THE GUILTY

Is there a line that can be drawn that separates those who should be executed, incarcerated, or rehabilitated by the State?

Books of Interest
 Website: chetyarbrough.blog

Dark Tide (Growing Up with Ted Bundy)

By: Edna Cowell Martin, Megan Atkinson

Narrated By: Morgan Hallett

“Dark Tide” is a journey into the “Heart of Darkness”. Like Joseph Conrad’s story, Edna Cowell Martin, with the help of Megan Atkinson, tries to make sense of human madness, societal hollowness, alienation, and lies. Edna Cowell Martin is the cousin of the notorious Ted Bundy who admits to and is convicted of the murder, rape, and mutilation of 30 or more women in the 1970s. Ms. Martin is in her 70s when she finally chooses to tell the story of her cousin, Ted Bundy, who was like a brother in her family.

Ted Bundy (1946-1989, American serial killer.)

Bundy was an illegitimate child raised by a mother and stepfather. His mother refuses to reveal who his father was which is of little consequence except to Ted Bundy and the impact it might have had on who he became. Bundy is shown to be a bright student who graduated from the University of Washington, went to Yale to study Chinese, and became close to the Cowell family. The Cowells were an artistic family with a father who was a classical pianist who traveled the world and became a music teacher at “The College of Puget Sound” and professor emeritus and Chairman of Music at the University of Arkansas.

The author, Edna Cowell Martin, interviewed by Piers Morgan.

Despite Ms. Martin’s wide travel experience because of her father’s profession, she appears to have lived a middle-class life in the state of Washington. Many years after Ted Bundy’s execution, Martin finally writes and publishes “Dark Tide” about this American serial killer, kidnapper, and rapist. She explains the close relationship that the Cowell family had with Ted Bundy. Whether it offers any insight to the mind of such a terrible person remains a mystery.

Ted Bundy at trial for murder.

Bundy appears as a relatively handsome, intelligent young man with a girlfriend and potential for becoming a successful American lawyer, businessperson, or professional. He becomes close friends with the Cowell family. When he is arrested as a murder suspect, none of the Cowells believe he is guilty. They support his release and send letters to explain why he could not be guilty of the crimes for which he is accused. Bundy is released on bail and returns as a friend to the Cowell family.

Bundy as a youth and adult.

Edna Cowell and her friends meet with Bundy after his release and gather at a local restaurant.

Bundy appears to be happy and is glad to see everyone. However, his face is recognized by strangers in the restaurant, and they ask him if he is the “Ted Bundy” in the news. Bundy’s response is unexpected. He appears delighted by the recognition and creates a scene in which he extols his notoriety. This is the first time Edna becomes suspicious of Bundy’s innocence. She does not believe he is guilty but that his glorification of association with a murderer makes her uncomfortable. Why would anyone want to be associated with such a horrible crime? Is any kind of fame okay to Bundy? This is not the person she thought she knew.

Edna keeps turning this incident over in her mind. She begins to wonder if Bundy might actually be guilty, rather than just wanting to be the center of attention.

The terrifying aspect of Edna Cowell Martin’s memoir is what does one person really know about another person? Think of all the people you know and what has happened since you first met them that changed your mind about who they are, what they believe, or what they have become, i.e. at least in your mind.

What is somewhat off-putting is that Edna Cowell Martin argues the State should not have the right to take one’s life even if they are guilty of murdering an innocent person.

Bundy killed and raped an unknown number of women. Is there justification for the State to execute someone for a heinous act that is confessed to by a perpetrator? Is it less humane to incarcerate someone for life who has confessed to a heinous crime? Are human beings, regardless of their crime, capable of being rehabilitated? Every human being is guilty of some transgression in life. Is there a line that can be drawn that separates those who should be executed, incarcerated, or rehabilitated by the State? “Dark Tide” raises all these questions in one’s mind.

DRAWING THE LINE

A reader/listener will come to their own conclusions about Ms. Fox’s epilogue. Where does one draw the line?

Books of Interest
 Website: chetyarbrough.blog

The Talented Mrs. Mandelbaum” The Rise and Fall of an American Organized-Crime Boss

By: Margalit Fox

Narrated By: Saskia Maarleveld

Margalit Fox (Author, copy editor for the New York Times.)

Fox writes a memoir of America’s equivalent of Fagin in Dicken’s “Oliver Twist”. Mrs. Mandelbaum, like Fagin, created a school of crime for New York City street-dwellers in the mid-nineteenth century. An interesting insight by Fox is how people slip into crime. Mrs. Mandelbaum makes a living for her family in New York by becoming a fence for merchandise collected on New York’ streets. Like any sales business the key was buying low and selling high. Street merchandise is cheaper than store merchandise because of lower overhead and, of course, theft.

The Chief of Police of New York City at the time (pictured to the far right) considered the criminal Fredericka “Marm” Martha Mandelbaum an admirable businesswoman.

Fox notes the Mandelbaum family emigrated from Germany in 1850. Mrs. Mandelbaum’s husband, Wolf Israel Mandelbaum, made a living as a peddler in Germany. Martha Mandelbaum sees similar opportunity in New York City. She becomes a fence, a kind of peddler, for New York city street’ merchandise. However, Mrs. Mandelbaum recognized that the quality and quantity of merchandise she fenced could be improved by theft. She created a school like Dicken’s Fagin to teach the craft of theft. Her “school” began teaching young acolytes the art of pickpocketing and petty theft. She began building a criminal empire that evolved into financing bigger crimes like fabric store theft, jewelry store theft, and most lucrative of all, bank robbery.

Mandelbaum provided financing for specialized research of banking personnel and bank activity for intended bank robberies. She paid for sophisticated tools needed for the robberies, and then brokered robber’s thefts to buyers.

Mandelbaum grew her business into a million-dollar enterprise. She carefully remained in the background of her lucrative business. She became the “Queen of Fences”. In July of 1984, “Marm” Mandelbaum and her son Julius were arrested by Pinkerton agents and taken into custody. She allegedly punched the arresting officer and protested her innocence but went to trial where she was required to post a $10,000 bond after spending a night in jail. She and her son jump bail and cross the border into Canada. They were detained in Canada but without a law allowing extradition, she and her son could not be returned to the United States.

Mrs. Mandelbaum and her son open a store in Canada after contacting many of her associates in New York to explain her plan to sell merchandise out of this new store location. One presumes her associates continued their criminal ways of acquiring New York merchandise and shipping it to Canada for resale.

Julius J. Mandelbaum (1905-1988, son of “Marm” Mandelbaum died at age 83 in Long Beach New York.)

Fox’s story takes an interesting turn in an epilogue of her memoir about Mrs. Mandelbaum. “Marm’s” daughter, who was 18, died of pneumonia in New York. Mrs. Mandelbaum risked incarceration by surreptitiously returning to New York for a Jewish funeral for her daughter. She is not arrested and successfully returns to Canada.

Fox infers Mrs. Mandelbaum is as much a victim of her time as she was a criminal.

Fox explains in a Jewish family, women have essential roles in managing households, raising children, and contributing to their communities. In some circumstances, Fox notes Jewish wives engage in business while managing the household. Fox suggests Mrs. Mandelbaum simply carries out those duties in her life in New York.

A reader/listener will come to their own conclusions about Ms. Fox’s epilogue. The question that comes to mind is whether some people died as a result of Mrs. Mandelbaum’s financing of illegal activity, including bank and jewelry robberies. Where does one draw the line?

Mother Mandelbaum died without an exact cause of death at age 68. She was given a grand funeral in New York City that drew community elites, politicians, and undoubtedly, criminal associates.