James Baldwin’s “The Fire Next Time” gives advice that resonates with the troubles of the world today.
Books of Interest Website: chetyarbrough.blog
The Fire Next Time
By: James Baldwin
Narrated By: Jessie Martin
James Baldwin (Author, 1924-1987, African American writer and civil rights activist.)
“The Fire Next Time” consists of two brief essays by James Baldwin that are seminal works on the equality of all human beings. Published in 1963, the first essay is “My Dungeon Shook” which is advice to a young black American. The second, “Down at the Cross…” is a criticism of Catholic and the Nation of Islam religions.
The first is a message to Baldwin’s nephew about white America’s prejudice toward black Americans.
He is telling his nephew to reject white America’s stereotypical view of black Americans. Baldwin tells his nephew to embrace who he is as a human being, neither better nor worse, and to pursue life and living with the truth of his being.
RELIONS OF THER WORLD
“Down at the Cross” is a criticism of religion, particularly the Christian and Nation of Islam faiths. Baldwin argues that both diminish the truth of God by feeding the flames of anti-spiritualism and social inequality.
Baldwin argues through love and understanding of differences among religions and races, the divisiveness of inequality can be erased.
The fundamental point of Baldwin’s writing is that NOI offers a part of what black America needs by instilling self-respect and identity. However, he criticizes NOI’s separatism as counterproductive and extreme. Baldwin advocates love and understanding among all human beings.
Elijah Muhammad (1897-1975, Religious Leader of NOI)
Elijah Muhammed’s advance of the Nation of Islam (NOI) is credited for advocating black empowerment, but Baldwin implies that empowerment mitigates against belief in the equality of all human beings.
Baldwin evolves to a more humanist view of life and declines to take a prominent role either in the Nation of Islam, or the Pentacostal religion he left twenty years earlier. James Baldwin’s “The Fire Next Time” gives advice that resonates with the troubles of the world today.
Is there a line that can be drawn that separates those who should be executed, incarcerated, or rehabilitated by the State?
Books of Interest Website: chetyarbrough.blog
Dark Tide (Growing Up with Ted Bundy)
By: Edna Cowell Martin, Megan Atkinson
Narrated By: Morgan Hallett
“Dark Tide” is a journey into the “Heart of Darkness”. Like Joseph Conrad’s story, Edna Cowell Martin, with the help of Megan Atkinson, tries to make sense of human madness, societal hollowness, alienation, and lies. Edna Cowell Martin is the cousin of the notorious Ted Bundy who admits to and is convicted of the murder, rape, and mutilation of 30 or more women in the 1970s. Ms. Martin is in her 70s when she finally chooses to tell the story of her cousin, Ted Bundy, who was like a brother in her family.
Ted Bundy (1946-1989, American serial killer.)
Bundy was an illegitimate child raised by a mother and stepfather. His mother refuses to reveal who his father was which is of little consequence except to Ted Bundy and the impact it might have had on who he became. Bundy is shown to be a bright student who graduated from the University of Washington, went to Yale to study Chinese, and became close to the Cowell family. The Cowells were an artistic family with a father who was a classical pianist who traveled the world and became a music teacher at “The College of Puget Sound” and professor emeritus and Chairman of Music at the University of Arkansas.
The author, Edna Cowell Martin, interviewed by Piers Morgan.
Despite Ms. Martin’s wide travel experience because of her father’s profession, she appears to have lived a middle-class life in the state of Washington. Many years after Ted Bundy’s execution, Martin finally writes and publishes “Dark Tide” about this American serial killer, kidnapper, and rapist. She explains the close relationship that the Cowell family had with Ted Bundy. Whether it offers any insight to the mind of such a terrible person remains a mystery.
Ted Bundy at trial for murder.
Bundy appears as a relatively handsome, intelligent young man with a girlfriend and potential for becoming a successful American lawyer, businessperson, or professional. He becomes close friends with the Cowell family. When he is arrested as a murder suspect, none of the Cowells believe he is guilty. They support his release and send letters to explain why he could not be guilty of the crimes for which he is accused. Bundy is released on bail and returns as a friend to the Cowell family.
Bundy as a youth and adult.
Edna Cowell and her friends meet with Bundy after his release and gather at a local restaurant.
