Tag: book-review

AMERICAN LIFE

The relentless harshness of Demon’s life wares on a listener/reader. One has to be invested in Demon’s life adventure to fully appreciate the creative talent of the author.

Books of Interest
 Website: chetyarbrough.blog

Demon Copperhead (A Novel)

Author: Barbara Kingsolver

Narrated By: Charlie Thurston

Barbara Kingsolver (Author, American Pulitzer Prize-winning novelist, born in 1955.)

Several years ago, I began Barbara Kingsolver’s “The Poisonwood Bible” for which she won a Pulitzer Prize. This revisit to her writing is to see what her view is of a young boy in a broken American family. “The Poisonwood Bible” like “Demon Copperhead” are well written novels but “…Poisonwood…” is about missionary work whereas “…Copperhead…” is about life in America for children who are challenged by poor family circumstances. Both novels are too long though …Poisonwood… is highly acclaimed and rewarded by a Pulitzer Prize. Demon Copperhead is the story of a young boy caught in a welfare system meant to aid mothers who are incapable of caring for themselves, let alone their children.

Kingsolver’s point of view can be understood from different perspectives.

The hardship of raising a child is compounded by circumstances of an unmarried woman with a substance abuse problem. The story of Demon Copperhead explains how incredibly harsh it can be to live in America. Despite America’s reputation in the western world as a land of opportunity, it is viewed by many as a land of excess and inequality. Sweden, Canada, and Germany consider America more critically than other western nations. Kingsolver explores some examples of why America is viewed so differently.

Demon’s parent is a recovering drug addict with poor job prospects whose husband has died and decides to marry a man with anger management problems.

Demon’s mother obviously has personal problems. With a school-age child to raise, and a second marriage created out of her self-inflicted problems, her life is a mess. Addiction returns, and her new husband physically abuses her son. She overdoses, and her son calls 911 to have her rescued. She does not recover, and Demon becomes a ward of the State. Demon is farmed out to a rehabilitation ranch called a foster home when in fact it is more like a slave retreat serving the needs of a hard scrabble farm. Demon’s mother dies from her earlier overdose. Demon is 11 years old with nowhere to go than a neighbor’s family to be watched over while he fulfills his obligations to the rehabilitation ranch. He is essentially a slave to the care of cattle and the harvesting of tobacco when he is not in school.

Harshness of life is generally an uncommon circumstance of life in America, but it shows how harsh life can be whether one lives in America or anywhere in the world.

Demon is characterized as a tough-minded boy who adapts to his circumstances with little choice because of his age and family circumstance. One dim opportunity is the grace of his dead mother’s neighbors that reluctantly allow him to temporarily stay with them after his mother’s death. Demon chooses to search for his birth father’s grave and finds his grandmother in Nashville, Tennessee. It comes as a surprise that Demon’s father comes from a matriarchal family that is a haven for lost human beings.

The relentless harshness of Demon’s life wares on a listener/reader. One has to be invested in Demon’s life adventure to fully appreciate the creative talent of the author. Some will choose to finish Kingsolver’s story to find out how Demon’s life is either resurrected or lost. Others will move on to another book, not out of disappointment with Kingsolver’s creativity but out of fatigue from a story that is too long.

LIBERALITY

The conclusion one may draw from “Eleanor Oliphant is Completely Fine” is that government liberality is better than authoritarianism

Books of Interest
 Website: chetyarbrough.blog

Eleanor Oliphant is Completely Fine

Author: Gail Honeyman

Narrated By: Cathleen McCarron

Gail Honeyman (Author, Scottish writer and novelist, won the 2017 Costa First Novel Award for “Eleanor Oliphant”.)

“Eleanor Oliphant Is Completely Fine” is a commentary on life’s loneliness which seems a self-imposed choice. There is a comic and mysterious quality to Honeyman’s story. Genetics and life experience inherent in every life is what the story of Oliphant is about. As an observer of life, one may believe experiences of life only reinforce genetic predisposition. If one accepts that belief, little of who we become is under our control. Honeyman’s story infers that is only partly true.

Waxing hair removal.

Life is a struggle for Eleanor. It is not that Eleanor does not make choices about life but that her choices appear other directed rather than inner directed. Life may be just a matter of chances and circumstances rather than inner directed motivation. Her story begins with a visit to a salon for an intimate waxing of her labia majora. (Hot or cold wax is applied to her intimate parts that pulls the roots of pubic hair off.) Eleanor is shocked by the experience. One presumes she is shocked because of the pain but surprisingly Eleanor explains it is because of the appearance it leaves of her naked woo-hoo. She thinks she now looks like an infant rather than a fully mature woman. This is a somewhat comic beginning to the author’s story. On the other hand, it shows Eleanor’s life seems more determined by society than inner direction.

Eleanor is a bookkeeper in a small business.

