henry’s story. Alice is the main character who is the woman writer telling her story of the competition and relationship between her and Hayden in seeking the right to tell the story of Margaret Grace’s “Tabloid Princess” life. Margaret sets the table for the story with a competition for the right to tell her family’s life story. Alice and Hayden begin as competitors, evolve into lovers. and become intertwined with Margaret’s storied life.

Alice and Hayden are ambitious professionals, but both have emotional vulnerabilities that are intensified by the competition for Margaret’s biography. Scandal, family secrets and how they are dealt with in Margaret’s life are part of the story. Alice’s insecurity contrasts with Hayden’s Pulitzer Prize-winning reputation as a biographer.

The approaches of the two hopeful writers of Margaret’s biography are contrasted by the author.

Alice has a human-centered approach to the biography whereas Haden drives for detached objectivity. Alice is concerned with Margaret’s exposure while Hayden seems more driven by belief in accuracy, structure, and verifiability.

HISTORY

Details are certainly important as McCullough observes in “History Matters”, but truth in history seems dependent on the passage of time and details selected by histories’ scribes. Therein lies revisionist history which may or may not be the truth of history.

Books of Interest
Website: chetyarbrough.blog

History Matters

Author: David McCullough & 3 more

Narrated By: John Bedford Lloyd & 1 more

David McCullough (Two-time Pulitzer Prize winner for literature.)

As a tribute to David McCullough, his daughter compiled a list of several McCullough essays and public presentations. Though the readings are not narrated by McCullough, they illustrate his great range and understanding of history as a professional writer.

McCullough was 34 years old when “The Johnstown Flood” was released. Until then, he had worked as a writer for publications like the American Heritage magazine.

McCullough’s “History Matters” is a series of essays about famous people, books he has admired, and his success with historical biographies like “Truman”. McCullough’s first success was the story of the “Johnstown Flood”, published in 1968. After McCullough’s success with the “…Flood”, he became a full-time writer. He notes—without support of his wife, the idea of becoming an independent writer would have been impossible. The risk of unemployment and no regular check would have undoubtedly been on McCullough’s mind when he discussed it with his wife.

McCullough’s public presentations in “History Matters” are of speaking engagements at universities and various organizations that asked McCullough to address their professional interests.

With the success of his books, in the 1980s, he became a popular and sought-after public speaker. He frequently gave commencement addresses to Universities and Colleges, wrote and presented what he wrote to historical societies and museums. He occasionally addressed government bodies and civic groups arguing for historical literacy to preserve the institutions of American government. One of his most well-known narrations was of Ken Burn’s “The Civil War” on PBS’s American Experience in 1990. McCullough passed away on August 7, 2022, at the age of 89.

“History Matters” is a short book about a gifted writer who thoroughly researched his subject and wrote about the intimate details of history to give listener/readers the feeling they were “in the room”. He insisted on accuracy and clarity of what he wrote and advised writers to do the same if they wished to be historians. He cites the narrative power of Barbara Tuchman, Bruce Catton, and Paul Horgan as writers who vivified the dry analysis of history. The mix of history and fiction is blended by writers like these to give context to their audiences.

Like Caravaggio’s depiction of Saint Thomas’s doubt and faith in the resurrected Christ, McCullough argues historians must be relentlessly curious.

McCullough felt good historians had to see the world through the eyes and experience of their subjects to tell the truth of history. He argued good historians have to be relentlessly curious about the time of which they are writing. Without careful research and detail, the truth of history is lost.

To McCullough “History Matters” because it vivifies the past in ways that are forgotten and often taken out of the context of their time. He believed Tuchman, Catton, and Horgan practiced what he preached even though some (like me) would suggest even good historians change history of the past because of influences of the present. To minimize those influences, McCullough argues the details of history matter. Without details of the time when history is made, the truth can become distorted. McCullough infers admiring Washington, Lincoln, Grant, Roosevelt, Truman, and Presidents of this century without details of their time distorts the truth of history. From a book lovers’ perspective, this observation is two edged. Historians are human which suggests they have the same social blindness as everyone.

