Audio-book Review
By Chet Yarbrough
Blog: awalkingdelight)
Website: chetyarbrough.blog
Waiting
By: Ha Jin
Narrated by: Dick Hill
Ha Jin is the pen name of Jin Xuefei (born in 1956, a Chinese-American poet and novelist. Graduated from Brandeis University with an MA and PhD.)
Ha Jin’s book, “Waiting”, reminds one of our misogynistic world.
“Waiting” may be a true story or a mix of truth and fiction. The last chapter infers it is a part of Ha Jin’s life during Mao’s reign in the late 1960s as leader of China.
Ha Jin is the pen name of Jin Xuefei, a Chinese American poet and novelist. Jin’s father was a military officer in China. At 13, Jin joined the “People’s Liberation Army” during the Cultural Revolution in China. He left the army at nineteen to earn a bachelor’s degree in English at Heilongjiang University and a master’s degree in Anglo-American literature at another Chinese university. He went on to Brandies University to extend his education.
As is noted in the last chapter of “Waiting”, Ha Jin receives a scholarship to Brandeis University which is interestingly the author’s destination in America. He chooses to emigrate after Tiananmen Square’s Massacre in 1989. Of course, this is long after Mao’s cultural revolution between 1966 and the early 70s, i.e., the time of Ha Jin’s story in “Waiting” and the time of the author’s experience in the “People’s Liberation Army”.
The “People’s Liberation Army” was created as a teaching body for Mao Zedong Thought.
“Waiting” is about a 23-year-old nurse in the Peoples Liberation Army that falls in love with a doctor named Ha Jin, who is already married with a daughter who lives with her mother. The mother and daughter live in a village away from Ha Jin while he serves in Mao’s Cultural Revolution. Ha Jin may be viewed by a reader/listener as either a strong moral character or a weak “go along to get along” Maoist survivor.
Ha Jin either chooses or is compelled by the influence of the 23-year-old nurse to seek a divorce from his wife. Ha Jin takes 20 years of numerous appeals (the “Wait”) for the Chinese judicial system to finally approve the divorce.
During those 20 years, he and the nurse have no sexual relationship. In that time, the nurse is raped by a soldier who had befriended Ha Jin. The rape is unreported for the same reason many rapes are not reported today. The nurse does not believe the authorities will believe her story. The nurse tells Ha Jin of the rape. Ha Jin tries to convince her to tell the authorities. She refuses and Ha Jin reconciles himself to an understanding of her position and blames himself for what happened. As has been reported by other women who have been raped, the nurse feels guilt for the rape even though she said no and fought the rapist.
Ha Jin continues to pursue a divorce from his wife. His wife, despite Ha Jin’s numerous appeals for divorce, stands by her husband and cares for their daughter throughout the 20 years of their pending divorce. She finally agrees and Ha Jin is free to marry the nurse.
Ha Jin agrees to pay his ex-wife a monthly fee as a part of his obligation to her for their years of marriage. Ha Jin grows to love his daughter and wishes to help her succeed in life.
The nurse, at the time of marriage, is now in her early forties. She becomes pregnant and twin boys are born. The delivery is premature, but the boys are born healthy. Their fate is undisclosed. The relationship between the father and the nurse deteriorates for reasons that seem related to the hardship of the birth and a growing animosity of the nurse toward her husband.
The nurse suggests Ha Jin visit his ex-wife and daughter to see how they are doing. Ha Jin visits appears to realize he has made many mistakes in his life, not the least of which is the pursuit of a divorce and his failing marriage to the nurse.
The story ends with Ha Jin leaving China and becoming a professor at Brandies University in the United States. The listener is left to ponder which of these personalities, the husband, or the nurse and ex-wife are the strongest mental and physical humans in this battle of the sexes. At the very least, what is clear in “Waiting” is that misogyny is a multicultural reality.
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