There is a mystery in this story that is slowly revealed by the details of Eleanor’s life. She lives alone in what is a subsidized apartment paid by social services. She is visited by a case worker and there appears some mysterious reason for her receiving help from the State. The mysterious reason is implied by the interview of Eleanor by a social case worker who pauses as she looks at the last part of a file as she interviews Eleanor. The case worker’s pause is about something written about Eleanor’s past. That past is made more mysterious as one finds Eleanor’s mother is institutionalized for some reason not disclosed.

Cultural differences.

The striking point made by this case worker’s visit to an American reader is the difference between Great Britain’s philosophical and cultural differences in regard to social policy. America rejects socialism while Great Britain endorses it. Great Britain practices democratic welfare capitalism while American democratic welfare is more limited. Healthcare is publicly funded in Great Britain while it is mostly private in America. These differences do not change the truth of Eleanor’s life story but it contextualizes Honeyman’s view of a life in a democratic socialist system rather than a democratic capitalist country.

The waxing incident is a comic beginning to Honeyman’s story, but it reflects on urban life as emotionally isolating despite being surrounded by other people.

Eleanor drinks half or more of a bottle of vodka alone in her apartment at the end of a work day. Her life is depressingly humdrum with hints of a trauma earlier in life. Whatever that trauma may have been urges one to keep listening or reading the author’s story. One’s interest is heightened by a young man that seems interested in Eleanor as a future companion. The young man is Raymond, a co-worker. Raymond is a loved son which is quite different from the family in which Eleanor appears to have been raised

Nearly half way through the book, one finds Eleanor has a scar on her face.

Like stepping into a darkened room, Honeyman shines a light on humanity. We become who we are from genetics and life experience. Honeyman gives many hints in her story that suggest there is a connection between Eleanor’s appearance, her reclusive and withdrawn behavior, her alcohol consumption, her mother’s confinement, and the aid she receives from Great Britain’s welfare system.

The perspective one gains from this story ranges from the horror of human selfishness to the value of caring for others.

One may compare American Capitalism with British Socialism thinking of their strengths and weaknesses or view the story of Oliphant as something that can occur in any social system of government.

Oliphant is rescued from a horrible family environment by Great Britain’s social welfare system to become an independent and productive British/Scottish citizen. One wonders if the same could happen in America with a less liberal system of welfare that relies on self-interest to change people’s lives. Of course, that is an unanswerable question because Oliphant could have been rescued in either country. On the other hand, would more citizens be saved by a more socialist system of democratic capitalism?

The details of Oliphant’s life are horrific. The cruelty of family life is real in every culture, whether authoritarian or democratic. The conclusion one may draw from “Eleanor Oliphant is Completely Fine” is that government liberality is better than authoritarianism.

FAME

As a son of a strong mother, one is impressed by Tina Knowles’ character in her enlightening memoir. She shows how women are the backbone of society despite their treatment in a patriarchal world.

Books of Interest
 Website: chetyarbrough.blog

Matriarch (A Memoir)

Author: Tina Knowles

Narrated By: Tina Knowles & 4 more

Celestine Ann Knowles aka Tina Knowles. (Author, American businesswoman, fashion designer, and mother of the famous performer, Beyoncé.)

This is an intelligent well-written memoir of the mother of two famous performers, Beyoncé and Solange Knowles. Celestine Ann Knowles is born in Galveston, Texas on January 4, 1954. Her two famous daughters are the singer Beyoncé and the composer, Solange Knowles.

Beyoncé
Mandatory Credit: Photo by Andrew H. Walker/Shutterstock (10569848bu)
Solange Knowles
Black composer & performance artist.

The mother of these two famous women tells a story of what it is to live in the 1950s as a young, poor Black American. Tina (a diminutive of Celestine) Knowles becomes a successful businesswoman, fashion designer, philanthropist and mother of two highly successful women in the 21st century.

Galveston’s in the 1950s.

Living in Galveston, Texas in the 1950s as a person of color is starkly and clearly explained in Tina Knowles’ memoir. Tina’s father works as a longshoreman. His work is sporadic because of a mining accident that ruined one eye and made him hard of hearing which limited the work he could do as a longshoreman. With the aid of his wife, Tina’s mother as a seamstress, their meager income is enough for them to get bye. Tina’s mother is the foundation of the family. Tina grows up as a force of nature before reaching adulthood. She grows up in a family ruled by a “Matriarch” as the power in her family and neighborhood. Even in her pre-school years, as the youngest of seven children, Tina understands her mother is the person who holds the family together and eventually makes Tina the matriarch of her future family.

White American’ opposition to equality in the 50s.

Tina adventured where many young Black children timorously dealt with life in an unfair world. Despite its unfairness, Tina ventured forth.

