MOST INTERESTING ESSAYS 2/5/26: THEORY & TRUTH, MEMORY & INTELLIGENCE, PSYCHIATRY, WRITING, EGYPT IN 2019, LIVE OR DIE, GARDEN OF EDEN, SOCIAL DYSFUNCTION, DEATH ROW, RIGHT & WRONG, FRANTZ FANON, TRUTHINESS, CONSPIRACY, LIBERALITY, LIFE IS LIQUID, BECOMING god-LIKE, TIPPING POINT, VANISHING WORLD, JESUS SAYS
“Fox” is a mystery that some may be interested in completing but the subject is too horrifying for this reader/listener. Oates is obviously a successful author, but it is returned to the library without completion.
Books of Interest Website: chetyarbrough.blog
Fox (A Novel)
Author: Joyce Carol Oates
NarratedBy: Max Meyers & 9 more
Joyce Carol Oates (Author, American novelist, essayist, 1969 winner of a National Book Award.)
Not as a revelation but a truth of life, children come from families that are raised by married, divorced, unmarried and sometimes neglectful, self-absorbed parents. Children grow up to be something like their parents but uniquely themselves. Oates writes “Fox” to reflect on the variety of childhood experiences and development with a look at a teacher named Fox whom the author insinuates is a pedophile. Mr. Fox is found at the bottom of a ravine in his crashed car. His body is decomposing with vultures circling his remains. The decomposing body is seen by a young boy, with an older brother, who had come to the site because he had seen the circling vultures.
Oates’ mystery unfolds as a plain clothes policeman contacts the school administration to ask about Mr. Fox which implies his death is not an accident. “Fox” is a mystery that some may be interested in completing but the subject is too horrifying for this reader/listener. Oates is obviously a successful author, but it is returned to the library without completion.
Millman’s Socratic story is about human patience and knowledge. He addresses knowledge as something of the greatest value that can keep one from resorting to violence. This is a message that resonates with those who are appalled by today’s international and domestic conflicts.
Books of Interest Website: chetyarbrough.blog
The Journeys of Socrates
Author: Dan Millman
NarratedBy: Sam Tsoutsouvas
Dan Millman (Author, world champion athlete, martial arts instructor, and college professor.)
Dan Millman’s reasons for the title of his book “The Journeys of Socrates” is difficult to understand. The known facts of Socrates life do not seem remotely related to the life of a Jewish immigrant who lived in 19th century Russia. The story is almost too horrific to believe because of the tragic life of its hero Sergei Ivanov, a Jew in Tsarist Russia being raised in a camp of Cossack warriors. The only parallels one may make is that Socrates is characterized in ancient writings as a man who sought virtue and wisdom in his journey through life.
Socrates was known as a warrior in the Peloponnesian War between Athens and Sparta (431-404 BCE). He is better known as a teacher and student of the philosophy of life.
Socrates had gained a reputation for bravery, endurance, and moral fortitude in war, while a mentor of young men like Alcibiades who wanders through life with little self-understanding. (It is the ancient writings of Plato, Xenophon, and Aristophanes that reveal some of what is told of Socrates life.) This seems a slender thread of association with the title of Millman’s book. The story of Sergei Ivanov is of a man who introspectively examines the meaning of life after experiencing horrific violence. This is a Socratic interrogation of a Jew’s life in pre-1917, revolutionary Russia and Ukraine.
Hiding one’s identity as a Jew has been told many times by many authors. Ethnicity and religious belief, like the color of one’s skin, marks one as different.
Ethnicity is a marker of human beings as the “other”, i.e., someone different than themselves. Unlike the color of one’s skin, ethnicity is easier to hide. Sergei Ivanov becomes known as a Jew in a Cossack training camp. He decides to escape that life but is followed by a fellow trainee who catches him. They fight and Sergi’s antagonist is knocked unconscious and appears dead. Sergi escapes and plans to find what he believes is a treasure buried by his grandfather that will give him enough money to get passage to America from his grandfather’s Ukranian homeland.
Buried treasure.