Bundy appears to be happy and is glad to see everyone. However, his face is recognized by strangers in the restaurant, and they ask him if he is the “Ted Bundy” in the news. Bundy’s response is unexpected. He appears delighted by the recognition and creates a scene in which he extols his notoriety. This is the first time Edna becomes suspicious of Bundy’s innocence. She does not believe he is guilty but that his glorification of association with a murderer makes her uncomfortable. Why would anyone want to be associated with such a horrible crime? Is any kind of fame okay to Bundy? This is not the person she thought she knew.
Edna keeps turning this incident over in her mind. She begins to wonder if Bundy might actually be guilty, rather than just wanting to be the center of attention.
The terrifying aspect of Edna Cowell Martin’s memoir is what does one person really know about another person? Think of all the people you know and what has happened since you first met them that changed your mind about who they are, what they believe, or what they have become, i.e. at least in your mind.
What is somewhat off-putting is that Edna Cowell Martin argues the State should not have the right to take one’s life even if they are guilty of murdering an innocent person.
Bundy killed and raped an unknown number of women. Is there justification for the State to execute someone for a heinous act that is confessed to by a perpetrator? Is it less humane to incarcerate someone for life who has confessed to a heinous crime? Are human beings, regardless of their crime, capable of being rehabilitated? Every human being is guilty of some transgression in life. Is there a line that can be drawn that separates those who should be executed, incarcerated, or rehabilitated by the State? “Dark Tide” raises all these questions in one’s mind.
The truth Everett reveals in “James” is that men and women of color are neither the same nor different than other people of the world.
Books of Interest Website: chetyarbrough.blog
James (A Novel)
By: Percival Everett
Narrated By: Dominic Hoffman
Percival Everett (Author, Distinguished Professor of English at University of Southern California, winner of the Booker Prize in 2024 for “James”.)
The Booker Prize is a prestigious British literary award for “…the best sustained work of fiction written in English”. The award was first created in 1969. Percival Everett’s “James” is an imaginative work well-deserved of the award. Everett recalls a version of Samuel Clemen’s (Mark Twain’s) character Huckleberry Finn and makes him a white-boy companion of a self-educated slave in the American South. The slave’s name is “James”, called Jim in Everett’s story.
Jim and his family are about to be separated with his sale to a New Orleans slave owner.
Jim finds out that he is to be sold by his owner. Jim chooses to leave the family he loves to avoid separation from his wife and daughter in Hannibal, Missouri. His hope is to reunite with his family by somehow earning enough money to buy his family from their slave owner, i.e. an unrealistic prospect considering the owner’s loss of a slave’s sale. Jim escapes on a raft to an island on the Mississippi river and comes across Huck, a young boy who also escapes to the island. Jim is acquainted with Huck from a friendship he has with Tom Sawyer who plays tricks on people in the neighborhood.
Huck is characterized as Mark Twain described him, i.e., the son of a white father who abuses him. In Jim’s escape to the island, he finds Huck’s father’s body. Huck’s father is dead. Huck is unaware of his father’s death and Jim chooses not to tell him. Huck and Jim decide to leave together on a raft. Jim leaves for obvious reasons. Huck presumably leaves with him because of his troubled relationship with a father who beats him and a mother who has been dead for years.
What is cleverly explained by Percival Everett is how Jim is a teacher to black children in his Hannibal neighborhood.
The essence of Jim’s teaching is to hide the intelligence of black people by teaching children how to hide their intelligence. Jim explains they should talk in the patois of black slang while keeping their own council, appearing respectful to their white enslavers. Everett is symbolically illustrating how slaves were the equals of their slave holders by showing they hid their innate intelligence. Everett’s hero understands the truth of slavery’s iniquity with the story of Jim’s escape and eventual triumph.
What makes Everett’s book an award winner is its pacing and descriptive events that draw reader/listeners into the history of American slavery and the advent of the Civil War.
Everett clearly shows the horror of being a slave. Men and women are beaten, raped, and murdered at the discretion of white people who believe the color-of-one’s-skin marks human beings as property, qualifies them for enslavement, and proves their inequality.
There are a number of incredible surprises at the end of Everett’s story. The Civil War has begun and the fight between North and South are made clear in Jim’s apocryphal return to Hannible with Huck. Huck’s relationship with Jim grows into something Twain never suggests.
The truth Everett reveals in “James” is that men and women of color are neither the same nor different than other people of the world. They are simply human beings.