Tina tells the story of her childhood companions who would not go into an ice cream store in Galveston when white children were being served. Tina ignores their timorousness, goes into the store and is told to get out by the store manager. She finds what her friends were saying is true, but she had to experience it herself. Tina goes to a Catholic school where she is treated harshly by the teachers but continues on to graduate despite their strict rules. Nearing graduation, she becomes ill and is treated by a white physician who presumes she is lying about never having premarital sex. The white physician and an aide strap her down and conduct a physical exam that leaves blood on the table because of her hymen being broken by the exam. Her mother calls the physicians to complain about the treatment of her daughter and takes her to another hospital to find her illness is unrelated to the doctor’s presumptive and unnecessary pelvic exam.

Tina is raised in the time when Black discrimination is finally beginning to change. Brown v. Board of Education is decided in 1954.

Tina graduates from high school, presumably in the early 1970s, and goes on to college. While in high school, she joins a local singing group that is inspired by The Supremes. They call themselves the Veltones. That experience leads her to work in fashion and entertainment. She becomes a designer, and entrepreneur, and eventually the “Matriarch” of her own family. In 1980, Tina marries Mathew Knowles. They were married for over 30 years but divorced in 2011.

In the Knowles’ marriage (1980-2011) they have two daughters, i.e., Beyoncé and Solange Knowles.

Tina Knowles explains how the birth of Beyoncé ignited her ascendence as the “Matriarch” of her generation. From taking care of Beyoncé to remodeling her house to creating her first business, Tina created her own world. Tina built the foundation for her life and raised one of the most famous singers in the world.

“Headliners”–Tina Knowles first business.

At 32 years of age, Tina decides to start a business. With financing from what is to become her former husband, she decides to open a salon. Tina is pregnant with her second child, Solange. Matthew involves himself in Tina’s business in financial ways that challenge its success. Tina starts “Headliners” in the early 1990s to offer make-up and beauty services in Houston, Texas. Beyoncé is now around nine years old while Solange is nearing four or five years of age.

Matthew and Tina Knowles file for bankruptcy.

Her husband, Matthew decides to quit his six-figure job to join Tina in her business. For unclear reasons, the family files for bankruptcy, sells their home, and rebuilds their lives while Tina focuses on her salon business. Tina explains she decides to divorce her husband because of his infidelity and mishandling of their dwindling wealth. She holds her life together by focusing on the burgeoning career of her girls and her salon business. Tina shows herself as the guiding force of her talented daughters. She has become the “Matriarch” that her mother had developed her to be.

Beyoncé’s 2025 concert in London.

Though most interest in Tina’s story may be because of her daughter, Beyoncé, her memoir suggests the “Matriarch” of the next generation of Knowles will be her daughter, Solange. She does not diminish the great success of Beyoncé as an incredible talent who runs her musical productions, but it seems Solange is the worker bee that is driven to become her generation’s “Matriarch”.

Agnéz Deréon (Tina Knowles’ mother, the “Matriarch” of the Knowles’ descendants.)

At the end of Tina’s book, she has reached the age of 70. She maintains a clear picture of the story of her life. Married and divorced twice, she is in charge of her life and appears to influence all who surround her. As a survivor of breast cancer and a firm grasp on life, she uses her strong belief in God and the love of her family to believe the best is yet to come. As a son of a strong mother, one is impressed by Tina Knowles’ character in her enlightening memoir. She shows how women are the backbone of society despite their treatment in a patriarchal world.

MARK TWAIN

Chernow’s biography is a mirror of Twain’s time and life. Chernow implies Twain could see imperfections of society without seeing his own. Twain’s genius to entertain America and readers around the world is not diminished by Chernow’s well written book.

Books of Interest
 Website: chetyarbrough.blog

Mark Twain 

Author: Ron Chernow

Narrated By: Jason Culp

Ron Chernow (Author, journalist, biographer, winner of the 2011 Pulitzer Prize for Biography and the American History Prize for his 2010 book “Washington: A Life”.

No stranger to historical biographies, Ron Chernow has written an interesting biography of the peripatetic humorist Samuel Clemens, aka Mark Twain. Samuel Clemens was born in Florida, Missouri, two weeks after Hailley’s Comet passed Earth in 1835, he died in 1910 when Hailey’s Comet made its closest approach to Earth in 1910. Chernow’s biography explains how Clemens became a steamboat pilot, frontier journalist, author, and American gadfly in his journey through 74 plus years of life.

Chernow’s biography of Mark Twain reminds one of Donald Trump without the power of the Presidency.

Clemens is noted as a stretcher of truth who told stories of his time that illustrated the contradictions of race, slavery, and morality that live through today. Twain is shown to express himself in humorist ways that challenged racial norms and societal conflicts which made some laugh, and others cringe with disgust or anger. Chernow argues Twain’s use of language shaped American literature. He gave American literature a unique voice that blended humor with criticism. Twain humanized the Black community and the iniquity of slavery, but Twain’s upbringing suggests he did not escape the false belief of innate Black’ inequality. Chernow painted a picture of Twain that showed how society was filled with the promise and pitfalls of Americans’ character.

