LIFE’S JOURNEY

The ending of Emily Henry’s story is a surprise to most who are absorbed and entertained by her tale. Life is complicated because it is filled with luck, achievement, purpose, and loss whether one is rich or poor.

Books of Interest
 Website: chetyarbrough.blog

Great Big Beautiful Life

AuthorEmily Henry

Narrated By: Julia Whelan

Emily Henry (Author, American writer of NYT’s bestselling romance novels.)

Emily Henry is an entertaining writer who seems to live her own “Great Big Beautiful Life”. Her book is about writers like herself being interviewed by a wealthy American who is searching for a biographer to memorialize an extraordinarily famous family’s life. Henry’s twist is that she has competition with a fellow writer who is a more experienced and successful writer.

The two writers in Henry’s story are in the prime of their lives.

One has been married before, and the other appears to have been intimately acquainted with another writer. Neither potential biographer knows they are being interviewed for the same job. The surprise is that their famous subject hires both writers to compete for the job with a presumption that one will be chosen. The story is partly to tell of a famous and extraordinarily rich families’ complicated lives. “Great Big Beautiful Life” is an imaginative story about family relationship, love, and life’s complexity.

The cleverness of Henry’s story is that one becomes interested in the person being biographed while being drawn into what becomes an intimate relationship of the writers.

Listener/readers become interested in both story lines. The incredibly rich heiress’s family history is a contrast to the middleclass lives of the writers. What Henry shows in “Great Big Beautiful Life” is every human being, whether rich or middleclass face the joys and tragedies of life. The author is not addressing poverty or the poor, but one presumes the difference is qualitative because love, loss, and sorrow is part of every human life.

The passion of the two authors is artfully expressed and reminds one of every human’s experience of love and loss.

Joy and tragedy play a part in every sentient human being’s life. Familial, emotional, social, and ethical relationships are vivified in Henry’s story. Alice is the main character who is the woman writer telling her story of the competition and relationship between her and Hayden in seeking the right to tell the story of Margaret Grace’s “Tabloid Princess” life. Margaret sets the table for the story with a competition for the right to tell her family’s life story. Alice and Hayden begin as competitors, evolve into lovers. and become intertwined with Margaret’s storied life.

Alice and Hayden are ambitious professionals, but both have emotional vulnerabilities that are intensified by the competition for Margaret’s biography. Scandal, family secrets and how they are dealt with in Margaret’s life are part of the story. Alice’s insecurity contrasts with Hayden’s Pulitzer Prize-winning reputation as a biographer.

The approaches of the two hopeful writers of Margaret’s biography are contrasted by the author.

Alice has a human-centered approach to the biography whereas Haden drives for detached objectivity. Alice is concerned with Margaret’s exposure while Hayden seems more driven by belief in accuracy, structure, and verifiability.

The ending of Emily Henry’s story is a surprise to most who are absorbed and entertained by her tale. Life is complicated because it is filled with luck, achievement, purpose, and loss whether one is rich or poor. “Great Big Beautiful Life” is entertainment at its best.

TIME TRAVEL

The social implications of time travel are revealed in Bradley’s clever, adventurous, sometimes humorous, and apocryphal story.

Books of Interest
 Website: chetyarbrough.blog

“The Ministry of Time” 

By: Kaliane Bradley

Narrated By: George Weightman, Katie Leung

Kaliane Bradley (Author)

Kaliane Bradley imaginatively writes about the social complications that arise if time travel were found possible in the 21st century. The main characters are an unnamed narrator and a 19th century British Commander named Graham Gore. A key to understanding “The Ministry of Time” is that the narrator is unnamed.

At times, “The Ministry of Time” is difficult to understand because of a perspective that mystifies listener/readers who are not raised in a British culture. However, on balance, comedy, tragedy, romance, and history are universal experiences that pull one into Bradley’s imaginative story.

The story begins with the final interview of a person who is hired by “The Ministry of Time” to become a councilor to one of several characters drawn out of time into the 21st century.

This interviewee is a Cambodian born British citizen. The choice of the person’s birth country is clever for several reasons. One, the interviewee, her mother, and grandfather are born in a country that experienced the killing fields of Cambodia’s Pol Pot. Two, the interviewee is an attractive non-white woman who knows what it is like to work in a country largely controlled by white men. And three, she represents a libertine western world’ lifestyle.

The main character of the story, the interviewee, is to become one of several councilors to stay with individuals who are rescued from assured death in past centuries.

There is a limit to the number of people that can be rescued because of the design of the time-travel’ portal. That limit generates an interest in a time traveler who wishes to control who can use the portal. A surprise is to find who that time traveler is and why he/she is determined to control its use.

The social implications of time travel are revealed in Bradley’s clever, adventurous, sometimes humorous, and apocryphal story.

Along the way, reader/listeners are exposed to the complexity of human beings, the historic recurrence of discrimination, the consequence of despoilation of the world’s environment, and the power of attraction that leads to love, and sometimes tragedy.