History is revised in every generation.

Abraham Lincoln, Ulysses Grant, Harry Truman and all Presidents have been vilified in their times and revised by future historians. Details are certainly important as McCullough observes in “History Matters”, but truth in history seems dependent on the passage of time and details selected by histories’ scribes. Therein lies revisionist history which may or may not be the truth of history.

THE ARTIST

Fredrick Backman’s story shows how the best and worst adults come from the admixture of life. “My Friends” is a funny and barely believable story, written by a highly entertaining and accomplished writer.

Books of Interest
Website: chetyarbrough.blog

My Friends (A Novel)

Author: Fredrik Backman

Narrated By: Marin Ireland

Fredrik Backman (Author, Swedish blogger and columnist, also wrote “A Man Called Ove”.

Fredrik Backman’s “My Friends” is an immensely entertaining story that fulfills the meaning of the word “wry”. A definition of wry is “ironically or grimly humorous”. What “My Friends” shows is that the life of a child is as much luck as innate ability and choice.

The main character of “My Friends” is Louisa, a 17-year-old foster child living on the street. She has a preternatural ability to draw and appreciate a work of art.

Backman’s story infers human beings are born with a genetic inheritance reinforced or discouraged by life experiences. Louisa never knows her father and is raised by a mother who drinks herself to death. Louisa is shunted to a neighbor’s care who abandons her to child services. She escapes into the streets of a city where reader/listeners find her meeting a disheveled and apparently ill person outside an art auction house. Louisa is drawing small red fish on a building wall when she is joined by this stranger who begins drawing skulls on the same wall. This chance meeting changes the course of Louisa’s life.

As luck and circumstance would have it, the artist (Kimkim aka C. Jat) is a painter whose work Louisa has admired over her short years of life. She has carried a post card (which she cherishes) that shows the artist’s famous work that is being auctioned. She does not realize the person she is talking to is the artist.

Monet’s “Water Lillies” as an example of a famous work that has been auctioned several times with the last auction amounting to $65.5 million.

Some days later the artist dies in a hospital with his lifelong friend, Ted, at his side. Ted has purchased the world-renowned painting done by the artist. Ted had bid the highest amount for the work because Kimkim wished to give the work to the young girl he had met painting red fish on the wall on which he was painting skulls. Because of his fame, the painting takes all Kimkim had saved over the years of his life.

A skull painter named Jean-Michel Basquiat is referred to as an artist emulated by Kimkim.

The author has set the table for his story. Kimkim dies and asks his life partner, Ted, to give the painting to the homeless girl. There is a fairy tale quality to the story, but it opens one’s mind to the serendipitous nature of life. Children live lives in a world of other’s making. Formative years of every child range from horrendous to beatific. Louisa is just one example of the happenstance of life for a young girl. It makes one think of the horrendous circumstances of children who are raised in war torn countries or on the streets of the homeless in America or other countries that fail to care for the indigent. Louisa’s story is “every child’s” story that is far from ideal but as real as life in the anywhere world.

There is a fairy tale quality to the story, but it opens one’s mind to the serendipitous nature of life.

The twists and turns of Backman’s story have Ted reluctantly taking Louisa under his wing while she maneuvers to escape and leave the valuable painting to Ted. She returns to the street as an 18-year-old young woman on her own. Louisa leaves Ted asleep on a train car with the boxed painting by his side because she does not believe the valuable painting should be hers. A reader/listener is only half-way through this imaginative story. It is not a book one will put down before learning how it ends.

Backman’s story shows how the best and worst adults come from the admixture of life. “My Friends” is a funny and barely believable story, written by a highly entertaining and accomplished writer.