Chernow shows how Clemens reinvents himself, not from formal education but from life experience.

At 21, Clemens begins training himself as a steamboat pilot on the Mississippi river, a highly praised, prized, and well-compensated position. Chernow suggests Clemens found his nom deplume, Mark Twain, based on the language of riverboat pilots. (“Mark Twain” is the 12 feet of depth needed for safe navigation of a riverboat.) As material transport changed after the steamboat era, Twain had to find a new career. He traveled to Nevada with the hope to become rich as a silver baron during the gold and silver rushes of the late 1850s. However, he never struck it rich, lost other people’s money, and turned to earlier work experience in newspapers when he lived in Missouri. He had learned the typesetting business and had written a few articles for the paper in his hometown. He settled in Carson City, Nevada, eventually becoming a journalist. On the one hand his stretching of the truth got him in trouble as a journalist but, on the other, it opened him to another career. His wit and way with words led to a role as lecturer and performer.

Chernow shows Twain changes jobs based on his innate abilities and external events.

The development of mass media, America’s Civil War, the industrialization of America, and the growth of a celebrity’ culture influence Twain’s life and made him a cultural symbol of America in the same way Dickens, Dostoevsky, and Chinua Achebe became symbols of their countries. Twain exemplified American life, its contradictions, its greed, and its biases that were blended into the personal tragedies and experiences of his own life. He turned his life experience into an art that reflected America’s growth as a nation. He became a writer and lecturer.

Chernow explains how Twain did not just read his lectures, i.e., he performs and acts their meaning to an audience.

Twain blends storytelling with satire and theater to entertain his audience. His reputation as a public speaker is made in California, but he becomes a global star. He performs in London, Berlin, and Bombay with what became cultural events about American humor and American foibles. His lectures are folksy with tinges of intellectualism that make him revered, respected, and laughed about by his audiences. Chernow believes he created an image of one who speaks truth to power about imperialism, religion, and human folly.

Chernow does not sugar coat truth about Twain.

Like all human beings, Twain had his blind spots. He was silent about lynching and its immorality, and he was trapped in his vision of racism by treating it as a troubling fact of American life despite his championing of civil rights. At best, he appears to be an agnostic when it comes to religion. There is criticism of Twain’s close relationship with teenage girls that he dismisses as a public concern by saying “It isn’t the public’s affair”. Twain is reckless with other people’s and his own money and investment. He exhibits behavior that suggests a gambler’s view about getting rich quickly. Twain could be vindictive, and melancholic because of his gloomy view of humanity. His family life suffers from his impulsivity and emotional distancing toward his wife and daughters. In one sense, Chernow makes Twain more human by noting he is like most of us except for his insightful sense of humor and talent for extemporaneous public speaking.

The archive of Twain’s letters is in the thousands which spans his entire adult life.

Chernow gathers much of his understanding of Twain from his personal letters rather than his books. He does note a number of Twain’s family members and friends are models for characters in his novels. However, Chernow’s focus is on Twain the man who appears morally inconsistent, a poor manager of other people’s money, and prone to anger when aggravated by other’s opinions. Whether this is fair or not, it describes many people today.

Chernow’s biography is a mirror of Twain’s time and life. Chernow implies Twain could see imperfections of society without seeing his own. Twain’s genius to entertain America and readers around the world is not diminished by Chernow’s well written book.

FICTION’S VALUE

How many thoughts run through one’s mind as they listen or read Hurwitz’s imaginative story? Maybe a movie will be made that simplifies and dumbs down its plot. The point is that fiction begins, regardless of the media in which it is represented, from a writer’s mind who creates a story.

Books of Interest
 Website: chetyarbrough.blog

Out of the Dark (An Orphan X Novel–Book 4)

Author: Gregg Hurwitz

Narrated By: Scott Brick

Gregg Hurwitz (Author, American crime novelist, comic book writer.)

In the media lately, there has been the observation that novels are losing their grip on the reading public. A number of recent studies, like that done by the National Endowments for the Arts, show a drop in adult readers of fiction in 2012 from 45.2% of adults to 37.6% in 2022. Possibly more troubling is the 13-year-olds drop from 27% to 14% in a similar time frame. Some suggest it is because of cognitive fatigue and a cultural shift to visual or audio entertainment. There is undoubtedly some truth in that belief.

Empathy, thought, and human insight generated by audiobooks, films, and serialized television generate the same thrill and human understanding as written fictional stories.

However, even though the format has changed, an author’s creation is the source of an idea whether it is converted to a film or audiobook. One can draw as much, if not more, knowledge of the world and human experience from visual and audio input as from reading a book. Books of fiction can be equally impactful from a screen that is viewed or an audiobook that is heard through EarPods.

Fiction begins on the written page whether it becomes a movie or a bestselling audiobook.

