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The Book-Makers (A History of the Book in Eighteen Lives) 

By: Adam Smith

Narrated By: Adam Smith

The Gutenberg press is invented in the mid-15th century in Germany. Not surprisingly, the most widely printed book is the Christian Bible that began with the Guttenberg Bible, a 42-line Bible also called the Mazarin Bible, printed in 1455. Adam Smyth notes the first non-religious, widely popular book is printed in 1494, titled “Das Narrenschiff” or “Ship of Fools”.

Printed originally in German in Basel, Switzerland, “The Ship of Fools” was lavishly illustrated and became a best seller in Europe. Its popularity came from its satirical content, wide translation, and visual appeal. Smyth explains the book critiques human folly and vice with 112 chapters, each of which is accompanied by a woodcut illustration.

Contributions to the art were made by both men and women. Elizabeth Collett and Sarah Benlowes were instrumental in improving the quality and continuity of noted books in the 17th century. They pioneered a “cut and paste” technique that made famous books more consistent, unique, and artistic without changing their author’s meaning.

John Baskerville and his future wife, Sarah Eaves, made significant contributions to the quality of the printed page. Baskerville created Baskerville typeface in 1757. The new typeface set a new standard for typography with sharp serifs, high contrast thick and thin strokes, and overall clarity. His future wife managed their print business and helped implement Baskerville’s innovations. Together, they improved ink color and sharpness to provide higher quality printing for books.

Smyth reveals the contributions Franklin makes while using Caslon typeface created by Baskerville for the publication of newspapers, advertising, and the most successful non-religious book of the 18th century, “Poor Richard’s Almanac”. Franklin is the quintessential American by exemplifying the strengths and weakness of capitalism.

Franklin used his newspaper to support and print paper money for the U.S. government. Franklin’s industriousness is well documented by historians, but Smyth notes a glaring flaw in Franklin’s character. Of course, this flaw is taken out of historical context and Franklin eventually changes his view, but he supported and brokered the slave trade between the 1750s and 60s. He is seduced by amorality, presumably because of the human desire for money, power, and/or prestige. Of course, this is being human; like all citizens of any economy or government.

Smyth flashes back to the invention of paper. The early beginning of paper is traced back to China in the 2nd century CE. Ts’al Lun (Cai Lun), a court official, is credited for developing papermaking techniques. Paper production spreads to the Islamic world in the 7th century with the printing of the Koran. It extends to Europe in the 12th century. The truly big jump in paper production came in the early 19th century with Louis-Nicolas Robert in France. The Fourdrinier machine could produce huge rolls of paper, but Louis-Nicolas Robert is unable to capitalize on the process because patenting was not available in France. Paper production process improves with John Gamble and Bryan Donkin in England. Paper production became faster, more efficient, and cost-effective.

In the end, “…History of the Book…”is brought together by Smyth’s review of book circulation. From early written manuscripts, small accumulations by the few grew into massive libraries for the general public. Access to great and inane writings of genius and pulp producers reached wider and wider audiences. The final chapters address some of the great writers of modern times, particularly poets of which this reviewer is minimally interested and sadly ignorant.