Sergi finds the treasure that had been buried by his grandfather, but it was only a clock and five gold pieces, not enough for passage to America. However, there is an address on the clock that leads him to his grandfather’s house. What he finds is an aunt that he thought was dead. She has a daughter for whom he falls in love and asks for her hand in marriage. They are married and Sergi’s plan is to take his now pregnant wife to America when he has earned enough money for passage. However, fate intervenes.
The man Sergi thought he had killed when he escaped the training camp was alive and had become a leader of a Cossack gang that terrorized the country with a special hatred for Jews.
The gang comes across Sergi and his pregnant wife when they are out for a walk before their planned trip to America. His former enemy and his followers murder Sergi’s wife, rip the baby out of her womb and leave her husband unconscious on the ground after trying to defend his pregnant wife. The gang leader chooses to leave Sergi alive to remember the grief he would have for his wife and baby’s loss of life because he could not save them. Sergi recovers and prepares himself for revenge on his former training camp antagonist.
Deaths inevitability.
At this point, one presumes this is to remind listeners of Socrates reported bravery, endurance, and moral belief despite hardship in life and one’s inevitable death. However, this is only a small part of the author’s intent. What one draws from the story is how ethnic or racial discrimination exists in every nation in the world. Human nature is often brutish and violent despite a rational person’s search for truth and peaceful coexistence. One asks oneself why humans wage war, why we murder innocents, and why does revenge only begat more death.
Sergi recovers from his injuries and is counseled and educated by a believer of a different faith.
As one finishes Millman’s story, listener/readers realize Sergi’s teacher is educating him about human patience, ethnic understanding, and knowledge that can break the repeating cycle of discrimination and violence caused by racial, gender, and ethnic difference. It requires patience, preparation, and knowledge. Sergi spends many years with his teacher and gains great strength to prepare him for what is to happen next in his life. Knowledge of what happened when he was struck down after his wife was murdered is not clear to him. As the story develops, one finds his wife had two children in her womb and only one died in the confrontation. What happens when Sergi meets his wife’s murderer is the denouement and fundamental meaning of Millman’s story.
Millman’s Socratic story is about human patience and knowledge. He addresses knowledge as something of the greatest value that can keep one from resorting to violence. This is a message that resonates with those who are appalled by today’s international and domestic conflicts.
Murata’s satire infers obsession with sex for pleasure, child rearing collectivization, gender dysphoria, and pregnancy equalization are pathways to societal destruction.
Books of Interest Website: chetyarbrough.blog
Vanishing World (A Novel)
Author: Sayaka Murata
NarratedBy: Nancy Wu
Sayaka Murata (Author, Japanese novelist.)
Sayaka Murata’s subject is clearly revealed in its title, “Vanishing World”. “Vanishing World” is a provocative assessment of how sexual relationship and sex education has changed. Murata satirically reveals how human reproduction, objectification of life, motherhood, and technology may dehumanize society.
Murata’s fictional story is highly informative in regard to sexual difference and similarity between men and women.
In one sense, Murata’s fictional story is highly informative in regard to sexual difference and similarity between men and women. As a reader/listener, Murata offers a detailed description of the physical difference between the sexes. Many who think they know something about sexual difference will find the author’s candor enlightening. However, her depiction of social relationship is off-putting with a satirical exaggeration of socio/sexual objectification.
Murata writes about a single parent family with a young daughter who lives with her mother and is nearing the age of puberty.
(Though not mentioned in Murata’s story, single family homes in America have grown by nearly 30% in the 21st century.) The main character’s name is Amane and Murata’s story is about Amane’s sexual awakening and how she views social relationship. Amane is infatuated with an animated male character on television. She imagines being married to this character before puberty but holds this character in her mind throughout childhood and later life.
Murata suggests reproduction may evolve into a preferential desire for artificial insemination rather than sexual intercourse between a man and woman.
This idea feeds into a listener/reader’s mind as a diminishment of the need for emotional attachment to the opposite sex for procreation. Sex becomes detached from procreation, evolving into only “hooking up” for sexual stimulation and/or personal gratification. Murata infers desire is no longer needed for procreation but only to experience intercourse as an emotional and physical pleasure. Consequently, it seems perfectly natural to transfer sexual desire to a fictional character because it becomes unnecessary to have emotional attachment to humans when a figment of one’s imagination is available.
Murata creates a bizarre world.
