Books of Interest
Website: chetyarbrough.blog
Slouching Toward Bethlehem
Author: Joan Didion
Narrated By: Diane Keaton
Joan Didion (Author, American writer and journalist, published in The Saturday Evening Post, National Review, Life, Esquire, and The New Yorker. She also wrote screenplays for “The Panic in Needle Park”, “A Star is Born”, and “Upclose and Personal” as well as receiving a National Book Critics Circle Award and a Pulitzer. 1934-2021.)
Diane Keaton (Actor, Academy Award winner, BAFTA recipient, two-time Golden Globe, and Tony Award winner. 1946-2025.)
Diane Keaton died yesterday.
Several years ago, I purchased “Slouching Toward Bethlehem” without reading it until Keaton had done an audiobook’ narration of it. “Slouching Toward Bethlehem” illustrates Didion’s skill as an essayist and writer while Keaton’s many acclaimed movies show how accomplished both women have been in their lives.
“Slouching Toward Bethlehem” is interesting because it offers an interpretation of why homelessness is so much more obvious in America than other countries.
Having lived in different areas of the United States, the appearance of homelessness in the big cities of America is disgraceful. Visiting the Baltics, Norway, Finland, China, and Japan in the last few years illustrates how badly America is handling homelessness. With the exception of Norway, per capita incomes in the United States are more than twice the incomes of the aforementioned countries. Norway’s per capita income is $87,925 while America’s is $82,769. China’s per capita income is $13,122 but walking through major Chinese cities, there are no people sleeping on the streets. The Baltics per capita incomes range from $22,000 to a little more than $30,000. There is poverty in all these countries, but their leaders and societies have found a way to keep their citizens housed. This is not to argue their poor are not faced with hardship but to show how poorly American society is treating its homeless.
There seems a generational divide in Didion’s “Slouching Toward Bethlehem”.
The beat generation of the 1960s for which Timothy Leary coined the phrase “Turn on, tune in, drop out” alluded to in Didion’s essays may offer a partial explanation. Many of us experimented with drugs in the 60s but there has to be more than that to explain what has happened to big cities in America. Part of the answer is the change in income for the middle-class. In the 1960s middle-class incomes were strong and broadly shared. In the 21st century, middle class incomes have stagnated. CEO’s income in the ’60s made 20 times middle class earners but in the 21st century the ratio rose to 300-1. The rich got richer and the middleclass got poorer. Power shifted from a voting middle class to a richer upper-class that accelerated income gaps that changed election results with an income class bias.
Housing costs accelerated to new highs in the 21st century. The 1960s price-to-income ratios were 2:1 while today they are 5:1 or higher. The effort during the Obama administration to weaken standards for home buyer qualification exacerbated the greed of mortgage companies which led to a near economic collapse of the finance industry. Instead of bailing out homebuyers that could not pay their mortgages, the Obama administration bailed out mortgage companies and their owners while endorsing eviction of buyers who could not afford their mortgage payments.
“Slouching Toward Bethlehem” writes of famous successful people like John Wayne, Howard Hughes, Joan Baez, and herself as symbols of the 1960s. She is effectively glorifying them and herself while showing how they mythologized success to a generation of young people who were turning on, tuning in, and dropping out. Image became more important than substance. Working to be great at acting, becoming wealthy by investing wisely, singing about peace, justice and non-violence to make money, and writing about societal dysfunction were money makers. Capitalizing on dysfunction of society did nothing to ameliorate it. John Wayne is only a symbol of justice in the movies and Howard Hughes inherited his wealth that allowed him to invest, sometimes unwisely and with poor personal management skills. He began investing in Las Vegas because management could be left to others. To be fair, Didion and Baez try to return something to society for their success but their efforts pale in comparison to America’s decline. Artists report facts of life but rarely offer solutions.
William Butler Yeats (1865-1939, Irish poet, dramatist, writer and literary critic.
W. B. Yeats Poem summarizes and exemplifies what Didion alludes to in her book.
Turning and turning in the widening gyre The falcon cannot hear the falconer; Things fall apart; the centre cannot hold; Mere anarchy is loosed upon the world, The blood-dimmed tide is loosed, and everywhere The ceremony of innocence is drowned; The best lack all conviction, while the worst Are full of passionate intensity. Surely some revelation is at hand; Surely the Second Coming is at hand. The Second Coming! Hardly are those words out When a vast image out of Spiritus Mundi Troubles my sight: somewhere in sands of the desert A shape with lion body and the head of a man, A gaze blank and pitiless as the sun, Is moving its slow thighs, while all about it Reel shadows of the indignant desert birds. The darkness drops again; but now I know That twenty centuries of stony sleep Were vexed to nightmare by a rocking cradle, And what rough beast, its hour come round at last, Slouches towards Bethlehem to be born?
Didion reminds one of Yeats Poem to warn society of civilization’s collapse. Yeats wrote “The Second Coming” after WWI and the Spanish Flu. Seems similar to today’s political war and the Covid pandemic.