Everett shows how powerful social interests can grow to treat powerless cultures as property and make them think and feel inferior.
Harari explains why bureaucracy and A.I. can mislead as easily as inform. A.I. should never be considered a decision maker but a tool for human understanding of a complex world.
Books of Interest Website: chetyarbrough.blog
Nexus (A Brief History of Information Networks from the Stone Age to AI)
By: Yuval Noah Harari
Narrated By: Vidish Athavale
Yuval Noah Harari (Author, Israeli medievalist, historian, and public intellectual serving as a professor in the Department of History at Hebrew University of Jerusalem)
Yuval Noah Harari’s “Nexus” is a perspective on information networks and how they evolve from neanderthal grunts to the fundamental link of society. Harari dissects human history and information networks with an eye toward the existence and future of Artificial Intelligence. Harari’s point is that information networks create, control, and compel change. Civilization began with verbal, then written, then video, and finally digital information that brings human beings together into larger and larger groups.
Networked information creates interest groups. Harari explains these interest groups rise from the evolution of information networks.
With written documents and invention of the printing press, the influence of information spreads across the world. Reproduced documents like government Constitutions, the Bible, Quran, The Torah, The Vedas, The Tripitaka, The Guru Granth Shib, The Tao Te Ching, and The Bhagavad Gita create followers whose understanding of society is reenforced by bureaucratic organizations. Villages, towns, cities, and nations grow from religious organizations and government bureaucracies.
Harari notes how information network’s compel obeisance to group think.
Human conflicts may be based on the desire for money, power, and prestige, but Harari’s point is that the agency of change is the information network. Without cohesiveness of an information network, governments, rebellions, and invasions fail. Successful governments, whether formed from rebellions, or invasions succeed or fail based on bureaucracies that use information networks to influence and indoctrinate citizens of established or acquired territories. The power of information networks is exponentially increased by A.I.
The crux of Harari’s concern is the difference between autocracy and democracy and the harmful potential of a digital age that uses information networks to weaponize and control society with the addition of A.I.
The next great economic revolution, after the Agricultural and Industrial Revolutions is today’s Information Age. I would argue America nearly lost control of the great wealth it created by making the rich richer and the poor unchanged. American democracy’s inequality of opportunity remains a work in process.
America’s failure to provide income equality.
Providing equal economic opportunity is a complicated achievement because it begins with the birth of newborns, acceptance of legal immigration and an education system that fairly serves the needs of society. America is among the wealthiest nations in the world but unlike the Nordic countries and its northern neighbor, Canada, it ranks below the middle for income equality. America’s economic tide is not raising all boats. The Information Age provides an opportunity for America to get its economy right by using A.I. to create a more equal income opportunity for its citizens.
Harari’s book is erudite, enlightening, and worth one’s time to read and understand. He advises of many things beyond what is mentioned in this brief review. Harari explains why bureaucracy is both a good and bad thing and that A.I. can mislead as easily as inform. A.I. should never be considered a decision maker but a tool for human understanding of a complex world.
The neglect and brutal treatment of Lithuanian citizens by Russia during WWII is graphically depicted in “Between Shades of Gray”.
Books of Interest Website: chetyarbrough.blog
Between Shades of Gray
By: Ruta Sepetys
Narrated By: Emily Klein
Ruta Sepetys (Author, Lithuanian American writer of fiction, daughter of a Lithuanian refugee.)
This is a novel that many Americans will choose not to read. It is so relentlessly brutal that one is inclined to stop listening to, or reading, the novel. Many Americans take freedom for granted. Sepetys’ story reveals how ignorant the generational free are about what it is like to exist in a nation ruled by an unrestricted authoritarian leader. Sepetys recreates a story from a young girl’s notes and drawings of a Lithuania family’s loss of freedom during Stalin’s authoritarian rule.
The weight of “…Shades of Gray” makes one’s heart go out to the many Ukrainians losing their freedom and lives at Vladimir Putin’s monomaniacal direction.
Sepetys makes one see and understand how fortunate Americans are to live in a democratic country. The broad outline of the story is about the rounding up of Lithuania citizens during WWII to be sent to work camps in Siberia under the control of the Russian NKVD, the precursor of today’s Russian SVR (Foreign Intelligence Service) and GRU (General Staff of the Armed Forces). At the beginning of WWII, Stalin orders the taking of the Baltic States into the U.S.S.R. by dismantling the in-place governments of the acquired countries. Any political opposition is to be arrested and deported to labor camps designed to serve the Russian economy.