LIFE’S JOURNEY

Gaige’s writing is crisp, insightful, entertaining, and highly relatable. It gets to the heart of life’s struggles without being judgmental or accusatory.

Books of Interest
Website: chetyarbrough.blog

Heartwood

Author: Amity Gaige

Narrated By: Justine Lupe & 5 more

Amity Gaige (Author, lecturer in English at Yale University, 2017 Guggenheim Fellow in Fiction.)

“Heartwood” is a well written, creative, and insightful novel about human fragility. It begins with a lost hiker on the Appalachian Trail. One may recall newspaper articles about this trail where many famous and infamous people have been known to travel. What is less well known is the trail is 2,197-miles long and crosses 14 states. Amity Gaige writes a story of one lost hiker, but it is much more. Of course, it is about search and rescue that reveals how complicated it is to find someone who is lost in a wilderness. In a public hiking trail, at least in the pre-Trump era, national government employees were available to conduct search and rescue services in national parks. There are many local volunteers who aide in these searches, but it is managed by experienced park rangers. Gaige reveals the inner fears and reality of one who is lost in life as well as in a wilderness. The creativity of the author is in her reveal of human nature. All people struggle to live lives that mean something but exhibit physical and mental flaws that get in the way.

There are many ways one becomes lost.

The lost hikers name is Valerie Gillis. The primary searcher is Bev Miller, a lieutenant in charge of search and rescue teams when someone is lost on the Appalachian Trail. Those who are rescued, and those who rescue, live lives of equal unpredictability. (Bev Miller’s mother is in a health care facility for the elderly who are troubled by dementia.) The hiker is seeking solace from her personal life by taking a hike on the Trail with a friend who is a substitute for her recently divorced husband. Her and her friend become separated, and she wanders off the Trail. She becomes disoriented and cannot find her way back to the well-traveled path but, as a trained nurse, she copes with her isolation better than most who might make the same mistake. She keeps her wits about her, but an unexpected event changes the course of her life.

Military training.

The area in which Gillis becomes lost is near a security encampment used to train soldiers for wilderness’ survival. The training is harsh and some of the inductees choose to go AWOL, absent without leave. An AWOL’ escapee who is having a nervous breakdown comes across Gillis. His psychological imbalance influences him to imprison Gillis making her unable to find her way back to the Trail. Eventually, her antagonist leaves but Gillis’s physical deterioration advances to the point of near starvation.

Statue reflecting the “Circle of Life” in Norway.

The author is exploring the idiosyncrasies of life. Many incidents that lead to the rescue of Gillis show how every human being deals with events in life that are beyond their control. One elderly woman who exhibits symptoms of dementia becomes a clue to the location of Gillis. This elderly woman’s life shows one of many circumstances in life that are beyond one’s control. This dementia burdened woman recovers some of her lost faculties to report having talked to a young man who is being treated for psychological imbalance. He tells of meeting a lost hiker in the wilderness. Until that clue is revealed. no one knew the correct area in which to search for Gillis.

There are many human relationship strengths and weaknesses revealed in Amity Gaige’s “Heartwood”. Gaige’s writing is crisp, insightful, entertaining, and highly relatable. It gets to the heart of life’s struggles without being judgmental or accusatory.

VICTIMS

Pedophilia is a terrible crime. Unprofessional exposure of its consequence compounds a victim’s trauma. There are no heroes or heroines in Lisa Jewell’s imaginative story.

Books of Interest
Website: chetyarbrough.blog

None of This Is True (A Novel)

Author: Lisa Jewell

Narrated By: Kristin Atherton & 9 more

Lisa Jewell (Author, British writer, born in London, has written several novels.)