The bizarro world that Murata creates is an extension of a belief that society is becoming less attached to their humanity. Marriage, human relationship, and motherhood are replaced by mindful personal’ inwardness and endless pursuit of physical stimulation without emotional entanglement. By extension, Murata suggests science will create wombs for men so that the difference in sexes equalizes childbirth and care of children. Caregiving becomes bureaucratic and collective because caregiving is no longer personalized.
Murata suggests that a new system of childcare will evolve into collective training camps for working parents who are too self-absorbed to raise their own children.
Collective childcare disconnects parents from the management and development of their children. The sterility of conception by artificial insemination, collective childcare, and social acceptance of multiple sex partners diminishes both familial relations and child development. Birthing and raising children becomes a clinical process, i.e., less personal with both men and women capable of experiencing pregnancy and delivery; all without responsibility or obligation for childcare.
In some sense, this satire illustrates the negative potential of socio/sexual equality.
Murata’s story ends with the birth of their first child from a man who is Amane’s husband. She is torn over not being able to take the baby home because the child is already being “cared for” in a ward meant to raise and nurture all newly born children. A final point is made in the story by a visit from Alane’s mother after the birth. She asks Amane where the child is, and Alane explains the child will not be raised by her and her husband. Alane’s mother is aghast. Her mother falls to the floor and dies without any apparent familial concern for her sudden collapse and presumably, death. The next thing to happen is a visit from one of the children born in this new world. Alane chooses to have sex with him and the story ends.
“Vanishing World” implies 21st century science, organizational bureaucracy, and social change threatens survival of humanity. Murata’s satire infers obsession with sex for pleasure, child rearing collectivization, gender dysphoria, and pregnancy equalization are pathways to society’s collapse.
America’s current government may not be the criminal enterprise of Drew Hayes’ “Forging Hephaestus”, but it reflects on the worst characteristics of capitalist democracies.
Books of Interest Website: chetyarbrough.blog
Forging Hephaestus: Villains’ Code Series, Book 1
Author: Drew Hayes
NarratedBy: Amy Landon
Drew Hayes (Author, humorist writer who earned a BA in English from Texas Tech University.)
“Forging Hephaestus” is the beginning of a series of books that this critic is unlikely to complete. The first book, “Forging Hephaestus” sets the table for some interesting points about systems of power, identity, and morality that reminds one of government control and influence. However, Hayes is creating a secret guild of criminals’ intent on ruling the world of crime.
Drew’s story begins with the creation of a young woman that embodies the force of fire.
She is like the mythological god of fire though not appearing as someone who is male or has, as the Greek myth goes, any physical imperfection. One presumes the author is challenging the patriarchal truth of history that shows power, aggression, and ambition are not only masculine. Additionally, the choice of Hephestus as a woman makes one think about a person who exemplifies both creation and destruction, i.e., the birth and death of humanity.
If one thinks of Hayes’ story as a cynical allegory of government, rather than a criminal enterprise, it becomes more interesting to this reviewer.
What Drew describes as a Villains’ Guild is like a government elected by people who believe they are voting for someone who represents their interests. In reality, voters are voting for self-interested people who may or may not govern in voter’s best interest. At best, governments try to serve the public but are not gods of infallible understanding that can legislate what is always in the best interest of its citizens. Generally, governments control through compliance, not morality. Order is prized over justice and equity. That desire for order changes elected officials’ loyalty to those who are elected as much as to people who voted for them.
The guild that Hayes creates audits and enforces their criminal objectives with state surveillance and internal security.
State surveillance and internal security are the same tools used by government which are even more effective today than in the past because of technology. (A past trip to China after Xi had taken power shows how internet searches are restricted when one is in a Bejing’ hotel.) The paradox of surveillance and internal security is that no one is truly free whether they are a part of those who govern or are the governed. Human nature exploits the weak, the ethnic, and ill-informed. Government representatives are no more virtuous or venal than the citizens who elected them. That is why citizens become skeptical about the legitimacy of their government’s concern about common good.
Trump’s world view.
Listening/reading “Forging Hephaestus” is an apocryphal story to some who feel President Trump is the quintessential example of one who is more interested in himself and his family’s wealth than the people who voted for him. America’s current government may not be the criminal enterprise of Drew Hayes’ “Forging Hephaestus”, but it reflects on the worst characteristics of capitalist democracies.