Of course, audio/visual actors can elicit different interpretations to an audience of what has been written by its originator but that is true of any person’s perception of what a writer meant in the creation of his/her story. So what? If the visual or auditory results are insightful then the media representation of a book of fiction has value. The point is the impetus of media presentation came from a written document by a writer. Of course, in today’s world, that writer may have his idea enhanced by A.I. but the idea still came from human thought.

Hurwitz’s novel is complicated with many story lines and characters.

Hurwitz’s novel resonates with a view of today’s world. America has a President that was nearly assassinated in his first term of office. This President uses lies in ways that make one wonder about his views and the direction of America. It makes one think about the assassin Hurwitz creates and whether a foolish young man on a roof could become an agent of the government to murder perceived enemies of the state by someone who is out of control. Of course, a majority of voters chose today’s President so maybe lying should not be a criterion for judgement of one’s value as a leader of a democracy.

“Out of the Dark” is a fictional novel that captures a listener’s imagination in a well narrated audiobook.

The story is of an incredibly intelligent, tech savvy, American assassin that chooses to turn his skill to murdering an American President. The President is characterized as a brilliant politician serving his last term of office. A woman secret service officer is interviewed by the President to be the person in charge to protect him from the rogue assassin that has been used by the President to assassinate alleged foreign enemies. Assassination is a crime against humanity. There seems no justification for one nation state to have assassination as a tool of governance. Would assassination of Hitler have erased antisemitism or WWII?

How many thoughts run through one’s mind as they listen or read Hurwitz’s imaginative story? Maybe a movie will be made that simplifies and dumbs down its plot. The point is that fiction begins, regardless of the media in which it is represented, from a writer’s mind who creates a story.

VANISHING WORLD

Murata’s satire infers obsession with sex for pleasure, child rearing collectivization, gender dysphoria, and pregnancy equalization are pathways to societal destruction.

Books of Interest
 Website: chetyarbrough.blog

Vanishing World (A Novel) 

Author: Sayaka Murata

Narrated By: Nancy Wu

Sayaka Murata (Author, Japanese novelist.)

Sayaka Murata’s subject is clearly revealed in its title, “Vanishing World”. “Vanishing World” is a provocative assessment of how sexual relationship and sex education has changed. Murata satirically reveals how human reproduction, objectification of life, motherhood, and technology may dehumanize society.

Murata’s fictional story is highly informative in regard to sexual difference and similarity between men and women.

In one sense, Murata’s fictional story is highly informative in regard to sexual difference and similarity between men and women. As a reader/listener, Murata offers a detailed description of the physical difference between the sexes. Many who think they know something about sexual difference will find the author’s candor enlightening. However, her depiction of social relationship is off-putting with a satirical exaggeration of socio/sexual objectification.

Murata writes about a single parent family with a young daughter who lives with her mother and is nearing the age of puberty.

(Though not mentioned in Murata’s story, single family homes in America have grown by nearly 30% in the 21st century.) The main character’s name is Amane and Murata’s story is about Amane’s sexual awakening and how she views social relationship. Amane is infatuated with an animated male character on television. She imagines being married to this character before puberty but holds this character in her mind throughout childhood and later life.

Murata suggests reproduction may evolve into a preferential desire for artificial insemination rather than sexual intercourse between a man and woman.

This idea feeds into a listener/reader’s mind as a diminishment of the need for emotional attachment to the opposite sex for procreation. Sex becomes detached from procreation, evolving into only “hooking up” for sexual stimulation and/or personal gratification. Murata infers desire is no longer needed for procreation but only to experience intercourse as an emotional and physical pleasure. Consequently, it seems perfectly natural to transfer sexual desire to a fictional character because it becomes unnecessary to have emotional attachment to humans when a figment of one’s imagination is available.

Murata creates a bizarre world.

The bizarro world that Murata creates is an extension of a belief that society is becoming less attached to their humanity. Marriage, human relationship, and motherhood are replaced by mindful personal’ inwardness and endless pursuit of physical stimulation without emotional entanglement. By extension, Murata suggests science will create wombs for men so that the difference in sexes equalizes childbirth and care of children. Caregiving becomes bureaucratic and collective because caregiving is no longer personalized.

Murata suggests that a new system of childcare will evolve into collective training camps for working parents who are too self-absorbed to raise their own children.

Collective childcare disconnects parents from the management and development of their children. The sterility of conception by artificial insemination, collective childcare, and social acceptance of multiple sex partners diminishes both familial relations and child development. Birthing and raising children becomes a clinical process, i.e., less personal with both men and women capable of experiencing pregnancy and delivery; all without responsibility or obligation for childcare.

In some sense, this satire illustrates the negative potential of socio/sexual equality.

Murata’s story ends with the birth of their first child from a man who is Amane’s husband. She is torn over not being able to take the baby home because the child is already being “cared for” in a ward meant to raise and nurture all newly born children. A final point is made in the story by a visit from Alane’s mother after the birth. She asks Amane where the child is, and Alane explains the child will not be raised by her and her husband. Alane’s mother is aghast. Her mother falls to the floor and dies without any apparent familial concern for her sudden collapse and presumably, death. The next thing to happen is a visit from one of the children born in this new world. Alane chooses to have sex with him and the story ends.