“None of This Is True” is a disturbing novel. From a happenstance birthday party at a restaurant, two young women find they were born on the same day in the same hospital. One of the women is a podcaster and the other is a housewife. This chance meeting leads to the podcaster agreeing to create a podcast about the life of the woman who had been born on the same day in the same hospital forty-five years earlier. Both are married with children and husbands but one has a story to tell that only comes clear as the podcast unfolds. The circumstances of her life peak the podcaster’s interest because the woman asking to tell her story had married her husband when he was 43 and she was only 16. The thought of such an age difference makes one instantly dislike her husband which only deepens as the story proceeds.

Definition.

This marriage becomes increasingly shocking as the podcaster’s recordings begin. The story tells of this odd marriage to a husband who often stays out all night either drinking or something worse considering his predilection for young girls. The mother is interviewed by the podcaster who characterizes her as a narcissist who regrets ever having gotten pregnant. She seems to care nothing about the impropriety of her daughter marrying a 43-year-old when she is 16.

Victims.

The story becomes more complicated as the victim of pedophilia appears to steal items from the podcaster’s home. At a half-way point in the novel, the reader/listener realizes the podcaster is out of her depth in thinking her podcast is an appropriate way of dealing with the psychological trauma of a victim of her lived life. One begins to lose their baring on who is guilty for having lived a life of misery and dysfunction. Only the specter of pedophilia seems clearly wrong, but the victim of the pedophilia is raised by an uncaring mother that let it happen. Now there is a podcaster caught in the middle of something way beyond her professional ability who is caught in a growing domestic abuse and psychological nightmare.

The inhumanity of humanity.

This is a terrifying book about humanity. One is drawn into its sordid tale to reveal how inadvertently we can be drawn into the drama of another’s life without qualification for dealing with its complexity. As a reader/listener there are lessons to be learned about one’s limitations and how we can become a part of the problem, rather than a solution. Pedophilia is a terrible crime. Unprofessional exposure of its consequence compounds a victim’s trauma. There are no heroes or heroines in Lisa Jewell’s imaginative story.

AMERICAN LIFE

The relentless harshness of Demon’s life wares on a listener/reader. One has to be invested in Demon’s life adventure to fully appreciate the creative talent of the author.

Books of Interest
Website: chetyarbrough.blog

Demon Copperhead (A Novel)

Author: Barbara Kingsolver

Narrated By: Charlie Thurston

Barbara Kingsolver (Author, American Pulitzer Prize-winning novelist, born in 1955.)

Several years ago, I began Barbara Kingsolver’s “The Poisonwood Bible” for which she won a Pulitzer Prize. This revisit to her writing is to see what her view is of a young boy in a broken American family. “The Poisonwood Bible” like “Demon Copperhead” are well written novels but “…Poisonwood…” is about missionary work whereas “…Copperhead…” is about life in America for children who are challenged by poor family circumstances. Both novels are too long though …Poisonwood… is highly acclaimed and rewarded by a Pulitzer Prize. Demon Copperhead is the story of a young boy caught in a welfare system meant to aid mothers who are incapable of caring for themselves, let alone their children.

Kingsolver’s point of view can be understood from different perspectives.

The hardship of raising a child is compounded by circumstances of an unmarried woman with a substance abuse problem. The story of Demon Copperhead explains how incredibly harsh it can be to live in America. Despite America’s reputation in the western world as a land of opportunity, it is viewed by many as a land of excess and inequality. Sweden, Canada, and Germany consider America more critically than other western nations. Kingsolver explores some examples of why America is viewed so differently.

Demon’s parent is a recovering drug addict with poor job prospects whose husband has died and decides to marry a man with anger management problems.

Demon’s mother obviously has personal problems. With a school-age child to raise, and a second marriage created out of her self-inflicted problems, her life is a mess. Addiction returns, and her new husband physically abuses her son. She overdoses, and her son calls 911 to have her rescued. She does not recover, and Demon becomes a ward of the State. Demon is farmed out to a rehabilitation ranch called a foster home when in fact it is more like a slave retreat serving the needs of a hard scrabble farm. Demon’s mother dies from her earlier overdose. Demon is 11 years old with nowhere to go than a neighbor’s family to be watched over while he fulfills his obligations to the rehabilitation ranch. He is essentially a slave to the care of cattle and the harvesting of tobacco when he is not in school.