The climax of “Modern Gothic” is where myth enters Moreno-Carcia’s story. The fundamental truths of colonization are revealed in her creative story while its denouement is an entertaining explosion of imagination.
Books of Interest Website: chetyarbrough.blog
Mexican Gothic
Author: Silvia Moreno-Garcia
NarratedBy: Frankie Corzo
Silvia Moreno-Garcia (Author, Mexican/Canadian novelist, editor and publisher.)
Moreno-Garcia’s “Mexican Gothic” is a chilling story of colonization, eugenics, ecological contamination, mystical beliefs, and control of society by men. The author chooses the name of Doyle as an English family that exploits the Mexico’ silver mining industry in earlier centuries. A dynasty is created by generations of Doyle’s. They created a colonial manor called “High Place” from which to rule a crumbling empire. As colonizers they capitalize on Mexico’s silver deposits by exploiting native Mexicans’ land and labor to grow their mining operation. The wealth of local citizens is lost to the English foreigners who keep wages low to increase the wealth of the Doyle family.
Over generations, the Doyle men married local women that were related to each other. A common practice of royalty before the twentieth century.
They wished to maintain the genetic purity of the Doyle bloodline by having future Doyles marry genetic descendants of Mexican women that had been their wives. This is not greatly different than the experience of royal marriages in European cultures. The consequence of that marriage tradition is that recessive genetic mutations become more prominent in offspring. Children were more susceptible to diseases like cystic fibrosis and had higher incidents of developmental and cognitive disorders. This is one of many threads of meaning in “Mexican Gothic” because one of these descendants becomes a murderer of Doyle family members and the current Doyle generation seems socially dysfunctional. Added to that dysfunction is the Doyle family’s diminishing wealth.
An arranged marriage is a lynch pin to the story.
The heroine, Noemi, is the daughter of a wealthy Mexican family. She is sent to investigate a letter that was received by her father from a young woman that marries a Doyle. She is a cousin of Noemi’s. The marriage is arranged in part because of her father, and he feels something is wrong and wants Noemi to visit the Doyle family to find what the mysterious letter means. Soon after Noemi arrives, she begins to have hallucinatory dreams. Listener/readers find the hallucinations are because of spores that are in the bedroom of the deteriorating Doyle house. A clever thread of meaning in Moreno-Garcia’s story is ecological contamination that comes from colonization. As one nation colonizes another, it inevitably brings different plants and animals that are not indigenous to the country they are colonizing. The author notes a fungus is growing in the Doyle household that may have come from the original colonizers.
The penultimate theme in “Modern Gothic” is the creation of myths that compound the horrific events that occur in the Doyle house.
From the history of murders in the Doyle household, to hallucinatory dreams, to incestuous relationships, to the gloom and doom of the story, to a myth about the age of the Doyle patriarch, Moreno-Garcia offers a climax to her story that vivifies reader/listener’s imagination. The climax of “Modern Gothic” is where myth enters Moreno-Carcia’s story. The fundamental truths of colonization are revealed in her creative story while its denouement is an entertaining explosion of imagination.
“Old School Indian” is returned without being completed. It would have been interesting to know more about what it is like to be raised in America as a descendant of a Mohawk Indian Tribe but experimenting with gender identity are steps too far for this reader/listener.
Books of Interest Website: chetyarbrough.blog
Old School Indian (Novel)
Author: Aaron John Curtis
Narrated By: Jason Grasi
Aaron John Curtis (Author, essayist, member of the Akwesasne Kanienkehaka, a Mohawk tribe.)
Curtis begins a rye, mordant, and witty novel that gives one an idea of how an Indian descendant might view themselves as a part of American society. Curtis’s main character is Abe Jacobs; raised in an Indian family deeply rooted in their Mohawk culture. He grows to attend college at Syracuse University in New York with an ambition to become a writer. He becomes concerned about skin sores that develop on his skin that itch, suppurate, appear, and disappear.