“Vanishing World” implies 21st century science, organizational bureaucracy, and social change threatens survival of humanity. Murata’s satire infers obsession with sex for pleasure, child rearing collectivization, gender dysphoria, and pregnancy equalization are pathways to society’s collapse.

PERSONAL IDENTITY

Susan Faludi concludes one’s personal identity is not fixed but changes based on our parents’ influence and life experience.

Books of Interest
 Website: chetyarbrough.blog

In the Darkroom 

Author: Susan Faludi

Narrated By: Laurel Lefkow

Susan Charlotte Faludi (Author, American feminist, and journalist. Received the Kirkus Prise for “In the Darkroom” in 2016.)

“In the Darkroom” is an interesting exploration of Susan Faludi’s remembrance of her father. Every parent who has a child thinks about what their influence is or will be in their children’s life and memory. Faludi’s memoir shows parents have an immense influence on who our children become.

Steven Faludi, Susan’s father, passed away on May 14th, 2015.

Faludi shows her father as a chameleon who refuses to be identified as one thing or another.

Susan Faludi’s father was Steven Faludi, a Holocaust survivor who made his living as a professional photographer. “In the Darkroom” Susan Faludi explains her father chose to become a woman at the age of 76 by undergoing sex reassignment surgery in Thailand. Her father became Stefánie Faludi living in Hungary. As an author, Susan recalls her childhood and the volatile relationship her father had with her mother. Steven Faludi was a domineering husband and father who is eventually divorced by Susan’s mother. She recalls a violent incident after the divorce where Steven crashes through their front door to stab her mother’s presumed boyfriend. He is arrested but manages to turn the attack into a rescue of his ex-wife from an intruder to avoid criminal charges.

Despite Steven Faludi’s survival from the Holocaust, he aligned himself with right-wing nationalist politics when he returned to Hungary.

Hungary had a reputation for anti-Semitism and anti-LGBTQ beliefs. Surprisingly, he became xenophobic and anti-Semitic despite being Jewish. Faludi suggests her father may have rejected his Jewish identity as a way of distancing himself from what he had been through. Like his decision to become a woman, he recreated himself. His irrational fears may have made him dislike people from other countries, cultures, or ethnicities. Susan Faludi believes it is his way to defend his self-identity from the Holocaust’ trauma, shame, and loss of people he knew, loved, or cared about. It is impossible to comprehend what it must have been like to survive the Holocaust. Anyone who has visited Auschwitz or a concentration camp site understands how unbelievably horrible that experience must have been. On the other hand, Ms. Faludi interviews grade school friends of her father before the war and notes Steven Faludi was a difficult student with which to be friends.

Susan Faludi is considered among the top 20 influential modern feminist theorists.

Not surprisingly, Susan Faludi becomes a feminist with gender identity being an important experience in her family’s life. She uses her journalistic talent to look at her father’s past and her personal experience. Her memoir looks into the nature of personal identity, how our identity is made, and what we do with it. Not surprisingly, much of who we become is from genetic inheritance and interaction with our parents. Faludi is an investigative journalist which drives her to dig into the details of her family’s past to better understand herself. Faludi’s father is shown to be abusive, controlling, and emotionally distant husband and father, a characteristic not uncommon in this patriarchal world.

“In the Darkroom” is an ironic title to Faludi’s book because much of one’s family life takes place in the “…Darkroom” of one’s mind.

Does one’s identity come from what you choose or is it a consequence of your experience as a child born into a family that is either nurturing or neglectful? Her memoir offers no formulaic answer. She suggests close examination of our family childhood reveals we are witnesses to the strengths and weaknesses of our parents. However, as witnesses we live in a “…Darkroom” of the mind that obscures any truth that explains how children are influenced by parental relationship.

We are not puppets of our parents, but neither are we free.

We choose to become ourselves through acceptance or rejection of up and down experience with parents but that is not the only experience that influences our lives. As we grow, we meet others who impact and change our views of life. Faludi explains she initially rejected her father because of his violence, abuse, and distant behavior but as she learned of his gender confusion and transition, she recognized her father’s pain and reassessed her relationship with him. Our parents experience and growth to adulthood have the same ups and downs of life that every human being experiences. They had their influences and choices just as their children will have in their lives.

Unlike the development of an image in a dark room, one’s life is never fixed by the solution in which it is placed.

Susan Faludi concludes one’s personal identity is not fixed but changes based on our parents’ influence and life experience. Of course, this is a subjective process, and “truth” is hard to pin down. Ignorance or the influence of others often distorts “truth”. Faludi suggests life is shaped by memory, trauma, the stories we tell, and the life we live. The story of her father’s life is the example of one who reconstructed his/her life. Change does not erase the past, but her father’s reinvention of his identity changed Faludi’s feelings about him. Faludi’s memoir shows how life is contradictory and complex.