Sepety’s novel is the story of one group of Lithuanians that are rounded up, sent to Siberia, and later moved to an even more hostile camp inside the Arctic Circle.
The essence of the story is based on a young girl’s notes and drawings about her experience. The neglect and brutal treatment of Lithuanian citizens by Russia during WWII is graphically depicted in “Between Shades of Gray”. The title alludes to the few Russian guards that surreptitiously aid the work camp prisoners. It is only gray because the help is often in return for cooperation or favor from the un-free.
No one can kill an idea. Ideas come from human beings who believe, rightly or wrongly, they are being victimized.
Books of Interest Website: chetyarbrough.blog
Homeland (The War on Terror in American Life)
By: Richard Beck
Narrated By: Patrick Harrison
Richard Beck (Born in 1987, received a BA from Harvard in 2009, Masters Degree in music from the University of North Texas, and Doctorate in performance and pedagogy from University of Iowa.)
On September 11, 2001, Richard Beck was 14 years old, living in a suburb of Philadelphia. In remembering life before 9/11, Beck looks at that tragedy as a reminder of life and America’s struggle to become a free and independent nation. “Homeland” uses the tragedy of 9/11 as an introduction to what might be interpreted as American Cowboyism.
Beck suggests the myth of American cowboys exemplifies who and what American society has been and will always be.
His recollection of 9/11’s news coverage is a distortion of reality. The reaction of the fire department, rather than heroic, is characterized as a matter of clean-up and ducking from falling debris and bodies, not of climbing stairs or entering buildings engulphed in fire and nearing collapse. Beck suggests like the myth of cowboys ridding America of Indian savages, expanding, and conquering the West, that firemen and rescuers did little to save workers in the towers collapse.
Beck’s history smacks of not being there but watching tv, reading echo chamber books, and listening to and watching news of the 9/11 tragedy.
Heroism is being there when the planes hit the towers, when smoke and debris were choking firefighters and police trying to cordon the area from surrounding businesses and people. This is the same fault Beck has of writing of unreasonably lionized frontiersmen and later leaders of America and the mistakes made by America’s leaders in the Civil War, Korea, Vietnam, Cambodia, Iraq, Iran, and Afghanistan. Horrible things have happened in America’s history that have been caused by humans who are not gods but fallible, self-interested strivers for a better life. The meaning of life in America evolves just as it does in every country of the world. No society is proud of their failures, but failures are part of being human. Obviously, it is how we overcome failures that makes society.
Beck’s inference that Martin Luther King’s “…arc of the moral universe is long but bends towards justice” as a false observation breaks a listener’s heart.
Many would disagree because life for native Americans, women, non-white minorities, and the white majority have improved over the years since the founding of American democracy. This is not to say, there are not miles to go for America to realize equality-of-opportunity for all its citizens.
Beck uses the great tragedy of Gaza and Israel’s occupation and murder of innocents as a primary example of American Democracy’s failure.
There is little to argue that Israel is crossing a Rubicon of regret for their slaughter of Palestinians in Gaza. Palestine has as much right to exist as the nation of Israel.
America’s position has been to support Israel because they are a bastion against systems of government that have little to no interest in equality of opportunity for all. The author fails to appreciate America’s guilt for turning away Jewish immigrants fleeing Europe during WWII when six million Jewish people were slaughtered in concentration camps.
Beck’s history disregards and diminishes the history of Jewish ethnicity that has given so much to societies’ advance of science, literature, and political theory.
This is not to argue Israel is right in thinking that ridding Hamas or Hezbollah leaders can be accomplished with ethnic cleansing while murdering innocent bystanders. No one can kill an idea. Ideas come from human beings who believe, rightly or wrongly, they are being victimized. Israel is making the same mistake Nazi’s made when they began exterminating Jews in WWII.
One chooses how they live life, but death is nature’s or God’s choice, a thing beyond human’ control.
Books of Interest Website: chetyarbrough.blog
“The Theater of War” What Ancient Greek Tragedies Can Teach Us Today
By: Bryan Doerries
Narrated By: Adam Driver
Bryan Doerries (Author, Artistic Director of Theater of War Productions, an evangelist for classical literature and its relevance to today’s lives.)
