Audio-book Review
By Chet Yarbrough
Blog: awalkingdelight)
Website: chetyarbrough.blog
The Sentence
By: Louise Erdrich
Narrated by: Louise Erdrich

Louise Erdrich (American novelist and poet, member of the Chippewa Indians, a tribe of Ojibwe people.)
This is a review of a third novel of Louise Erdrich’s books. The three that are reviewed are about native American experience in the U.S.


Louise Erdrich who wrote “The Round House”, “The Night Watchman” and this book, “The Sentence”, grew up in Wahpeton, North Dakota. Erdrich’s parents, a Chippewa mother and German father, taught at the “Bureau of Indian Affairs” in Wahpeton. She is a member of the Turtle Mountain Band of Chippewa Indians. (Erdrich’s husband was a professor and writer who was the first director of “Native American Studies” at Dartmouth. He died at the age of 52.)

Erdrich begins “The Sentence” with a bizarre story of an addled brained addict, (the heroine of the story) who is convinced by her roommate to pick up a dead body from a friend’s house.
The addict agrees to do it in return for $26,000 lottery win that had recently been received by her friend. At first, one thinks the dead body is really just a pet, but it is actually a human that was once the boyfriend of the lottery winner. Further, we find this seems to have occurred on an Indian reservation which introduces an element of understandability because of the complication of reservation law versus America’s national government law.

The heroine rents a refrigerated van, picks up the body, and the next thing we find is she is arrested on a cocaine drug running charge. The corpse had bags of cocaine taped to its armpits. The heroine is convicted and sentenced by the federal government to a long prison sentence for breaking a federal law for drug running. The sentence is shortened from 60 years when her arresting reservation officer gets witnesses to recant their testimony. The former accused drug runner is released and marries the reservation lawman who arrested her for the alleged crime.
Finally, “The Sentence” begins to settle down to a somewhat normal life story. The now married couple adopts a young Indian girl who rebels against her mother’s care and attention. This seems a rather common case of mother/daughter relationships that either mends itself in maturity or remains ambivalent for the remainder of their lives.

The adopted daughter appears at her mother’s doorstep unannounced, with a baby carriage her mother presumes is loaded with some inane material items she brought with her.
What the mother finds is that it is a weeks old baby recently born from the daughter’s union with a man her mother has not met. The mother is thrilled to see her new grandson but asks too many questions about the father and disrupts the tentative truce between mother and daughter. The daughter withdraws to a bedroom, slams the door, and the mother realizes what she perceives to be her fault for asking about the baby’s father and his responsibilities.

However, the now grandmother is ecstatic about her new grandson and regrets having angered her daughter, presumably for fear of losing a future relationship with the baby.

Not too much new here from anyone who came from a broken home. Erdrich’s story begins to lag at this point because this seems like a common story of many American families. Then, Erdrich begins to refine her story.

Erdrich turns to events of America’s 21st century world and the story reclaims a listener’s interest. A bookstore in which the heroine works after her release from prison is in Minnesota, the home of George Floyd’s senseless murder by the Minneapolis police.
The heroine’s husband, as a former reservation police officer, offers a whiff of irony to the story. As a police officer, he had looked at crime on a scale of threat to others rather than transgression of a written law. He gauged his action in arrest based on a scale of threat to others rather than violation of the letter of law.
Erdrich’s story encompasses Covid19. It is becoming a clear and present danger to the characters in her story. Businesses are beginning to suffer from the reality of a worldwide lock down. Bookstores are identified as essential services, but customers are reluctant to visit because of fear of public contact. The government offers loans to essential businesses that may be forgiven if they choose to weather the growing pandemic.
The world seems on the cliff edge of collapse with violence on the streets of Minneapolis and a virus that will consume humanity. A feeling from which many Americans are still adjusting.

Erdrich brings these events to the small world of one family. This family is every family with all the good and bad things that happen in life, but Erdrich implies bad things are more common in native American societies. The daughter is an alcoholic with an innocent baby born with an absent father. The daughter chooses to be in a pornographic movie to live a life she is able to afford. She expresses personal shame in a confession to her mother, a fact of her life of quiet desperation.

A layer of mysticism is added by the author that seems superfluous except that it is a reflection of native American’ belief in a spirit world.
The bookstore in which the heroine works is being haunted by the spirit of the woman who owned the bookstore, a woman that played an important role in the early life of the heroine. The haunting of the bookstore is related to the history of the deceased owner’s life. The bookstore owner lived a life dedicated to helping native Americans, believing she was born as an American Indian. Edrich recounts the discovery of a book by her husband that reveals a secret about the bookstore owner’s life. That secret becomes the focus of the story.

The spirit will presumably continue to haunt the store as long as the book is missing. The heroine, without knowing the contents of the book, buries it in the hope that the storeowner’s spirit will leave the bookstore. Hiding the book doesn’t work. The storeowner continues to haunt the store and plans to possess the heroine’s body. The storeowner’s desire for possession of the heroine’s body is part of the mystery of the buried book.
The finale of Erdrich’s story is about life and death, love of family, reconciliation between mothers and daughters, and the fate of a storeowner’s spirit. The attraction of Edrich’s books is to know something more about native American culture. In a larger sense, “The Sentence” is about the broad meaning of poverty and discrimination in America and those who suffer from it. To appreciate much of what Erdrich offers in “The Sentence”, a listener needs to be patient.