GOTHIC TALE

The climax of “Modern Gothic” is where myth enters Moreno-Carcia’s story. The fundamental truths of colonization are revealed in her creative story while its denouement is an entertaining explosion of imagination.

Books of Interest
 Website: chetyarbrough.blog

Mexican Gothic

Author: Silvia Moreno-Garcia

Narrated By: Frankie Corzo

Silvia Moreno-Garcia (Author, Mexican/Canadian novelist, editor and publisher.)

Moreno-Garcia’s “Mexican Gothic” is a chilling story of colonization, eugenics, ecological contamination, mystical beliefs, and control of society by men. The author chooses the name of Doyle as an English family that exploits the Mexico’ silver mining industry in earlier centuries. A dynasty is created by generations of Doyle’s. They created a colonial manor called “High Place” from which to rule a crumbling empire. As colonizers they capitalize on Mexico’s silver deposits by exploiting native Mexicans’ land and labor to grow their mining operation. The wealth of local citizens is lost to the English foreigners who keep wages low to increase the wealth of the Doyle family.

Over generations, the Doyle men married local women that were related to each other. A common practice of royalty before the twentieth century.

They wished to maintain the genetic purity of the Doyle bloodline by having future Doyles marry genetic descendants of Mexican women that had been their wives. This is not greatly different than the experience of royal marriages in European cultures. The consequence of that marriage tradition is that recessive genetic mutations become more prominent in offspring. Children were more susceptible to diseases like cystic fibrosis and had higher incidents of developmental and cognitive disorders. This is one of many threads of meaning in “Mexican Gothic” because one of these descendants becomes a murderer of Doyle family members and the current Doyle generation seems socially dysfunctional. Added to that dysfunction is the Doyle family’s diminishing wealth.

An arranged marriage is a lynch pin to the story.

The heroine, Noemi, is the daughter of a wealthy Mexican family. She is sent to investigate a letter that was received by her father from a young woman that marries a Doyle. She is a cousin of Noemi’s. The marriage is arranged in part because of her father, and he feels something is wrong and wants Noemi to visit the Doyle family to find what the mysterious letter means. Soon after Noemi arrives, she begins to have hallucinatory dreams. Listener/readers find the hallucinations are because of spores that are in the bedroom of the deteriorating Doyle house. A clever thread of meaning in Moreno-Garcia’s story is ecological contamination that comes from colonization. As one nation colonizes another, it inevitably brings different plants and animals that are not indigenous to the country they are colonizing. The author notes a fungus is growing in the Doyle household that may have come from the original colonizers.

The penultimate theme in “Modern Gothic” is the creation of myths that compound the horrific events that occur in the Doyle house.

From the history of murders in the Doyle household, to hallucinatory dreams, to incestuous relationships, to the gloom and doom of the story, to a myth about the age of the Doyle patriarch, Moreno-Garcia offers a climax to her story that vivifies reader/listener’s imagination. The climax of “Modern Gothic” is where myth enters Moreno-Carcia’s story. The fundamental truths of colonization are revealed in her creative story while its denouement is an entertaining explosion of imagination.

EGOTISTICAL UTILITARIAN

“Greenlights” offers a different view of who McConaughey is than what one might think of him based on his public persona.

Books of Interest
 Website: chetyarbrough.blog

Greenlights

Author: Matthew McConaughey

Narrated By:  Matthew McConaughey

Matthew McConaughey (Author, actor born November 4, 1969, in Uvalde, Texas.)

“Greenlights” is a self-narrated autobiography of the famous actor Matthew McConaughey. The picture he creates of himself seems naked and unafraid. His narration gives a sense of a person acting in a movie who tells of the strengths and weaknesses of a person who speeds through the greenlights of life, believing in only God and himself. McConaughey idolizes his deceased father while seemingly acknowledging how much he is who he is because of his mother.

A listener senses they are witnessing a heartfelt theater presentation, where a person earnestly strives to live fully in the moment, embracing the understanding that every experience is a valuable part of life’s journey. This journey, rather than instilling fear, invites acceptance and courage, grounded in the belief that God is at the helm, guiding each step with love and purpose.

The self-confidence McConaughey exhibits borders on arrogance, but his presentation is entertaining and revealing. A listener feels they are experiencing a theater presentation of a person who strives to live in the moment with confidence that everything that happens is a part of life’s journey, not to be feared but embraced because God is in charge. With the dimension of good looks, and self-confidence McConaughey boldly embraces life while searching and reflecting on its meaning. He seems to revel in success and not brood over failure. He believes in discipline, respect, and love even though they often demand more than he can provide.

McConaughey’s biography makes one reflective.

