Books of Interest
Website: chetyarbrough.blog
The Vegetarian
By: Han Kang
Narrated by: Deborah Smith, Janet Song, Stephen Park
Han Kang (Author, South Korean writer, awarded the International Booker Prize for fiction in 2016 and the Nobel Prize in Literature in 2024.)
A listener/reader may be tempted to put this book aside with the thought that it is a titillating pornographic tale that is not worthy of one’s time. However, after an hour or two, one realizes this is a journey for something difficult to describe.
In Kang’s fictional story, two sisters are raised by the same parents. One is the older of the two and becomes a successful small business owner with a video artist husband; the other is a housewife who lives with a husband that seems to neither love nor respect her. Both marriages fail but for different but interlocking reasons.
The younger sister becomes a vegetarian later in her married life. She explains her vegetarianism is based on a dream she has about something that is not clearly defined. One gathers the dream has something to do with the source of meat that involves the killing of animals while vegetarian food comes from nature’s abundance. The husband reluctantly goes along with the change but becomes more and more unhappy in his life with the younger sister. The unhappiness grows to something greater when his wife begins to complain about how her meat-eating husband’ smells. The breaking point comes when the husband asks his wife’s mother, father, and sister-in-law to convince his wife to abandon vegetarianism and begin adding meat to her diet. At dinner in their house, the father forcefully demands his daughter to eat meat. She refuses and the conflict becomes violent. Her father pries her mouth open and shoves meat into her mouth. The daughter rebels and cuts her wrist with a knife in an act of defiance. Her brother-in-law grasps the younger daughter who is profusely bleeding and rushes her to the hospital.
The brother-in-law that rushed to save the vegetarian is a video artist.
The main characters of the story and the substance of their conflict is now made clear to the listener/reader. The next portentous development is the older sister’s husband (a video artist) begins to fantasize about the younger sister whom he had rushed to the hospital. His fantasy grows to the point of asking the younger daughter to pose nude for an art video he wishes to create. She agrees. A listener/reader begins to understand the younger sister is slipping into a psychosis. Her brother-in-law paints her nude body with flowers that make her feel that she is becoming part of nature, i.e., something growing like the vegetarian diet upon which she relies. The brother-in-law’s sexual desire becomes more aroused by the video and his relationship with the younger sister.
The deepening psychosis of the younger daughter grows when the brother-in-law hires a nude male model to be a part of a new video.
The male model resists but agrees to pose with her but refuses to go beyond allowing flowers being painted on his nude body and a video of the two without clothes but with painted bodies. The brother-in-law’s sexual fantasy grows from this experience but is disappointed in the male actor who refuses to have sex with the sister-in-law while the video is being filmed. The male actor did not want to be viewed as a porn star.
The brother-in-law’s fantasy leads to the sister-in-law’s agreement to have sex with him on film as long as he allows her to paint flowers on his body that are similar to what he had painted on her body. They become sexually entwined at the sister-in-law’s house. The older sister discovers them in their sexual rendezvous where the video is being produced.
The younger sister has crossed a barrier between sanity and insanity. It is not a matter of remorse for the sexual relationship but from a reinforcement of her obsessive need for being a vegetarian as an integral part of nature. She refuses her humanity. She has crossed the Rubicon between sanity and insanity. She refuses to eat anything and only wishes to drink water to feed her growth as a plant. Both her husband and the husband of the older sister-in-law essentially drop out of Kang’s story. The older sister’s husband does not forgive her husband for his sexual transgression and the younger sister’s husband never loved the vegetarian in the first place.
The imagination of Han Kang gives reader/listener’s an explanation of how a human being can become psychotic. Kang’s characters show how psychosis comes from many sources, a major one of which is family relationship.
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