CARTOON

Books of Interest
 Website: chetyarbrough.blog

Crumb 

Author: Dan Nadel

Narrated By: Ron Shapiro

“Crumb” is a well written biography of Robert Crumb, the cartoonist. The subject matter is of interest to me because of the remarkable talent of a disheveled young man with coke bottle glasses that has a gift of drawing. That gift provides him wealth and success despite coming from a troubled household that gives him an eye for the weirdness of life. He and his brother, Charles who was 1 year older, began a monthly hand-drawn comic book when he is 15 years old. They sold it door to door in the late 1950s. Charles wrote the stories and Robert illustrated them. Nadel shows how that early life experience sharpened Robert’s artistic skills and planted the seeds for his future success.

Nadel notes how Crumb’s drawings are deeply personal and sometimes disturbing because they capture the inner conflicts within Crumb’s life while tapping into the undercurrents of postwar America. Crumb’s work delves into the male id and its impulses exposing sexual obsession, neurosis, and human alienation. Crumb’s life story borders on a confessional and makes one confront their own obsessions. His comics delve into consumerism and conformity about race and gender with a biting satire that makes one realize the absurdity of American, if not all, human life. Nadel suggests Crumb’s work is an unfiltered chronical of the life he lived and lives.

“Mr. Natural” and “Fritz the Cat” became cult icons illustrating the absurdity of life. Nadel suggests Crumb’s subjects are expressions of his working through his personal demons. Some of his images are racist and misogynistic which paints a picture of a troubled society. His subject matter ranges from popular music, counterculture, the history of comics, to graphic satire.

Nadel explains Crumb is married twice. His first marriage to Dana Morgan falls apart in part because of Crumb’s emotional volatility, but also because of the cultural upheaval of the 1960s. Nadel explains Morgan was the first woman Crumb had sex with which is complicated by Crumb’s confusion about sex. Crumb’s fame increases. He experiments with LSD. These dramatic changes in his life increase his discontent. There seems no single reason for the divorce. Crumb moves to San Franciso in 1967 to immerse himself in a counterculture and the comix scene.

Nadel notes that Crumb insisted on honesty when he agreed to have his biography written. Aline Kominsky is acknowledged as a stabilizing force in Crumb’s life. Crumb lived through America’s wars, the psychedelic age of the 60s and has now has reached the age of 81. Nadel explains much about Crumb’s turbulent life and how that turbulence shaped him and his art. Nadel offers a layered and empathetic portrait of R. Crumb, the ups and downs of his life, without excusing or condemning the beliefs, actions, or art of his long life.

Some of what Crumb illustrated in his art and what he did with his piggyback rides undoubtedly insults the public. In many ways, Crumb marginalizes society with his racist and misogynistic comics. Nadel reports Robert Crumb’s life and antics without criticism which seems appropriate because he is simply recounting a human beings’ life. Nadel does not act as a judge but as a reporter of a lived life.

Crumb’s parents were poor. He lived in poverty but overcame its limitations with the art of drawing that opened the world of commerce to him. From comics to greeting card drawings and back to comics, Crumb became a maven of the art of irreverent behavior.