Abe is a handsome young man in Curtis’s story. He is troubled by skin sores and anxious to find out what causes them and how they can be treated and cured. He meets his future wife while going to college. She is a free spirited, attractive woman who is drawn to Abe because of his good looks which become more attractive when she finds he is a descendant of a Mohawk tribe. They become lovers on the day they meet. As their relationship grows, life goes on. They have times when they are apart, living life on their own terms but staying in touch by phone and recurrent rendezvouses.
The seriousness of Abe’s disease is finally diagnosed. The symptoms can cause artery inflammation leading to organ failure and dementia at an early age. This fictional disease (though there is a true similar disease) prepares readers for a story about what it is like to be in the prime of one’s life to face a disease that can disfigure your appearance and shorten your life. Aside from the point of having a potentially deadly disease, a listener/reader wonders what it is like to be a descendent of an Indian tribe in America.
As the book progresses, the story of Abe and his girlfriend are shown to have been raised in families struggling with poverty. Abe and his soon to be wife begin revealing the hardship of their lives. Poverty diminishes life in so many ways that the author’s clever beginning is not enough for this critic to complete his story. His hero tries to commit suicide at 12 years of age. Abe’s poverty is something many generations have experienced but being drawn to suicide and willingness to experiment with gender identity are steps too far for this critic.
“Old School Indian” is returned without being completed. It would have been interesting to know more about what it is like to be raised in America as a descendant of a Mohawk Indian Tribe but experimenting with gender identity are steps too far for this reader/listener.
The story of “…Belle Lettres…” inelegantly reminds one of the effects of Trump on America’s reputation.
Books of Interest Website: chetyarbrough.blog
The Belles Lettres Papers (A Novel)
By: Charles Simmons
Narrated By: Alex Hyde-White
Charles Paul Simmons (1924-2017, Author and former American editor for The New York Times Book Review, graduate of Columbia University in 1948.)
“The Belles Lettres Papers” is a fictional account about the destruction of an American book review company. Written by a person who worked as the editor for the NY Times Book Review gives credibility to its author. One wonders how the nationally famous paper felt about his book. Simmons writes a story of a magazine company that exclusively reviews new books that become literary successes, sometimes bestsellers, or dead or dying dust gatherers.
To this book critic, Simmons certainly seems to know what he is writing about but “The Belles Lettres Papers” falls into a dust gatherer category of books.
Book reading or listening is an educational, sometimes entertaining, experience. There are so many books written that it is impossible to know what to read or listen to without someone’s review of what has been newly or recently published. Of course, there are genres that a reader/listener will choose that influences their book choices. Even when one limits themselves to a genre, there are too many choices that require a way of limiting one’s choice.
Experience reveals “best seller” is not a consistently reliable way of choosing a book, but it is one of the most commonly used methods of selection.
What “…Belles Lettres…” reveals is the potential corruption that can inflate a books placement on a best seller list. Book review publications, like all business enterprises, have owners and employees that have various levels of honesty, capability, and ethical standards. What Simmons shows is how every business owner and employee is subject to the influence of money and power.
The potential weaknesses of humanity play out in every organization that provides service or material to the public.
Simmons shows how a fictional book review company has employees who are corrupted by the power of their positions and the money they make. The fictional company has a male business manager who thinks his female secretary wishes to have sex with him because of natural attraction. Ethically, no employee reporting to a manager they work for should have sexual relations with a direct report. This is particularly egregious in Simmon’s story because of sexual inequality that permeates society. As Lord Acton’s observation about power (power corrupts, absolute power corrupts absolutely), a person who has power over another is always at risk of self-delusion.
Simmons goes on to explain how undercompensating employees can corrupt an organization by incentivizing theft and other ways of undermining a company’s integrity.
Simmons addresses the incentive of owners or those in power of an organization to cut personnel employment to save money at the cost of product quality or service. America is experiencing that today with the actions of the Trump Administration in arbitrarily firing federal employees, regardless of what they do for American citizens.
In a last chapter, Simmons addresses the revisions that can occur in a company that decides on a wholesale turnover in employees.
The integrity of a company’s mission can be sorely challenged. In the case of “…Belle Lettres…” a decision for publication of salacious books replaces the company’s former studied reviews of good writers. The organization loses its reputation as a reviewer of high-quality publications.
Trump’s assessment of immigration.