Harshness of life is generally an uncommon circumstance of life in America, but it shows how harsh life can be whether one lives in America or anywhere in the world.

Demon is characterized as a tough-minded boy who adapts to his circumstances with little choice because of his age and family circumstance. One dim opportunity is the grace of his dead mother’s neighbors that reluctantly allow him to temporarily stay with them after his mother’s death. Demon chooses to search for his birth father’s grave and finds his grandmother in Nashville, Tennessee. It comes as a surprise that Demon’s father comes from a matriarchal family that is a haven for lost human beings.

The relentless harshness of Demon’s life wares on a listener/reader. One has to be invested in Demon’s life adventure to fully appreciate the creative talent of the author. Some will choose to finish Kingsolver’s story to find out how Demon’s life is either resurrected or lost. Others will move on to another book, not out of disappointment with Kingsolver’s creativity but out of fatigue from a story that is too long.

LIBERALITY

The conclusion one may draw from “Eleanor Oliphant is Completely Fine” is that government liberality is better than authoritarianism

Books of Interest
Website: chetyarbrough.blog

Eleanor Oliphant is Completely Fine

Author: Gail Honeyman

Narrated By: Cathleen McCarron

Gail Honeyman (Author, Scottish writer and novelist, won the 2017 Costa First Novel Award for “Eleanor Oliphant”.)

“Eleanor Oliphant Is Completely Fine” is a commentary on life’s loneliness which seems a self-imposed choice. There is a comic and mysterious quality to Honeyman’s story. Genetics and life experience inherent in every life is what the story of Oliphant is about. As an observer of life, one may believe experiences of life only reinforce genetic predisposition. If one accepts that belief, little of who we become is under our control. Honeyman’s story infers that is only partly true.

Waxing hair removal.

Life is a struggle for Eleanor. It is not that Eleanor does not make choices about life but that her choices appear other directed rather than inner directed. Life may be just a matter of chances and circumstances rather than inner directed motivation. Her story begins with a visit to a salon for an intimate waxing of her labia majora. (Hot or cold wax is applied to her intimate parts that pulls the roots of pubic hair off.) Eleanor is shocked by the experience. One presumes she is shocked because of the pain but surprisingly Eleanor explains it is because of the appearance it leaves of her naked woo-hoo. She thinks she now looks like an infant rather than a fully mature woman. This is a somewhat comic beginning to the author’s story. On the other hand, it shows Eleanor’s life seems more determined by society than inner direction.

Eleanor is a bookkeeper in a small business.

There is a mystery in this story that is slowly revealed by the details of Eleanor’s life. She lives alone in what is a subsidized apartment paid by social services. She is visited by a case worker and there appears some mysterious reason for her receiving help from the State. The mysterious reason is implied by the interview of Eleanor by a social case worker who pauses as she looks at the last part of a file as she interviews Eleanor. The case worker’s pause is about something written about Eleanor’s past. That past is made more mysterious as one finds Eleanor’s mother is institutionalized for some reason not disclosed.

Cultural differences.

The striking point made by this case worker’s visit to an American reader is the difference between Great Britain’s philosophical and cultural differences in regard to social policy. America rejects socialism while Great Britain endorses it. Great Britain practices democratic welfare capitalism while American democratic welfare is more limited. Healthcare is publicly funded in Great Britain while it is mostly private in America. These differences do not change the truth of Eleanor’s life story but it contextualizes Honeyman’s view of a life in a democratic socialist system rather than a democratic capitalist country.

The waxing incident is a comic beginning to Honeyman’s story, but it reflects on urban life as emotionally isolating despite being surrounded by other people.