The title and book cover of “The Theater of War” is as puzzling as Bryan Doerries’ beginning vignette of his personal life. Doerries graduates from Kenyon College where he majors in the classics. He goes on to earn a Master of Fine Arts in Directing from the University of California. “The Theater of War” recounts Doerries’ journey to become cofounder, artistic director, and historian for creation of a theatrical teaching tool about life and death. The trigger for his understanding comes from the last days of his personal relationship with Laura Rothenberg who dies at 22 from cystic fibrosis. Her death is the introduction to why “The Theater of War” is created.
Doerries and Phyllis Kaufman are co-founders of “The Theater of War” Productions. Ms. Kaufman was the producing director from 2009 to 2016. She died at the age of 92 in 2023 but was instrumental in organizing production events, coordinating actors, and ensuring practical aspects of theatrical presentations.
“The Theater of War” is about the living and how to deal with permanent disability or death. Death comes in many forms from different causes but as the Latin expression says “Memento mori”, “Remember you must die” because death is a part of every life. Doerries explains how famous Greek tragedies were, and still are, teaching tools for those who have life and death influence over others. What “The Theater of War” creates are acted reproductions of classic Greek tragedies for living life when you or someone you know is permanently disabled or killed.
With the help of actors like Adam Driver (who narrates the book), the great tragedies of Sophocles and Aeschylus are presented to military, penal, and nursing audiences across America.
Combat veterans, prisoners, and terminally ill patients face extreme conditions of life. Combat may end in death or future disability. Prison life is about loss of control of oneself and being under the control of others. Terminal illness is also about loss of control of oneself when one is diagnosed as destined for death.
The suicide of Ajax as depicted on an ancient vase in the British museum in London.
Sophocle’s tragedy, “AJax”, offers the truth of psychological trauma and moral injury from battle. In despair, Ajax kills himself because he feels deeply humiliated by the gods for not being given the armor of Achilles who is killed in the Trojan war. Achilles’ armor was given to Odysseus rather than him.
Sophocle’s “Philoctetes” explains the pain and personal isolation that comes from the physical and emotional damage from war. Today, it is diagnosed as PTSD.
Sophocles “Antigone” deals with civil disobedience, justice, and conflict between personal and state ethics. These conflicts are reflected in mobs of unruly citizens demonstrating against what they perceive is wrong.
Aeschylus’s “Prometheus Bound” reflects on the unfairness of a penal system that infringes on human rights.
The recited dramas offer cathartic release and potential change to those who are personally affected by their situational experience. That is the purpose of the presentations. Doerries creates theatrical readings of these classics before military, penal, and nursing personnel.
The presentations lead to questions and answers about the truth of societal disagreement, death’s inevitability, and how to live with their consequences.
Some military generals and prison guards are offended by the implications of their mistakes, but the plays recitals provide a forum for discussion that offer potential for improved human understanding and societal decisions and action.
The Greeks understood dying is part of life. One chooses how they live life, but death is nature’s or God’s choice, a thing beyond human’ control.
Orange’s book shows how culture can kill. What citizens of the world need to do is understand how a broader culture can be built.
Books of Interest Website: chetyarbrough.blog
“There There: A Novel”
By: Tommy Orange
Narrated By: Darrell Dennis, Shaun Taylor-Corbett, Alma Ceurvo, Kyla Garcia
Tommy Orange (Author, received a Master of Fine Arts from the Institute of American Indian Arts, winner of the 2019 American Book Award for “There There…”)
Tommy Orange illustrates how culture is the god of creation and destruction. “There There…” offers a glimpse of what it is like to be poor and indigenous in Oakland, California. The name “Indians” for the indigenous of America is said to have been created by Christopher Columbus in the 1400s. Orange has the idea at a gathering of native Americans to have each write their stories, i.e., their memories of what life has been for them in Oakland, California in the 20th and 21st centuries. Their stories are the substance of Orange’s book. They reveal the crushing reality of being descendants of the indigenous in Oakland, and believably all of America. A grant from Oakland becomes the funding source for Orange’s idea. Fighting to making a living as an author is at the core of “There There…” Orange undoubtedly calls “There There…” a novel to protect the story tellers.