The story of “…Belle Lettres…” inelegantly reminds one of the effects of Trump on America’s reputation as a supporter of western society by reducing foreign aid, undermining university independence, denying global warming, arbitrarily firing government employees, and expelling American immigrants.
The author makes a point in “The Dream Hotel”, but her book is a tedious repetition of the risk of human digitization that is a growing concern in this 21st century world.
Books of Interest Website: chetyarbrough.blog
The Dream Hotel (A Novel)
By: Laila Lalami
Narrated By: Frankie Corzo, Barton Caplan
Laila Lalami (Moroccan-American novelist, essayist, and professor, earned a PhD in linguistics, finalist for the Pulitzer Prize for “The Moor’s Account”.)
Laila Lalami imagines a “Brave New World” in which algorithms predict probabilities of lethal criminal behavior. She creates a nation-state with a human behavior monitoring and detention system for every human that might commit a lethal crime. The growing collection of data about human thought and action suggests a level of truth and possibility.
Lalami creates a state that monitors, collates, and creates probability algorithms for human behavior.
To a degree, that state already exists. The difference is that the algorithms are to get people to buy things in capitalist countries and jail or murder people in authoritarian countries. One might argue America and most western countries are in the first category while Russia, and North Korea are in the second.
Lalami’s description of the detention system, like many bureaucratic organizations, is inefficient and bound by rules that defeat their ideal purpose.
A young mother named Hussein is coming back from a business trip. She is detained because of data collected on her about where she has been, what she did on her business trip, her foreign sounding name, and the kind of relationship she has with her husband and twin children. An algorithm has been created based on a profile of her life. It flags the young woman so that she has a number slightly over a probability threshold of someone who might kill their husband. Of course, this is ridiculous on its face. Whether she murders her husband or not is based on innate errors of behavioral prediction and bureaucratic confusion.
Every organization or bureaucracy staffed by human beings has a level of confusion and inefficiency that is compounded by information inaccuracy.
That does not make the organization bad or good, but it does mean, like today’s American government’s bad decisions on foreign aid or FDA bureaucracy throws the baby out with the bath water. Lalami’s point is that detention because of one’s name, family relationship, and presumed prediction for murder, based on a digitized life, is absurd. Algorithms cannot predict or explain human behavior. At best, an algorithm has a level of predictability, but life is too complex to be measured by a fictive number created by an algorithm.
The author makes a point in “The Dream Hotel”, but her book is a tedious repetition of the risk of human digitization that is a growing concern in this 21st century world.
The imagination of Han Kang gives reader/listener’s an explanation of how a human being can become psychotic. Kang’s characters show how psychosis comes from many sources, a major one of which is family relationship.
Books of Interest Website: chetyarbrough.blog
The Vegetarian
By: Han Kang
Narrated by: Deborah Smith, Janet Song, Stephen Park
Han Kang (Author, South Korean writer, awarded the International Booker Prize for fiction in 2016 and the Nobel Prize in Literature in 2024.)
A listener/reader may be tempted to put this book aside with the thought that it is a titillating pornographic tale that is not worthy of one’s time. However, after an hour or two, one realizes this is a journey for something difficult to describe.
In Kang’s fictional story, two sisters are raised by the same parents. One is the older of the two and becomes a successful small business owner with a video artist husband; the other is a housewife who lives with a husband that seems to neither love nor respect her. Both marriages fail but for different but interlocking reasons.
The younger sister becomes a vegetarian later in her married life. She explains her vegetarianism is based on a dream she has about something that is not clearly defined. One gathers the dream has something to do with the source of meat that involves the killing of animals while vegetarian food comes from nature’s abundance. The husband reluctantly goes along with the change but becomes more and more unhappy in his life with the younger sister. The unhappiness grows to something greater when his wife begins to complain about how her meat-eating husband’ smells. The breaking point comes when the husband asks his wife’s mother, father, and sister-in-law to convince his wife to abandon vegetarianism and begin adding meat to her diet. At dinner in their house, the father forcefully demands his daughter to eat meat. She refuses and the conflict becomes violent. Her father pries her mouth open and shoves meat into her mouth. The daughter rebels and cuts her wrist with a knife in an act of defiance. Her brother-in-law grasps the younger daughter who is profusely bleeding and rushes her to the hospital.