Eleanor drinks half or more of a bottle of vodka alone in her apartment at the end of a work day. Her life is depressingly humdrum with hints of a trauma earlier in life. Whatever that trauma may have been urges one to keep listening or reading the author’s story. One’s interest is heightened by a young man that seems interested in Eleanor as a future companion. The young man is Raymond, a co-worker. Raymond is a loved son which is quite different from the family in which Eleanor appears to have been raised

Nearly half way through the book, one finds Eleanor has a scar on her face.

Like stepping into a darkened room, Honeyman shines a light on humanity. We become who we are from genetics and life experience. Honeyman gives many hints in her story that suggest there is a connection between Eleanor’s appearance, her reclusive and withdrawn behavior, her alcohol consumption, her mother’s confinement, and the aid she receives from Great Britain’s welfare system.

The perspective one gains from this story ranges from the horror of human selfishness to the value of caring for others.

One may compare American Capitalism with British Socialism thinking of their strengths and weaknesses or view the story of Oliphant as something that can occur in any social system of government.

Oliphant is rescued from a horrible family environment by Great Britain’s social welfare system to become an independent and productive British/Scottish citizen. One wonders if the same could happen in America with a less liberal system of welfare that relies on self-interest to change people’s lives. Of course, that is an unanswerable question because Oliphant could have been rescued in either country. On the other hand, would more citizens be saved by a more socialist system of democratic capitalism?

The details of Oliphant’s life are horrific. The cruelty of family life is real in every culture, whether authoritarian or democratic. The conclusion one may draw from “Eleanor Oliphant is Completely Fine” is that government liberality is better than authoritarianism.

FAME

As a son of a strong mother, one is impressed by Tina Knowles’ character in her enlightening memoir. She shows how women are the backbone of society despite their treatment in a patriarchal world.

Books of Interest
Website: chetyarbrough.blog

Matriarch (A Memoir)

Author: Tina Knowles

Narrated By: Tina Knowles & 4 more

Celestine Ann Knowles aka Tina Knowles. (Author, American businesswoman, fashion designer, and mother of the famous performer, Beyoncé.)

This is an intelligent well-written memoir of the mother of two famous performers, Beyoncé and Solange Knowles. Celestine Ann Knowles is born in Galveston, Texas on January 4, 1954. Her two famous daughters are the singer Beyoncé and the composer, Solange Knowles.

The mother of these two famous women tells a story of what it is to live in the 1950s as a young, poor Black American. Tina (a diminutive of Celestine) Knowles becomes a successful businesswoman, fashion designer, philanthropist and mother of two highly successful women in the 21st century.

Galveston’s in the 1950s.

Living in Galveston, Texas in the 1950s as a person of color is starkly and clearly explained in Tina Knowles’ memoir. Tina’s father works as a longshoreman. His work is sporadic because of a mining accident that ruined one eye and made him hard of hearing which limited the work he could do as a longshoreman. With the aid of his wife, Tina’s mother as a seamstress, their meager income is enough for them to get bye. Tina’s mother is the foundation of the family. Tina grows up as a force of nature before reaching adulthood. She grows up in a family ruled by a “Matriarch” as the power in her family and neighborhood. Even in her pre-school years, as the youngest of seven children, Tina understands her mother is the person who holds the family together and eventually makes Tina the matriarch of her future family.

White American’ opposition to equality in the 50s.

Tina adventured where many young Black children timorously dealt with life in an unfair world. Despite its unfairness, Tina ventured forth.

Tina tells the story of her childhood companions who would not go into an ice cream store in Galveston when white children were being served. Tina ignores their timorousness, goes into the store and is told to get out by the store manager. She finds what her friends were saying is true, but she had to experience it herself. Tina goes to a Catholic school where she is treated harshly by the teachers but continues on to graduate despite their strict rules. Nearing graduation, she becomes ill and is treated by a white physician who presumes she is lying about never having premarital sex. The white physician and an aide strap her down and conduct a physical exam that leaves blood on the table because of her hymen being broken by the exam. Her mother calls the physicians to complain about the treatment of her daughter and takes her to another hospital to find her illness is unrelated to the doctor’s presumptive and unnecessary pelvic exam.