Orange shows recycling-poverty, addiction, and misogynistic abuse are big problems for “Indians” in Oakland. The stories reveal an underlying frustration, if not anger, of indigenous Americans who are being molded by government programs that ignore native traditions and emphasize integration into whatever American society has become. There is justification for anger among American minorities. However, there is a fundamental misunderstanding when suggesting government programs are meant to mold Americans. The goal of government is not to mold its citizens but to create cultural norms for a diverse culture. Government fails because ethnic norms of minorities protect American citizens who are treated unequally.
Names like “Two Shoes”, “Red Feather” and the “Indian symbol” that once tested color on televisions are interesting examples of the significance of native influence in American culture.
Though America has and continues to try to Americanize natives, cultural influence is a two-way street. The stories in “There There…” illustrate how everything from influence of addiction to spousal abuse to abortion to overeating to violence are revealed as problems in native American’ lives. This is a hard novel to listen to because it denigrates Indian heritage and justifiably blames American culture.
One is drawn to wonder what can be done to correct the truth of American culture’s blame. The answer is in the Constitution of the United States.
All men are created equal, and the job of government is to provide for the health, education, and welfare of its citizens. American government is struggling to find a way of doing what it is meant to do because of the nature of human beings. Neither capitalism, utopianism, socialism, or communism change human nature. Ironically, only culture has the potential for achieving the goal of equality and fraternity.
Orange’s stories illustrate how Indian poverty is destructive and ethnic cultural inheritance is destroying native Americans.
One presumes Orange would object to the category of American when referring to indigenous peoples. However, it is only with change in culture that all citizens become more socially cohesive than one ethnic identity. If America can institute policies that genuinely provide equality for health, education, and welfare of all, culture will heal itself. When that is achieved, one can be Black, white, Latino, indigenous, or whatever ethnic group one wishes–but within broader American culture.
Orange’s book shows how culture can kill. What citizens of the world need to do is understand how a broader culture can be built.
Robinson shows society treats people unequally, wages war for power, lacks control over behavior, and deceives itself about human nature.
Books of Interest Website: chetyarbrough.blog
“Gilead”
By: Marilynne Robinson
Narrated By: Tim Jerome
Marilynne Robinson (Author, received the 2005 Pulitzer Prize for fiction for “Gilead”.)
“Gilead” is a Pulitzer Prize winning novel. It is cleverly written by Marilynne Robinson and beautifully narrated by Tim Jerome. Some listeners may have a hard time getting through its religious point of view. It is largely about belief in God. However, it’s truth about human nature makes it a classic regardless of one’s religious beliefs.
In broad outline, it is about three generations of preachers, a grandfather, his son, and a grandson, who live in Gilead, Iowa.
There is the grandfather who fights on the Union side of the Civil War in Kansas, presumably because of belief in human equality and union. However, it appears his son cannot justify killing of any human being, for any reason. Later, a listener/reader finds there is a rift between the Civil War’ preacher and his son who also becomes a preacher. The son becomes a father who has his own son. This book is like a letter to his son to explain his journey through life and what he has learned. The story begins by recalling a trip he and his son take to discover the grandfather’s grave in Kansas.
The journey is in the late 19th century.
The grandson accompanies his father on the arduous journey from Gilead to Kansas. They begin in a horse drawn carriage but because of weather leave the horse and carriage to walk the last miles. It is hot. One realizes the father’s decision to travel with his son is for many reasons beyond companionship. One presumes the father is ambivalent about the grandfather’s decision to join union soldiers with a willingness to kill secessionists opposed to abolition. One wonders if the father is saying there is no justification for War. The story gains broader interest at this point.
KILLING IS NEVER JUSTIFIED.
After having found the grave, the father relates a story of burying his father’s gun and some shirts. The gun and clothing are dug up. The bloodied and dirty clothes are washed, but they do not come clean. The wife of the letter writer and preacher finally throws them away, but the gun is reburied, dug up again, dismantled and thrown into a lake by the preacher. The vignette suggests the father believes killing is never justified, even in a war meant to preserve union and abolish slavery.
Preachers.
The father’s writing suggests there is a gap in ages between him and his wife. We find he is 67 when he marries his wife who is in her 30s. The preacher is nearing death by the time of the letter to his son is written. With the gap in their ages, there is a hint of jealousy about a man raised by the preacher’s best friend, who is also a preacher of the cloth. The son is Jack Boughton. Jack often played baseball with the preacher’s son, but the preacher had been told by Jack Boughton’s father to be wary of Jack.