The brother-in-law that rushed to save the vegetarian is a video artist.
The main characters of the story and the substance of their conflict is now made clear to the listener/reader. The next portentous development is the older sister’s husband (a video artist) begins to fantasize about the younger sister whom he had rushed to the hospital. His fantasy grows to the point of asking the younger daughter to pose nude for an art video he wishes to create. She agrees. A listener/reader begins to understand the younger sister is slipping into a psychosis. Her brother-in-law paints her nude body with flowers that make her feel that she is becoming part of nature, i.e., something growing like the vegetarian diet upon which she relies. The brother-in-law’s sexual desire becomes more aroused by the video and his relationship with the younger sister.
The deepening psychosis of the younger daughter grows when the brother-in-law hires a nude male model to be a part of a new video.
The male model resists but agrees to pose with her but refuses to go beyond allowing flowers being painted on his nude body and a video of the two without clothes but with painted bodies. The brother-in-law’s sexual fantasy grows from this experience but is disappointed in the male actor who refuses to have sex with the sister-in-law while the video is being filmed. The male actor did not want to be viewed as a porn star.
The brother-in-law’s fantasy leads to the sister-in-law’s agreement to have sex with him on film as long as he allows her to paint flowers on his body that are similar to what he had painted on her body. They become sexually entwined at the sister-in-law’s house. The older sister discovers them in their sexual rendezvous where the video is being produced.
The younger sister has crossed a barrier between sanity and insanity. It is not a matter of remorse for the sexual relationship but from a reinforcement of her obsessive need for being a vegetarian as an integral part of nature. She refuses her humanity. She has crossed the Rubicon between sanity and insanity. She refuses to eat anything and only wishes to drink water to feed her growth as a plant. Both her husband and the husband of the older sister-in-law essentially drop out of Kang’s story. The older sister’s husband does not forgive her husband for his sexual transgression and the younger sister’s husband never loved the vegetarian in the first place.
This amazing book, “The Vegetarian”, offers a vivid portrayal of a human beings’ descent into psychosis.
The imagination of Han Kang gives reader/listener’s an explanation of how a human being can become psychotic. Kang’s characters show how psychosis comes from many sources, a major one of which is family relationship.
Murakami is one of the great writers of modern times. In “after the quake”, Murakami reduces the great and horrid loss of the many to the feelings of the “one”
Books of Interest Website: chetyarbrough.blog
“after the quake”
By: Haruki Murakami
Narrated By: Rupert Degas, Teresa Gallagher, Adam Sims
Haruki Murakami offers a series of short stories in “after the quake” that remind one of the frailties of human beings. Humans lie, steal, cheat and war against each in ways that exceed natural disasters. Murakami’s short stories are funny, sad, and insightful views of humanity that show we often foment our own disasters.
Each short story revolves around the social implications of the Kobe’ earthquake. Murakami cleverly weaves his stories to reflect on events that change one’s direction in life. The events can be as great as an earthquake, a war, or a singular lost love. The first is nature’s way; the second and third are humans’ way.
Human relationships are as unpredictable and destructive as natural disasters. The human’ Lushan rebellion in 8th century China is estimated to have killed 13 million people, the Mongol invasion in the 13th and 14th century 20 to 60 million, the Taiping rebellion in mid-19th century China 20-30 million, and two world wars in the 20th century at 83-107 million. This is without noting China’s famine that killed millions because of Mao’s mistakes in the Great Leap Forward, Stalin’s repression in Russia, and today’s wars in Ukraine and Gaza. Natural disasters are horrendous events, but human nature has murdered more than earthquakes, floods, volcanoes, and other natural disasters.
The cataclysmic events of nature affect the many, but Murakami shows scale means nothing in respect to the effect it has on the “one”. He cleverly shows how singular events can overwhelm one relationship as portentously as natural or man-made disasters can overwhelm all relationships.
Murakami is one of the great writers of modern times. In “after the quake”, Murakami reduces the great and horrid loss of the many to the feelings of the “one”. His stories show that a personal loss of an imaginary friend or a real love is as catastrophic to the one as a natural disaster or war is to the many.
REVIEWS AND VIEWS OF LIFE 