Tina is raised in the time when Black discrimination is finally beginning to change. Brown v. Board of Education is decided in 1954.

Tina graduates from high school, presumably in the early 1970s, and goes on to college. While in high school, she joins a local singing group that is inspired by The Supremes. They call themselves the Veltones. That experience leads her to work in fashion and entertainment. She becomes a designer, and entrepreneur, and eventually the “Matriarch” of her own family. In 1980, Tina marries Mathew Knowles. They were married for over 30 years but divorced in 2011.

In the Knowles’ marriage (1980-2011) they have two daughters, i.e., Beyoncé and Solange Knowles.

Tina Knowles explains how the birth of Beyoncé ignited her ascendence as the “Matriarch” of her generation. From taking care of Beyoncé to remodeling her house to creating her first business, Tina created her own world. Tina built the foundation for her life and raised one of the most famous singers in the world.

“Headliners”–Tina Knowles first business.

At 32 years of age, Tina decides to start a business. With financing from what is to become her former husband, she decides to open a salon. Tina is pregnant with her second child, Solange. Matthew involves himself in Tina’s business in financial ways that challenge its success. Tina starts “Headliners” in the early 1990s to offer make-up and beauty services in Houston, Texas. Beyoncé is now around nine years old while Solange is nearing four or five years of age.

Matthew and Tina Knowles file for bankruptcy.

Her husband, Matthew decides to quit his six-figure job to join Tina in her business. For unclear reasons, the family files for bankruptcy, sells their home, and rebuilds their lives while Tina focuses on her salon business. Tina explains she decides to divorce her husband because of his infidelity and mishandling of their dwindling wealth. She holds her life together by focusing on the burgeoning career of her girls and her salon business. Tina shows herself as the guiding force of her talented daughters. She has become the “Matriarch” that her mother had developed her to be.

Beyoncé’s 2025 concert in London.

Though most interest in Tina’s story may be because of her daughter, Beyoncé, her memoir suggests the “Matriarch” of the next generation of Knowles will be her daughter, Solange. She does not diminish the great success of Beyoncé as an incredible talent who runs her musical productions, but it seems Solange is the worker bee that is driven to become her generation’s “Matriarch”.

Agnéz Deréon (Tina Knowles’ mother, the “Matriarch” of the Knowles’ descendants.)

At the end of Tina’s book, she has reached the age of 70. She maintains a clear picture of the story of her life. Married and divorced twice, she is in charge of her life and appears to influence all who surround her. As a survivor of breast cancer and a firm grasp on life, she uses her strong belief in God and the love of her family to believe the best is yet to come. As a son of a strong mother, one is impressed by Tina Knowles’ character in her enlightening memoir. She shows how women are the backbone of society despite their treatment in a patriarchal world.

MARK TWAIN

Chernow’s biography is a mirror of Twain’s time and life. Chernow implies Twain could see imperfections of society without seeing his own. Twain’s genius to entertain America and readers around the world is not diminished by Chernow’s well written book.

Books of Interest
Website: chetyarbrough.blog

Mark Twain

Author: Ron Chernow

Narrated By: Jason Culp

Ron Chernow (Author, journalist, biographer, winner of the 2011 Pulitzer Prize for Biography and the American History Prize for his 2010 book “Washington: A Life”.

No stranger to historical biographies, Ron Chernow has written an interesting biography of the peripatetic humorist Samuel Clemens, aka Mark Twain. Samuel Clemens was born in Florida, Missouri, two weeks after Hailley’s Comet passed Earth in 1835, he died in 1910 when Hailey’s Comet made its closest approach to Earth in 1910. Chernow’s biography explains how Clemens became a steamboat pilot, frontier journalist, author, and American gadfly in his journey through 74 plus years of life.