The carrot and stick of parenting.
The impact of neglectful parenting is referred to in a sermon noted in the preacher’s story. Jack Boughton’s intelligence and education combined with parental neglect is inferred to be a cause of atheism and a penchant for illicit behavior. This creates a tension between the preacher and his close friend’s son, particularly when the childhood friend visits the preacher’s wife and son.
One comes away from Robinson’s story with a summary of the flaws of humanity. At the end of the author’s story, Jack Boughton has created a second human nature crises that will resolve itself in either happiness or tragedy. Robinson shows society treats people unequally, wages war for power, lacks control over behavior, and deceives itself about human nature.
The near assassination of Trump is a harbinger of a world unduly influenced by today’s technology and media influence.
Books of Interest Website: chetyarbrough.blog
“Playing with Reality”
By: Kelly Clancy
Narrated By: Patty Nieman
Kelly Clancy (Author, graduate of MIT in physics with a Ph.D. in biophysics from U.C. Berkley.)
Kelly Clancy has a distinct point of view as a scientist. Her understanding of game theory and the mathematics of probability may steer reader/listeners away from her interesting book. “Playing with Reality” is less like playing and more like hard work, at least in the first chapters. Clancy begins by defining game theory and its permutations. Then she explains how it is a flawed tool for understanding human behavior. As one gets through the first chapters of her book, a reader/listener realizes Clancy is offering more than gaming theory history.
Clancy offers a detailed history of the growth of computer technology through the use of gaming programs designed to educate, entertain, and enrich private companies, public conglomerates, and individuals.
Clancy reveals the growth of chess playing gaming programs like Deep Thought, Big Blue, and Deep Blue to expose the battle line between human and artificial intelligence. Clancy is a skeptic of gaming technology–with a warning.
Clancy’s skepticism lies in mistaking game-theory’ studies as proof of predictive human behavior.
Clancy notes human behavior is not predictable for many reasons; one of which is human irrationality, and another is a human’s sense or understanding that he/she is being manipulated for prescribed responses. For example, in the first instance, a person may be irrationally afraid of all snakes even though there are no poisonous snakes in their State. In the second instance, a person who knows the theory of something like the “Prisoner’s Dilemma” can choose to modify their behavior and respond based on knowledge of previous experimental studies.
John von Neumann (1903-1957, Hungarian American mathematician, physicist, computer scientist, engineer and polymath.)
The troubling part (the warning) revealed by Clancy is that brilliant people like John von Neumann, an intellectual giant of the twentieth century, can have bad ideas. Clancy notes von Neuman considered preemptively nuking the Soviet Union because he reasoned it would (and it did) successfully create a nuclear bomb soon after America’s bombing of Nagasaki and Hiroshima. Neuman presumably considered this a rational option based on game-theory thinking.
Today, one wonders what Russia’s leader is capable of with nuclear weapons if he considers them just another tool of war.
Clancy notes Putin, like the President of the United States, is legislatively authorized to unilaterally choose to use nuclear weapons to protect what they believe is a threat to their countries. The gaming industry and the growth of A.I. are not the problem. Human nature is the problem. There are not enough checks and balances to keep well intentioned Presidents or bad actors from making bad decisions.
Clancy shows how the computer gaming industry has obscured the tragic consequence of violence by returning murdered life in a game back to life so they can play the game again. The game is not real, but the lesson is that gun violence is ok because it is just a game that can be replayed. Computer gaming has become a gateway to violence in the world. Easy access to guns is a problem in America but guns are instruments of violence, not the cause of violence. Among the causes are, poor education, poverty, mental dysfunction, and gaming that distorts reality.
Political position and power are dangerous in the face of human irrationality, a not uncommon characteristic of intelligent, ill-informed, or uncaring political leaders. In this age of computer drones and face recognition, three American citizens, one Iranian citizen, and an Egyptian’ Al Quada leader were killed by drone strikes at the order of American Presidents.
These murders may or may not have been justified but they exemplify the danger of gaming, face recognition, and the future of artificial intelligence. Clancy tempers her assessment of gaming in the last chapters of her book, but some will come away from her positive comments with a sick feeling in their stomach.
The near assassination of former President Trump is a harbinger of a world unduly influenced by today’s technology and media influence.
REVIEWS AND VIEWS OF LIFE 