His sense of humor and willingness to live life as it happens are entertaining. On the other hand, there is a sense that his self-confidence can become a threat to others and himself. He writes of his experience as an exchange student in Australia where he lives with a family who demands a behavior with which he disagrees. The result of his opposition is confrontation with the family and a change in his Australian family sponsorship. McConaughey’s side of the story is all one hears but it seems unlikely that a family would not be screened before a foreign student is invited to their home for a year.

“Dazed and Confused” movie.

With a line widely recognized by movie goers, i.e., “Alright, alright, alright”, from “Dazed and Confused”, McConaughey became a recognized actor. The movie was released in 1993. It is about the last day of school in a small Texas town. After that movie, McConaughey makes a good living as an actor. He proves himself as a talented actor in “A Time to Kill”. He plays a lawyer in a racially charged courtroom drama.

Camila Alves (Brazilian American model.)

McConaughey’s bon vivant life changes when he meets his future wife, Camila Alves.

Alves is a Brazilian American model and entrepreneur who McConaughey meets in the early 2000s. They become committed to each other soon after their meeting and have their first child in 2008. McConaughey explains how they call his mother in the middle of the night to give her the great news. McConaughey is surprised when his mother is outraged by having a child with a woman to whom he is not married. A listener/reader recognizes how important and influential McConaughey’s mother is to his growth from boyhood to adulthood.

McConaughey and Alves marry four years after the birth of their son and a daughter.

Now, in his early 40s, he changes the course of his life. He had made a good living as an actor, i.e. making a number of forgettable romantic comedies after proving his acting ability. After making millions, McConaughey and his growing family leave the business of only making money to buy a property in Austin, Texas. They have a third child. He refuses to make any more romcom movies. He disappears from the limelight for nearly two years when he receives offers to make three movies that make him the mega-star he becomes.

A McConaughey’ mega hit shows how committed he is to the art of acting by losing 50 pounds of his muscular body to play the part of an HIV victim.

With the release of “Dallas Buyers Club” in 2013, McConaughey’s shows how he had grown professionally. He received an academy award for his performance. At this point in his life, he and his wife have three children under the age of six. Movie rewards, a beautiful wife, and three young children make McConaughey feel he is a better actor because they sharpen his sense of purpose in life. The complexity of his life is translated in the way he expresses himself in the mini-series True Detective, and movies like Lincoln Lawyer, and Mud. The characters he plays are introspective and layered. He recognizes hardship is a part of life that makes one grow as a human being.

“Greenlights” offers a different view of who McConaughey is than what one might think of him based on his public persona.

OLD SCHOOL INDIAN

“Old School Indian” is returned without being completed. It would have been interesting to know more about what it is like to be raised in America as a descendant of a Mohawk Indian Tribe but experimenting with gender identity are steps too far for this reader/listener.

Books of Interest
 Website: chetyarbrough.blog

Old School Indian (Novel)

Author: Aaron John Curtis

Narrated By:  Jason Grasi

Aaron John Curtis (Author, essayist, member of the Akwesasne Kanienkehaka, a Mohawk tribe.)

Curtis begins a rye, mordant, and witty novel that gives one an idea of how an Indian descendant might view themselves as a part of American society. Curtis’s main character is Abe Jacobs; raised in an Indian family deeply rooted in their Mohawk culture. He grows to attend college at Syracuse University in New York with an ambition to become a writer. He becomes concerned about skin sores that develop on his skin that itch, suppurate, appear, and disappear.

Abe is a handsome young man in Curtis’s story. He is troubled by skin sores and anxious to find out what causes them and how they can be treated and cured. He meets his future wife while going to college. She is a free spirited, attractive woman who is drawn to Abe because of his good looks which become more attractive when she finds he is a descendant of a Mohawk tribe. They become lovers on the day they meet. As their relationship grows, life goes on. They have times when they are apart, living life on their own terms but staying in touch by phone and recurrent rendezvouses.

The seriousness of Abe’s disease is finally diagnosed. The symptoms can cause artery inflammation leading to organ failure and dementia at an early age. This fictional disease (though there is a true similar disease) prepares readers for a story about what it is like to be in the prime of one’s life to face a disease that can disfigure your appearance and shorten your life. Aside from the point of having a potentially deadly disease, a listener/reader wonders what it is like to be a descendent of an Indian tribe in America.

As the book progresses, the story of Abe and his girlfriend are shown to have been raised in families struggling with poverty. Abe and his soon to be wife begin revealing the hardship of their lives. Poverty diminishes life in so many ways that the author’s clever beginning is not enough for this critic to complete his story. His hero tries to commit suicide at 12 years of age. Abe’s poverty is something many generations have experienced but being drawn to suicide and willingness to experiment with gender identity are steps too far for this critic.

“Old School Indian” is returned without being completed. It would have been interesting to know more about what it is like to be raised in America as a descendant of a Mohawk Indian Tribe but experimenting with gender identity are steps too far for this reader/listener.