CHINA

Harmony and pragmatism undoubtedly remain important characteristics of Chinese society. Time will tell whether societal harmony can be maintained by an increasingly authoritarian leader.

Books of Interest
 Website: chetyarbrough.blog

The Chinese Looking Glass (The most illuminating book yet written on China and her enigmatic people.)

By: Dennis Bloodworth

Dennis Bloodworth (1919-2005) Author, journalist, British writer at The Observer, first British journalist allowed to visit China in 1955.

“The Chinese Looking Glass” is a whirlwind journey across the vast history of China by the first British writer allowed to visit China in 1955. It is a primer for a general understanding of China that was originally published in 1966 and updated in 1980. The author’s marriage to Liang Ching Ping adds credibility to his view of Chinese culture.

One reads Bloodworth’s book and is somewhat overwhelmed by its breadth. So many generations of Chinese culture are too much to cover in a 400+page book.

The author manages to give a broad understanding of a Chinese worldview that is shaped by Confucian and Taoist history, a collective identity that often conflicts with the Western culture of individualism. He notes Chinese traditions are based on filial piety (meaning duties, respect and devotion of children to their parents). Bloodworth notes, through many generations of Chinese culture, behavior and decision-making there is a focus on social harmony. Both Confucianism and Taoism play significant roles in shaping Chinese society.

Bloodworth notes Confucianism and Taoism shape Chinese society.

Piety, respect for hierarchy, education, and a focus on societal harmony were philosophical foundations of Chinese governance. Piety led governance toward strict rules and centralized authority. Historical figures like Confucius, Laozi, and Sun Tzu influenced Chinese culture and thought. The spiritual tradition of Buddhism reinforced the teaching of these cultural influencers. Buddhism emphasizes the suffering of life is caused by desire, and attachment. Buddhist teaching is that desire and attachment must be replaced by understanding and rejection of both through meditation and mindfulness.

Because democracy focuses on individual rights and freedoms, the ideals of collective harmony, hierarchical structure, and centralize authority make communism a better fit for Chinese culture.

Mao Zedong (1893-1976)

Mao unified China after decades of war and instability. Bloodworth suggests Mao Zedong had a nuanced impact on China.

However, Mao’s centralized power resulted in big economic mistakes like the famine of the Great Leap Forward that caused misleading food production reports meant to please the government when production was much less than what was needed to sustain life for Chinese citizens. With famine, the Cultural Revolution is unleashed, and China’s growth and stability were set back. Bloodworth had observed China’s governing always included pragmatism and adaptability to their drive for cultural harmony.

Though Bloodworth mentions Deng Xiaoping in the last chapters of his expanded edition of “The Chinese Looking Glass”, he does not foresee the opening of the Chinese economy and its rapid economic expansion.

The pragmatic realization that collectivization of farming led to misleading information about production compelled Deng to open agricultural production to a more market-driven incentive to preserve social stability. Deng was an authoritarian as is evidenced by his decision on the Tienanmen Square crises.

Though Bloodworth did not live to see the next iteration of China’s leadership, an element of recidivism enters with Xi’s control of the government.

Harmony and pragmatism undoubtedly remain important characteristics of Chinese society. Time will tell whether societal harmony can be maintained by an increasingly authoritarian leader.

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Author: chet8757

Graduate Oregon State University and Northern Illinois University, Former City Manager, Corporate Vice President, General Contractor, Non-Profit Project Manager, occasional free lance writer and photographer for the Las Vegas Review Journal.

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