Chernow’s biography of Mark Twain reminds one of Donald Trump without the power of the Presidency.

Clemens is noted as a stretcher of truth who told stories of his time that illustrated the contradictions of race, slavery, and morality that live through today. Twain is shown to express himself in humorist ways that challenged racial norms and societal conflicts which made some laugh, and others cringe with disgust or anger. Chernow argues Twain’s use of language shaped American literature. He gave American literature a unique voice that blended humor with criticism. Twain humanized the Black community and the iniquity of slavery, but Twain’s upbringing suggests he did not escape the false belief of innate Black’ inequality. Chernow painted a picture of Twain that showed how society was filled with the promise and pitfalls of Americans’ character.

Chernow shows how Clemens reinvents himself, not from formal education but from life experience.

At 21, Clemens begins training himself as a steamboat pilot on the Mississippi river, a highly praised, prized, and well-compensated position. Chernow suggests Clemens found his nom deplume, Mark Twain, based on the language of riverboat pilots. (“Mark Twain” is the 12 feet of depth needed for safe navigation of a riverboat.) As material transport changed after the steamboat era, Twain had to find a new career. He traveled to Nevada with the hope to become rich as a silver baron during the gold and silver rushes of the late 1850s. However, he never struck it rich, lost other people’s money, and turned to earlier work experience in newspapers when he lived in Missouri. He had learned the typesetting business and had written a few articles for the paper in his hometown. He settled in Carson City, Nevada, eventually becoming a journalist. On the one hand his stretching of the truth got him in trouble as a journalist but, on the other, it opened him to another career. His wit and way with words led to a role as lecturer and performer.

Chernow shows Twain changes jobs based on his innate abilities and external events.

The development of mass media, America’s Civil War, the industrialization of America, and the growth of a celebrity’ culture influence Twain’s life and made him a cultural symbol of America in the same way Dickens, Dostoevsky, and Chinua Achebe became symbols of their countries. Twain exemplified American life, its contradictions, its greed, and its biases that were blended into the personal tragedies and experiences of his own life. He turned his life experience into an art that reflected America’s growth as a nation. He became a writer and lecturer.

Chernow explains how Twain did not just read his lectures, i.e., he performs and acts their meaning to an audience.

Twain blends storytelling with satire and theater to entertain his audience. His reputation as a public speaker is made in California, but he becomes a global star. He performs in London, Berlin, and Bombay with what became cultural events about American humor and American foibles. His lectures are folksy with tinges of intellectualism that make him revered, respected, and laughed about by his audiences. Chernow believes he created an image of one who speaks truth to power about imperialism, religion, and human folly.

Chernow does not sugar coat truth about Twain.

Like all human beings, Twain had his blind spots. He was silent about lynching and its immorality, and he was trapped in his vision of racism by treating it as a troubling fact of American life despite his championing of civil rights. At best, he appears to be an agnostic when it comes to religion. There is criticism of Twain’s close relationship with teenage girls that he dismisses as a public concern by saying “It isn’t the public’s affair”. Twain is reckless with other people’s and his own money and investment. He exhibits behavior that suggests a gambler’s view about getting rich quickly. Twain could be vindictive, and melancholic because of his gloomy view of humanity. His family life suffers from his impulsivity and emotional distancing toward his wife and daughters. In one sense, Chernow makes Twain more human by noting he is like most of us except for his insightful sense of humor and talent for extemporaneous public speaking.

The archive of Twain’s letters is in the thousands which spans his entire adult life.

Chernow gathers much of his understanding of Twain from his personal letters rather than his books. He does note a number of Twain’s family members and friends are models for characters in his novels. However, Chernow’s focus is on Twain the man who appears morally inconsistent, a poor manager of other people’s money, and prone to anger when aggravated by other’s opinions. Whether this is fair or not, it describes many people today.

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this: